i agree with those arguing that she's butchering this. i've always interacted with the piece as a blaring romp, written by an emotionally insecure male that is releasing all of his anger and frustration. she's playing it in a soft and sensuous manner that invites a sultry lounge singer.
the notes are flawless, but there's just no rage or sadness or frustration in it.
deathtokoalas
i mean, maybe she's trying to sex it up. fine.
...but this really needs to be played by 40 year old virgins (ok, i'm exaggerating) to get the maximum feel out of it.
Tim
your understanding of the composer's work is clearly limited if you think anything he wrote is devoid of lust or passion. also, wang's artistic conviction and integrity are what make her performance so remarkable. interpreting a piece in a way that deviates from the norm (or, in this case, your personal preference) is not indicative of poor musicianship.
deathtokoalas
did i not point out that she played the piece flawlessly? but if you understand where the piece is coming from, and all the self-doubt and insecurity attached to it, you'll realize she's completely missing the point.
i mean, if i want to listen to shmaltzy, upper class nonsense i'll go listen to mozart or shostakovich or something. what makes rachmaninov special is the social anxiety in the writing. you take that away, and it's just another delve into aristocratic masturbation. there's plenty of that for those that want it, without needing to ruin that which stands away from it.
i kind of held back a little bit initially, but does she look to you like somebody that has ever experienced the kind of shit rachmaninov went through? young, beautiful, rich. she'd need a brain transplant to get her mind around this. it would be remarkable if she did understand this emotionally, that is as something more than notes on a page - which she does clearly understand quite well.
Vlad
eugh...welcome to music, blessed art it is, where each comes with their own interpretation.
deathtokoalas
this is scored music, not jazz. personal contributions should be kept to an absolute minimum. the performer is a worthless intermediary between my ears and the composer's mind - a necessary evil. i don't care what she thinks.
Vlad
Scored music is still subject to interpretation (not talking about improvisation). Any two people will feel to play the same piece differently
deathtokoalas
completely wrong liberal bullshit. if i want to listen to yuja wang, i'll listen to one of her compositions. i'm here to listen to rachmaninov. the moment she brings her individuality into the process is the moment she completely fucks up. you need to get your head out of this relativistic gallow before it comes down. there are correct and incorrect ways to play a piece.
i don't want to continue this into perpetuity, so i'm just going to be clear about the non-relativistic reality of things before i close off further comments.
there are two ways to perform a scored piece of music:
1) the way it was written
2) incorrectly
this slutty performance is not capturing the piece the way it was written. it's a "modern interpretation" that replaces the tortured soul of the piece with vapid and gratuitous sexuality. therefore, it's wrong. there's no further worthwhile debate on the point, unless you want to resort to the idiocy of "it's just your opinion".
it's not. and that decadent attitude is destroying our culture and our civilization.
out.
