it's hard to fault the guy for the reaction. maybe dude was just looking for a couch. maybe not. he can't take liberties in guessing.
but, it is reasonable to ask questions about a society that allows the conditions which lead to something like this happening in the first place.
http://www.youtube.com/watch?v=AG1Xq5wRWxo
Wednesday, November 19, 2014
publishing the imaginary tour demo ep (inri059)
ok, that finishes inri040, which i'm releasing as a download-only release.
these mixes are a little messy at points, but it's marketed as a demo, so i'm ok with that.
--
something like this would have been the demo brought along on an acoustic tour that never happened. tracks 1-4 would have represented a live set over the summer of 2002, while tracks five and six are otherwise stranded acoustic demos. the style could be broadly categorized as folk punk, but it also leans heavily towards the emo of the period.
written and recorded in late 2001 and the first half of 2002. mildly remixed in november, 2014 to make the tracks more presentable; nothing substantial was altered, and no new sound was recorded. final mixes were on november 19, 2014. as always, please use headphones.
credits
j - acoustic guitar, voice (3)
sean - vocals, lyrics
released august 1, 2002
https://jasonparent.bandcamp.com/album/the-imaginary-tour-ep
1) this is the original demo, that the main track was built over. it is completely unaltered from the 2002 file. feb 5, 2002.
https://jasonparent.bandcamp.com/track/9-16-outside-the-magenta-box
2) this is a new mix of the original guitar and vocal parts. written and recorded in march, 2002. mix done on nov 19, 2014.
http://jasonparent.bandcamp.com/track/psi-4
3) when the idea of performing as an acoustic duo was decided upon, it became clear that much of the recorded material was unsuitable for this purpose. the original version of this track would have been painfully boring to watch as a duo, with the music consisting of nothing more than a basic bass line. so, i rewrote the song for acoustic presentation. this is a (rough) live demo that i made for sean. no recording with sean was created.
it's a tricky guitar part, and trickier to do while singing (which wouldn't have been necessary in a live setting).
obviously, a live version would have included sean singing his vocals rather than me reciting them. it would have also included dual harmonies at the end.
some minor editing of this may 5, 2002 mix was done on nov 19. 2014.
http://jasonparent.bandcamp.com/track/me-myself-and-the-time-i-thought-this-was-a-good-idea-2
4) this is actually a transitional version of the song, halfway between the initial folk version (jasonparent.bandcamp.com/track/the-day-i-saw-you-cry-first-demo ) and the rabit is wolf version (jasonparent.bandcamp.com/track/the-day-i-saw-you-cry). the guitar part was recorded live in may, 2002 for the purposes of it being the performance version of the track, and just as a way to show it to sean over icq (or was it msn?). i've reconstructed the vocals from recordings of the studio version, which is in itself a substantial reworking because those vocals were heavily manipulated.
i had no option but to time shift some of the tracks as some of this recording is in a different tempo, but these are otherwise naked vocals and this is otherwise what i would have wanted a live performance of the track to sound like, as the ending point of any live set.
this mix was done on nov 19, 2014, out of parts recorded in may and june of 2002, and is dated to june 10, 2002.
http://jasonparent.bandcamp.com/track/the-day-i-saw-you-cry-2
5) this was a live demo (with sean on the left channel and myself on the right) that i think was probably recorded in july. i've mixed the channels down, but not altered it, otherwise. mixed on nov 19, 2014. dated to july 14, 2002.
this was a song that had a split personality from the beginning; it was being converted into a techno song for my own uses at the same time that it was being written with sean, and to be honest i had far more invested into the techno side of it. i did play it for sean, but he wasn't interested. no final mix was recorded with sean. i think this version is best left as it is.
https://jasonparent.bandcamp.com/track/penny-shoeman
6) this was a live demo (with sean on the left channel and myself on the right) that i think was probably recorded in july. this was never finished as a rabit tune, and i never expanded it into one of my own tunes. i think it's better left as it is. this acoustic ep is actually a good home for it, as it was intended that way.
the little bit of production i did was in mixing the channels. the intent was just to mix the two sources together, but i felt that the mixdown took something away from sean's vocals that they previously had when they were separated in the mix - this is hard to articulate, it's just something about the empty space. so, that's the idea going on there.
i constructed this final mix (date: nov 19, 2014) out of two mixes - one that continued the stereo rotation for the whole track, and the initial channel-separated one. it's dated to july 28, 2002.
http://jasonparent.bandcamp.com/track/jumped-up-and-down
note that this is also the last rabit is wolf release.
i'm going to put a box set up, but it's difficult to place the boundaries on it so i'm not sure yet. the rule will probably be "include's seans vocals". which will make the box set eight or nine discs.
these mixes are a little messy at points, but it's marketed as a demo, so i'm ok with that.
