i missed this in august...attention drawn to it by tour dates....just wasn't paying attention...
i've only listened to the record all the way through once, and will have to give it a few more tries. you don't really "get" a defeater record on the first listen. but, i'm comfortable in stating that if i'm going to connect to this at all then it's going to be on a purely lyrical level. that's not impossible.
i wouldn't be surprised to find out that this disc was well received by people that are closer to the mainstream core of the modern "(scr)e(a)mo" sound. hey, there's a relatively big audience there. and, it's not a complete 180 - there's plenty of things that jumped out that seemed very characteristic of the band's previous work. but, the blunt and honest immediacy - the starkly nihilistic juxtapositions and just blatant punk rock, however much adapted - that made them refreshing seems to have been replaced by what are kind of contrived melodramaticisms. i mean, i don't want to sound ridiculous. it was always contrived. but, it was a different kind of contrived - a more thematic and less calculated one. if you're a fan of the centre of the genre that they're moving closer to, you probably won't understand this criticism because it's the perfect description of every band that you're used to listening to. but, if you lean more towards older school punk rock or perhaps even straight up art rock, don't really have any affinity with "emo" and were kind of being pulled into this by bands that hover closer to the core of what punk was, you'll understand what i'm getting at. if you're that person, as i am, you probably really didn't want to hear them walk down this path. but, you probably knew it was coming, too.
i could probably handle some standardization in the aesthetic if the writing compensated for it. musically, i didn't pick up on that the first time through - i got the opposite impression. i'll have to see if i pick up on it, thematically, as i listen to it a few more times.
i'll say this though: i was initially put off by the stronger testosterone level on letters home. but, as i got to understand the story line, i began to realize that it couldn't have been any other way. it had to be badass. i'll have to see if this connects in the same way.
i know this is an extremely tentative review. maybe i'll post another comment in a few weeks or months. but, that's how this band operates. you just don't understand it the first time you listen to it; if you think you do, you definitely don't. that's why elitist critics like me are drawn to them, even if they're consistently cycling around a genre we would generally consider to exist purely in the realm of bad taste.
