obligatory "influential on lead track post"...

i'm trying to remember what i was driven by at the time, and the truth is that i was just mostly playing with the gear. all i'm really coming up with is some early 90s industrial music. it's about the time i was starting to get big into coil and skinny puppy. but, in the sense that it was an influence it was more in the horizons-expanding sense. listening to records like this one legitimized the idea of splicing samples together in weird ways.

(relevant tracks: skinny puppy have been a dominant influence on material i recorded after 1997.)

http://www.youtube.com/watch?v=p_VmkLKkRgw

obligatory "influential on lead track post"...

when i started playing with samples in late 97, i was told by some older music fans that negativland is worth checking out. i spent quite a bit of time sorting through mp3s downloaded via ftp and didn't really find anything i could seriously relate to. it was very influential on me in an aesthetic sense though - it legitimized the idea i had of splicing samples together in weird ways.

(relevant tracks: inrisampled, eat my fuck, most of the connecting sections in the 1997/1998 material)

http://www.youtube.com/watch?v=Z6gPSSYxex0

obligatory "influential on lead track post"...

i'm trying to remember what i was driven by at the time, and the truth is that i was just mostly playing with the gear. all i'm really coming up with is some early 90s industrial music. it's about the time i was starting to get big into coil and skinny puppy. but, in the sense that it was an influence it was more in the horizons-expanding sense. listening to records like this one legitimized the idea of splicing samples together in weird ways.

(relevant tracks: inrisampled, eat my fuck, most of the connecting sections in the 1997/1998 material)

http://www.youtube.com/watch?v=zzqsVbFs5fc