--
something like this would have been the demo brought along on an acoustic tour that never happened. tracks 1-4 would have represented a live set over the summer of 2002, while tracks five and six are otherwise stranded acoustic demos. the style could be broadly categorized as folk punk, but it also leans heavily towards the emo of the period.
written and recorded in late 2001 and the first half of 2002. mildly remixed in november, 2014 to make the tracks more presentable; nothing substantial was altered, and no new sound was recorded. final mixes were on november 19, 2014. as always, please use headphones.
credits
j - acoustic guitar, voice (3)
sean - vocals, lyrics
released august 1, 2002
https://jasonparent.bandcamp.com/album/the-imaginary-tour-ep
1) this is the original demo, that the main track was built over. it is completely unaltered from the 2002 file. feb 5, 2002.
https://jasonparent.bandcamp.com/track/9-16-outside-the-magenta-box
2) this is a new mix of the original guitar and vocal parts. written and recorded in march, 2002. mix done on nov 19, 2014.
http://jasonparent.bandcamp.com/track/psi-4
3) when the idea of performing as an acoustic duo was decided upon, it became clear that much of the recorded material was unsuitable for this purpose. the original version of this track would have been painfully boring to watch as a duo, with the music consisting of nothing more than a basic bass line. so, i rewrote the song for acoustic presentation. this is a (rough) live demo that i made for sean. no recording with sean was created.
it's a tricky guitar part, and trickier to do while singing (which wouldn't have been necessary in a live setting).
obviously, a live version would have included sean singing his vocals rather than me reciting them. it would have also included dual harmonies at the end.
some minor editing of this may 5, 2002 mix was done on nov 19. 2014.
http://jasonparent.bandcamp.com/track/me-myself-and-the-time-i-thought-this-was-a-good-idea-2
4) this is actually a transitional version of the song, halfway between the initial folk version (jasonparent.bandcamp.com/track/the-day-i-saw-you-cry-first-demo ) and the rabit is wolf version (jasonparent.bandcamp.com/track/the-day-i-saw-you-cry). the guitar part was recorded live in may, 2002 for the purposes of it being the performance version of the track, and just as a way to show it to sean over icq (or was it msn?). i've reconstructed the vocals from recordings of the studio version, which is in itself a substantial reworking because those vocals were heavily manipulated.
i had no option but to time shift some of the tracks as some of this recording is in a different tempo, but these are otherwise naked vocals and this is otherwise what i would have wanted a live performance of the track to sound like, as the ending point of any live set.
this mix was done on nov 19, 2014, out of parts recorded in may and june of 2002, and is dated to june 10, 2002.
http://jasonparent.bandcamp.com/track/the-day-i-saw-you-cry-2
5) this was a live demo (with sean on the left channel and myself on the right) that i think was probably recorded in july. i've mixed the channels down, but not altered it, otherwise. mixed on nov 19, 2014. dated to july 14, 2002.
this was a song that had a split personality from the beginning; it was being converted into a techno song for my own uses at the same time that it was being written with sean, and to be honest i had far more invested into the techno side of it. i did play it for sean, but he wasn't interested. no final mix was recorded with sean. i think this version is best left as it is.
https://jasonparent.bandcamp.com/track/penny-shoeman
6) this was a live demo (with sean on the left channel and myself on the right) that i think was probably recorded in july. this was never finished as a rabit tune, and i never expanded it into one of my own tunes. i think it's better left as it is. this acoustic ep is actually a good home for it, as it was intended that way.
the little bit of production i did was in mixing the channels. the intent was just to mix the two sources together, but i felt that the mixdown took something away from sean's vocals that they previously had when they were separated in the mix - this is hard to articulate, it's just something about the empty space. so, that's the idea going on there.
i constructed this final mix (date: nov 19, 2014) out of two mixes - one that continued the stereo rotation for the whole track, and the initial channel-separated one. it's dated to july 28, 2002.
http://jasonparent.bandcamp.com/track/jumped-up-and-down
note that this is also the last rabit is wolf release.
i'm going to put a box set up, but it's difficult to place the boundaries on it so i'm not sure yet. the rule will probably be "include's seans vocals". which will make the box set eight or nine discs.
publishing time (inri056)
sound raider isn't behaving...i probably wouldn't have uploaded it anyways....
so, inri037 is now complete.
