this is inri002; it's what i've been listening to in the other room for the last day or so. what it does is combine bits and pieces of my first two demos, which are largely unlistenable, into something that can actually be enjoyed. i've pointed out that the first demo has a kind of abstract quality to it that has the potential to find an extreme niche audience somewhere between philosophy of the world and trout mask replica. that's great and all, but most people find that kind of thing too challenging.
this is far more digestible - which also means far less cringe-y. there are some short vocal sections, but it's broadly instrumental. the sections are usually short. so, it's a mix tape. all of the snippets were recorded in 1996 or 1997, but the mix was constructed in 2013.
i'm posting this now because i'm enjoying it for what it is. i've come to the conclusion that this is a really seriously worthwhile addition to my discography. when i first mixed it, it was more as a way to save face - i wanted to be able to do something with all these little pieces of sound that were ruined by bad lyrics. it's grown on me as a really positive decision.
it's weird. very weird. that's why i like it so much. but, it's contained and sort of catchy, too. there's an audience for this, for sure. and i'm proud of this now, finally.
==
i've released a dozen different things with the title "inricycled", making it more of a concept than a release. it's not just the material i'm recycling, now, it's the idea of recycling material.
i hope this is the final iteration. the difference, here, is that i'm trying to isolate segments of songs that people interested in my more recent compositions would find interesting. these fragments aren't entirely void of lyrics, but they're very minimal. they're also quite short.
i've retitled most of the tracks to get a feel of what the music sounds like and/or what i was thinking as i was writing it.
the material in this volume is taken from the first two cassette demos, inri000 and inri001.
this is the best possible absolute starting point for my musical material.
written and recorded over 1996 and 1997. digitally remastered, sequenced and mildly modified in the fall of 2013. released dec 11, 2013. finalized as lp000 on july 3, 2016. i consider this my unofficial zeroth record. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1997, 2013, 2016).
credits:
j - guitars, effects, bass, drums, vocals, keyboards, tapes, found sounds, metronomes, digital wave editing, production.
released july 1, 1997