np: list

2024

(opinion decryption matrix at bottom of page along with country list)


my cds were semi-recently taken off the shelf and put into piles for writing purposes, but i'm undoing that now. what i'm doing at the moment is listening to my entire cd collection, in alphabetical-chronological order, as i'm focusing on the writing. this has the effect of drowning out my gross neighbours.

what is listed here will be my physical cds - no bandcamp streams, no tapes, no records, no mp3s. like most people, i don't buy a lot of cds nowadays, but i actually want that to change. i want to collect old and new cds. i want the library. in fact, send me your old cds if you don't want them - email me. more bookshelves can be found on curbs or for cheap second-hand. my steady decrease in cd purchasing over the last 20 years means that i don't have many cds released after 2005 and have almost none released after 2010.

my cd collection has also taken a few hits over the years as i've needed to sell cds a couple of times in my life in order to exist. what's left remains substantive, but what that means is that it's also been purged. this is not the collection it was or the collection i want it to be but it's still a collection of unusual and substantive music that i'm proud of and want to be more proud of.

some of these are in fact rare and out of print and if they're in this list it means i do in fact have an actual physical copy of the cd.

upcoming, 2024-2025
our lady peace canada
not breathing us
new teeth canada
neil young canada
nick drake uk+ire
nirvana us
nine inch nails us
micronaut us
mike keneally us
ministry us
mogwai uk+ire
muslimgauze uk+ire
mr. bungle us
maurice ravel france
meat puppets us
moist canada
mike oldfield uk + ire
manorexia australia / us
miles davis us
chet atkins us
mark knopfler us
my bloody valentine uk+ire
mahavishnu orchestra uk+ire/us
mammatus us
man or astroman? us
melvins us
mark lanegan us
meat beat manifesto uk + ire
medeski martin and wood (and scofield) us
meg lee chin us
lustmord us
duke ellington us
louis armstrong us
larry carlton us
lee ritenour us
labradford us
lard us
lenny breau canada
live us
ludwig van beethoven germany
karcius canada
killing joke uk + ire
kingdom shore canada
kraftwerk germany
king crimson uk + ire
jessica murray (as proverbs) canada
jessica murray (as tetris) canada
jessica murray (as throatmotor) canada
jessica murray (as cycles per second) canada
jessica murray (as π) canada
jessica murray (as j's adventures in guitarland) canada
jessica murray (as akousmatikoi) canada
jessica murray (as the trivial group) canada
jessica murray (as fuel true anarchy in the americas) canada
jessica murray (as rabit is wolf) canada
jessica murray (as the cynicide collaboration) canada
jessica murray (as jjjjjjjjj) canada
jessica murray (as deny everything) canada
jessica murray (as inri) canada
jessica murray (as second class citizens) canada
john zorn us
joy division uk+ire
jonny greenwood uk+ire
john mcaughlin uk+ire
john cage us
js bach germany
john coltrane us
james iha us
jack dangers uk + ire
jaga jazzist norway
jane's addiction us
jello biafra and the melvins us
john scofield us
ponty & grappelli france
jean-luc ponty france
bela bartok hungary
igor stravinsky russia
iannis xenakis greece
i mother earth canada
hindu love gods us
hilt canada
hooverphonic belgium
hot hot heat canada
henry mancini us
hey rosetta canada
hanged up canada
hater us


this post was about the purchases made out of the cbc overflow bin. i am realizing i am missing a pile of cds, and these were never catalogued so let me make sure i'm not missing any. i'll need to delete these as they come up.

------

the cd firesale today was 100 discs for $50, or 50 for $35 and with decreasing levels of firesaleiness. i pulled out 81 to start, so i felt i had to pull it up to 100.

they had a large amount of jazz and classical from the cbc libraries. the cbc digitized everything and dumped it at the university, and they put it up for sale. fine with me. none of it is work i had on high priority, but it's all items i'd _eventually_ get, so i decided i'd might as well purchase it when it's $0.50 a piece.

the one rarity i found was the first tea party demo, which was self-released by hand. this is a real find.

for the rest of it, i'm not going to write it all out, i'm going to go by genre and disc number. it won't add up to exactly one hundred because some of the discs have multiple composers.

post-punk:
cocteau twins (1)
david bowie (1)
david sylvian (1)

indie rock:
the hylozoists (1)
pavlov's dog orchestra (1)
hot hot heat (1)

jazz:
metheny (5)
ritenour (5)
medeski, martin, wood (3)
thelonius monk (2)
coltrane (3)
knopfler (1)
atkins (1)
scofield (2)
reinhardt (3)
grapelli (5)
brubeck (2)
basie (4)
charlie parker (1)
larry carlton (2)
jean-luc ponty (7)
ron carter (1)
ellington (1)
louis armstrong (2)
chester thompson (1)
davis (1)
sun ra (1)
benny goodman (3)
dimeola (1)
blind boys of alabama (1)

classical:
tchaikovsky (4)
dvorak (2)
mozart (1)
satie (2)
barber (1)
bristow (1)
ravel (1)
rachmaninov (8). including 5 volume complete piano works.
shostakovich (1)
bach (1)
stravinski (1)
bartok (1)
chopin (3)
moskowski (1)
koprowski (1)
delibes (1)
mancini (1)
steve hackett (1)
paul mccartney (2)
symphonic yes (1)
evelyn glennie (1)
pasero (1)

