Friday, August 15, 2014

i have a very similar guitar style (developed independently, but he was doing this a few years before i was) so i understand this very well and getting your head around it is not really about asking the question of if it's difficult or not. could anybody do this? sort of, but not really. what bill orcutt does with his solo work is a type of blues music. could anybody play like hendrix? well, you can teach just about any hendrix to just about any ten year old, so it might seem that way if you're focusing on the mechanics. but, not everybody can write music like jimi did - his creativity on the instrument really remains unparalleled. and, if you ask the ten year old that just played little wing perfectly (almost perfectly. no feel.) to write a song in the style, you're not likely to get a good result.

blues guitarists are at their best when they're just flowing. i've seen so many guitarists try and describe this, but you have to experience it to really get it. it's almost a spiritual experience, as though your hands are being guided. it's some kind of trance. the music comes from somewhere else and flows through you. i'm as dour an atheist as you'll ever find, but this is something that happens; it may be largely psychological, or the result of releasing emotion, but the effect of feeling guided is as real as real can be.

you're consequently only really going to get this if you can feel it, the same way you feel a blues or fusion guitarist. it's entirely visceral. the arrangements are different, but the blues aren't about the arrangements. the blues are about the raw power. what an advocate of this will tell you is that it's visceral power is increased by stripping out anything remotely resembling conventional music. all that remains is the trance, and that amplifies it.

but, on some level, is he just fucking around on a broken guitar? well, yeah.