time &
psi were partially a rejection of the folk idea in favour of glossy,
somewhat experimental pop. i realized that it was reasonable to move in a
more commercial direction, but folk wasn't something i understood well,
so it was a weird direction for me to be moving in. experimental or
psychedelic pop, on the other hand, was something i had a solid grasp
on...
time had been initially recorded in the fall and was remixed in late february to integrate a drum part. no original files exist. psi was recorded quickly in early march.
the track, as it existed in rabit, was a conscious pop compromise. i had ideas that weren't explored to keep it poppy and that have been expanded upon in the remixes.
the time machine is added here as a bonus track. it's based on an earlier classical guitar composition that was always meant to be reinterpreted as an idm tune and finally was in early 2014. the thematic overlap makes it relevant, but there is otherwise no connection between the two songs.
i started working on what would become my seventh symphony very shortly after the material on this ep was completed, and it really represents the point where i lost interest in rabit as a concept, under pressure to continue moving in a direction i didn't have any interest in. there are folk and psych versions of the track; sean never caught on to the psych version, and i never had my heart in the folk version. there were final folk demos recorded as late as the fall, but the disconnect was not solvable. the vocal version of the seventh symphony is in some way a corollary of but is ultimately too separate from these files to include here. psi & time, together, consequently comprise what is the fourth and final ("psychedelic pop") phase of rabit is wolf.
written in late 2001 and early 2002 and recorded in early 2002 and late 2014. the final mix was finished on nov 18, 2014. the uncorrupted mix was created on nov 18, 2014 and then cut up into the unstuck mix, but not added to the release until nov 2, 2017. the lorentz factor mix and the separated from mix were rendered on nov 2, 2017. disc finalized on nov 2, 2017. as always, please use headphones.
the 2014 instrumental version appears on my sixth record:
jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
the 2002 vocal mix appears on the rabit is wolf demo:
jasonparent.bandcamp.com/album/rabit-is-wolf
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2014, 2017).
time had been initially recorded in the fall and was remixed in late february to integrate a drum part. no original files exist. psi was recorded quickly in early march.
the track, as it existed in rabit, was a conscious pop compromise. i had ideas that weren't explored to keep it poppy and that have been expanded upon in the remixes.
the time machine is added here as a bonus track. it's based on an earlier classical guitar composition that was always meant to be reinterpreted as an idm tune and finally was in early 2014. the thematic overlap makes it relevant, but there is otherwise no connection between the two songs.
i started working on what would become my seventh symphony very shortly after the material on this ep was completed, and it really represents the point where i lost interest in rabit as a concept, under pressure to continue moving in a direction i didn't have any interest in. there are folk and psych versions of the track; sean never caught on to the psych version, and i never had my heart in the folk version. there were final folk demos recorded as late as the fall, but the disconnect was not solvable. the vocal version of the seventh symphony is in some way a corollary of but is ultimately too separate from these files to include here. psi & time, together, consequently comprise what is the fourth and final ("psychedelic pop") phase of rabit is wolf.
written in late 2001 and early 2002 and recorded in early 2002 and late 2014. the final mix was finished on nov 18, 2014. the uncorrupted mix was created on nov 18, 2014 and then cut up into the unstuck mix, but not added to the release until nov 2, 2017. the lorentz factor mix and the separated from mix were rendered on nov 2, 2017. disc finalized on nov 2, 2017. as always, please use headphones.
the 2014 instrumental version appears on my sixth record:
jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj-2
the 2002 vocal mix appears on the rabit is wolf demo:
jasonparent.bandcamp.com/album/rabit-is-wolf
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2014, 2017).
credits
released March 10, 2002
j - electric & acoustic guitars, bass, synthesizers, digital effects & processing, drum manipulations, orchestral & other sequencing, drum notation sequencing, digital wave editing, loops, sound design, production, composition.
j - electric & acoustic guitars, bass, synthesizers, digital effects & processing, drum manipulations, orchestral & other sequencing, drum notation sequencing, digital wave editing, loops, sound design, production, composition.
sean - vocals, lyrics (3,7)
greg - drum performance sample source (1-3, 5-6)
the rendered electronic orchestra on track 5 includes acoustic bass, synth bass, electric bass, brass, orchestra hit, drum machine, electronic drum kit, nylon guitar, electric guitar, synthesizer effects, music box, piano, bells and mellotron.
greg - drum performance sample source (1-3, 5-6)
the rendered electronic orchestra on track 5 includes acoustic bass, synth bass, electric bass, brass, orchestra hit, drum machine, electronic drum kit, nylon guitar, electric guitar, synthesizer effects, music box, piano, bells and mellotron.
