Thursday, May 1, 2014

deathtokoalas
it's unfortunate how the term hardcore got co-opted, and these debates never go anywhere, but this old dead kennedys song very succinctly describes how the term was stolen by thrash metal troglodytes, who created the basis of the existing genre - which is 100% metal. to the core.

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Harder core than thou for a year or two
Then it's time to get a real job
Others stay home; it's no fun to go out
When the gigs are wrecked by gangs and thugs

When the thugs form bands, look who gets record deals
From New York metal labels looking to scam
Who sign the most racist queer-bashing bands they can find
To make a buck revving kids up for war


defeater are a lot closer to hardcore in it's legitimate meaning, although you'd have to hyphenate it somehow to appreciate the shift from politics to narratives. not that this is apolitical, in any way. i've recently taken to calling them grunge (which is a subgenre of hardcore, in it's actual meaning). they might not like that, but i think it fits better than "screamo" or whatever else.

i kind of jump back and forth between wondering why the thrash metal types don't just drop it and wondering why punks don't move on. hardcore is a lot like emo in the way it got stolen, i guess. same group of bands, even.

it's like the thrash doofuses got upstaged in the heavy name department. one might suggest that they weren't creative enough to think up such a swell name for themselves, and did what all territorial, testosterone-driven jerks tend to do - they stole it. surprise? no. i mean, it's easy to point out how disingenuous the use of the term is, but then you look your opponent in the face and realize you'd might as well be debating with your dog. at least your dog understands simple requests, and can be trained not to piss everywhere.

so, why don't the punks just think something else up? it'll no doubt be stolen, sure. but i think there's a sort of feeling of injustice. and the fact that they're punks. whose genre? our genre!

the take away is that you should just laugh at people like black projex. if the name wasn't enough of a reason, i guess. from a distance. of course.

the new cloud nothings record

i was a bit weirded out by the first single, which is at least thankfully left at the end so it can be, err, quarantined, but this is definitely near the top of the year-end list, if the year-end list isn't full of pretentious garbage. i tend not to agree with most critics this side of the pitchfork abomination, but the acclaim on this is warranted. i just have a few suggestions for those reacting badly...

a) try headphones. it's not a stereo thing so much as it's a volume thing.
b) turn it up as loud as you possibly can.

i guess if you don't like loud, fast, energetic punk music then that's another issue. and i suppose a lot of people that are actually closer to my age (maybe a bit younger) really don't like that kind of fast, energetic music. which is a part of the record's appeal to those that are going to get it for what it is.

but, you know what they say: fuckin' hippies.

google play, huh?

best miley cyrus song ever.

even when it's channeling paul mccartney.

i grew up with 90s chili peppers, but sort of grew away from it so this is the first time i'm listening to this, and i just have to ask: is it actually played at the right speed? i know that people sometimes slow things down for copyright purposes. is that the case here? i'd expect a chili peppers record to be about 30-50% faster than this, tempo wise......!?

http://www.youtube.com/watch?v=GjVhk2o2zTw

pfft.

that's no match for my illudium Q-36 explosive space modulator.


also, weren't the russians denying this? right hand doesn't know what the left hand is doing, or what? welcome to capitalism, russia.