--
time & psi were partially a rejection of the folk idea in favour of glossy, somewhat experimental pop. i realized that it was reasonable to move in a more commercial direction, but folk wasn't something i understood well, so it was a weird direction for me to be moving in. experimental or psychedelic pop, on the other hand, was something i had a solid grasp on...
time had been initially recorded in the fall and was remixed in late february to integrate a drum part. no original files exist. psi was recorded quickly in early march.
the track, as it existed in rabit, was a conscious pop compromise. i had ideas that weren't explored to keep it poppy and that have been expanded upon in the remixes.
the time machine is added here as a bonus track. it's based on an earlier classical guitar composition that was always meant to be reinterpreted as an idm tune and finally was in early 2014. the thematic overlap makes it relevant, but there is otherwise no connection between the two songs.
i started working on what would become my fourth symphony very shortly after the material on this ep was completed, and it really represents the point where i lost interest in rabit as a concept, under pressure to continue moving in a direction i didn't have any interest in. there are folk and psych versions of the track; sean never caught on to the psych version, and i never had my heart in the folk version. there were final folk demos recorded as late as the fall, but the disconnect was not solvable. the vocal version of the fourth symphony is in some way a corollary of but is ultimately too separate from these files to include here. psi & time, together, consequently comprise what is the fourth and final ("psychedelic pop") phase of rabit.
written in late 2001 and early 2002 and recorded in early 2002 and late 2014. the final mix was finished on nov 18, 2014. as always, please use headphones.
credits:
j - electric & acoustic guitars, bass, synthesizers, digital effects & treatments, drum manipulations, programming, digital wave editing, loops, sound design, production, composition.
sean - vocals, lyrics (3,4)
greg - drum performance sample source (1-3)
the rendered electronic orchestra on track 5 includes acoustic bass, synth bass, electric bass, brass, orchestra hit, drum machine, electronic drum kit, nylon guitar, electric guitar, synthesizer effects, music box, piano, bells and mellotron.
released march 10, 2002
https://jasonparent.bandcamp.com/album/time
so, inri037 is now complete.
--
time & psi were partially a rejection of the folk idea in favour of glossy, somewhat experimental pop. i realized that it was reasonable to move in a more commercial direction, but folk wasn't something i understood well, so it was a weird direction for me to be moving in. experimental or psychedelic pop, on the other hand, was something i had a solid grasp on...
time had been initially recorded in the fall and was remixed in late february to integrate a drum part. no original files exist. psi was recorded quickly in early march.
the track, as it existed in rabit, was a conscious pop compromise. i had ideas that weren't explored to keep it poppy and that have been expanded upon in the remixes.
the time machine is added here as a bonus track. it's based on an earlier classical guitar composition that was always meant to be reinterpreted as an idm tune and finally was in early 2014. the thematic overlap makes it relevant, but there is otherwise no connection between the two songs.
i started working on what would become my fourth symphony very shortly after the material on this ep was completed, and it really represents the point where i lost interest in rabit as a concept, under pressure to continue moving in a direction i didn't have any interest in. there are folk and psych versions of the track; sean never caught on to the psych version, and i never had my heart in the folk version. there were final folk demos recorded as late as the fall, but the disconnect was not solvable. the vocal version of the fourth symphony is in some way a corollary of but is ultimately too separate from these files to include here. psi & time, together, consequently comprise what is the fourth and final ("psychedelic pop") phase of rabit.
written in late 2001 and early 2002 and recorded in early 2002 and late 2014. the final mix was finished on nov 18, 2014. as always, please use headphones.
credits:
j - electric & acoustic guitars, bass, synthesizers, digital effects & treatments, drum manipulations, programming, digital wave editing, loops, sound design, production, composition.
sean - vocals, lyrics (3,4)
greg - drum performance sample source (1-3)
the rendered electronic orchestra on track 5 includes acoustic bass, synth bass, electric bass, brass, orchestra hit, drum machine, electronic drum kit, nylon guitar, electric guitar, synthesizer effects, music box, piano, bells and mellotron.
released march 10, 2002
https://jasonparent.bandcamp.com/album/time
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