this was a night that was neither supposed to be late nor expensive, but the sudden collapse in the canadian dollar, combined with the closure of the tunnel overnight for maintenance work, meant that going to the show would be more expensive than previously budgeted for, and that there was no option but to overnight in the diner, as the tunnel bus would be out of service from 20:00 on the night of the 12th until 7:00 on the morning of the 13th. once i realized this on thursday morning, i strongly considered skipping the show, but in the end reasoned that the shows at the end of the month would likely end up canceled, anyways, so i'd might as well overpay on one last night out for a long while. so, i caught the last bus of the night over to detroit, which was the 19:00 bus.
all anybody outside wanted to talk about was the virus, and the looming assumption that there were imminent closures coming, indeed that things were being canceled and closing down in real time. people found themselves in the situation where they were just looking for something that was open.
my interest in the show was initially in the second band, control top, but i made sure to get there on time in order to see weeping icon, as well. i strongly considered catching weeping icon the last time they were here, in november:
so, the weather made actually going to this somewhat of a non-starter. i would have had to have dragged myself, and an unknown punk band wasn't going to do it...
it's an interesting proof of concept, but i wish they did more with the electronics than they are. it just kind of comes off as something to distract people while they're tuning or changing busted strings...
purely as a punk act, it's fun enough, if relatively generic.
i actually bet it was fun. but, my impression is that they should be doing more than this, and i hope they do.
https://weepingicon.bandcamp.com/album/weeping-icon
my memory of listening to this record back in november was that i interpreted them as a kind of art-rock band that was under-utilizing it's resources, and seemed to think they had a stand-up bassist for some reason. experiencing them live did uphold my perception of the electronics being used as a tuning distraction, as that is literally what they were used for, but it also clarified the band's intended presentation as very much being that of a punk rock band. it's perhaps worth noting that the band also slimmed down to a bass-guitar-drums three-piece, in noting the minimized importance of the noise and the increased importance of the band's presentation as a punk band.
this is a concept record, and they did play songs from it, but they didn't try to present it conceptually, so my comment that the record is an interesting proof of concept that requires greater elaboration is perhaps not reflective of their future plans - i might expect more straight-up punk rock from them, in the future.
and, as noted, they are in fact intriguing enough purely as a punk band. the guitarist can take up quite a bit of space on her own. it'll be interesting to see what she does with it.
so, i think i caught this band in a state of flux, and less want to make a point of a detailed analysis, and more want to point out what appears to be changing.
control top were an act that i first encountered at the end of the year, via reading through some best of the year lists.
the record is a little generic at points, but this is one of two or three types of music where i don't spend much time worrying about that - it just needs to actually be good and this does that.
they could turn the vocals down a hair. my ideologically rigorous, enlightenment-era approach to anarchism sort of clashes with her post-nihilist anti-intellectualism, but whatever; that's academic, mostly.
that means that i won't grade this too high, but it also means i'd enjoy seeing it more than most of the stuff in the list.
https://controltop.bandcamp.com/album/covert-contracts
after a few listens, what i found to be enduring about this act is that they actually have punk lyrics in addition to their classic punk sound, which is rare in music of this sort in the current epoch; generally, acts in the punk spectrum with punk ideologies will avoid a catchy and pop-friendly type of sound or image nowadays, while the classic punk rock sound, itself, has largely been appropriated by pop culture and tarnished with bubblegum-pop type pseudo-artistry. perhaps pop culture's recent retreat from rock-era forms has reopened a space for the classic punk sound to be reunited with punk rock ideology. i would welcome that, as i don't tend to get much musical enjoyment from, or have much fun listening to, these hyper-aggressive spins on the style. i miss a more tactile and fun approach to punk culture....
live, the band presented the recorded material without a lot of variation, the high part of the show perhaps being when the singer descended on the floor and directly confronted a number of the male audience members on their hierarchical enforcement of covert contracts by yelling in their faces about it. i hope she wasn't infected, at the time. i was spared this wrath; i received a soft touch on my shoulder, instead.
teener were again booked to play this show, either first or last, and dropped out on the day of.
i didn't really plan the rest of this out very closely; i decided i'd find somewhere open, and kind of wing it. one idea was to just stay at the venue, but it chased everybody out and shut down early under rumours that it might be shutting down for a while - and, indeed, there was a facebook post not long after, indicating the venue would be closing indefinitely.
i had loosely planned to end up at tv lounge until 2:00ish, but they were closed when i got there, also indefinitely. before leaving the venue, i had heard rumours about things being open in corktown, so i took a walk around the corner to ufo and parked out there for the night.
as the concert that was scheduled at ufo was canceled by the band that booked it, the place was mostly empty by the time i got there around 23:00; pretty much the only people that were there were actually staff from other bars that had shut down early for the night and needed to have a drink and chill out and vent.
the people that i'm talking about are reliant on income coming into their respective bars - dishwashers, bartenders. they were rightly absolutely freaking out about what they were going to do if everything got canceled, and simply didn't want to listen to me rationalize with them, they just wanted to vent. so, i backed off a little and listened, and they made their concerns clear, even if they weren't always well-grounded in science, and i had to bite my tongue about it. writing in mid-april, i don't know what steps the government of michigan has taken to help them, but i hope they figured something out.
after however many beers at ufo, i eventually ended up back at the diner, and got something different, a blt, because my usd was running out when i got there. i nodded off for a bit after 5:00, but was out on time to catch the early bus back, make it home before the cold snap hit (again) and make some nachos before getting some rest in.