world:
peter gabriel mix tapes (3)
afro-celt soundsystem (3)

electronic:
delerium (1)

rock music i listened to when i was a kid:
bryan adams (1)
duran duran (1)
tom cochrane (1)

rock music i listened to when i was a teenager:
james iha (1)
tea party (1)

my old blues guitar teacher:
robert farrell band (1)

dec 30, 2024

genesis the lamb lies down on broadway
disc 1
1974 uk+ire 1
genesis nursery cryme 1971 uk+ire 0
genesis trespass 1970 uk+ire 1
ralph vaughan williams fantasy on greensleeves 1928 uk+ire 2
ralph vaughan williams fantasy on a theme by thomas tallis 1910 uk+ire 0
gustav holst the planets 1916 uk+ire 1
godspeed you black emperor yanqui uxo 2002 canada 0
genesis nursery cryme 1971 uk+ire 0
genesis trespass 1970 uk+ire 1
ralph vaughan williams fantasy on greensleeves 1928 uk+ire 2
ralph vaughan williams fantasy on a theme by thomas tallis 1910 uk+ire 0
gustav holst the planets 1916 uk+ire 1


dec 30, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1986-1987.

anthony phillips private parts and pieces VII 1987 uk+ire i had never heard this before at all. 1987:2
total:64
phil collins 12"ers 1987 uk+ire this is a greatest hits of extended versions of the singles.
eric clapton august 1986 uk+ire i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. 1986:5
total:62
genesis invisible touch 1986 uk+ire 4 my dad did not have a copy of this record, but i had a store bought tape when i was a kid and i think i had a cd of it at one point, but it was a long time ago if i did. as with all of the collins-era genesis, it is hit and miss, but this is also the best record since duke, and contains the most interesting epic pieces since wind and wuthering. on some level, they finally get a post-punk take on genesis right on this record, but it also has some of the sappiest and goofiest ballads on it as well, as all of the collins era discs do. this was the first genesis record i had a copy of.
peter gabriel so 1986 uk+ire 1 i was able to salvage my father's copy of this cd in 2013.
tony banks soundtracks 1986 uk+ire i had never heard this before at all.
anthony phillips private parts and pieces VI 1986 uk+ire 2 i had never heard this before at all.


dec 22-, 2024

as of the 22nd, i'm still sick but feeling better and decided to start over again.

flaming youth ark 2 1969 uk+ire 2 i had never heard this before at all and had never heard anybody talk about it. this was phil collins' first band and it's an unusual record, with a noticeable psychedelic pop influence and a 60s punk bite. phil periodically plows through the mix with psychotic drumming, but it's a pretty well behaved 60s art rock album, overall. i will criticize a lot of genesis side projects as unfocused, but this is unfocused in a good way, like can or zappa can be unfocused. call it funfocused. 1969:4
total:9
van der graaf generator the aerosol grey machine 1969 uk+ire 2 produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
genesis demoes from 1967-1975 box set 1969 uk+ire 2 the 1969 demoes lean more towards trespass.
genesis from genesis to revelation 1969 uk+ire 2 this was their first record and still features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this is a different sound than genesis would be known for, but it is actually a pretty good record, and actually features some of gabriel's more interesting vocals. it has influences from a wide variety of 60s rock genres.
canterbury glass prologue 1968 uk+ire 2 i had never heard this before at all. this is an early steve hackett project; it is relatively interesting, but just a song. 1968:4
total:5
genesis a winter's tale 1968 uk+ire 3 this was their second single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this was not on the record released in 1969.
genesis demoes from 1967-1975 box set 1968 uk+ire 2 the 1968 demoes are more similar to the first record.
genesis silent sun single 1968 uk+ire 2 this was their first single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup.
genesis demoes from 1967-1975 box set 1967 uk+ire 2 the earliest genesis recordings are from 1967 and are actually most similar to the records from the early 80s. these are extremely enjoyable and very well written 60s pop songs, with gabriel as the main focus as a poetic lyricist. while i was not born yet, it's certainly far more interesting than any of the shitty, boring metal bands from the era and i certainly would have been more interested in music like this at the time than i would have been in any kind of 60s metal. 1967:1
total:1


dec 14-18, 2024

i started again to include work by producers linked to genesis, but had to stop on the 18th when i got the flu..

argent counterpoints 1975 uk+ire 3 phil collins on drums 1975:7
total:63
steve hackett voyage of the acolyte 1975 uk+ire 4 this has the guitarist (hackett), bassist (rutherford) and drummer (collins) from genesis, without either singer (gabriel or collins) or the synth player (tony banks), who was replaced on the record with hackett's brother john. there's also some musicians i know from mike oldfield records. i don't remember if this was initially richard's or if it was a gift c. 2006ish. it doesn't have the type of drumming my dad was looking for in listening to genesis, and i don't think he had a copy.
the mothers of invention bongo fury 1975 us 1 chester thompson on drums.
the mothers of invention one size fits all 1975 us 1 chester thompson on drums.
elton john selections from captain fantastic...
we all fall in love sometimes, curtains
1975 uk+ire synthesizers by david hentschell.
jean-luc ponty aurora 1975 france 1 daryl stuermer on guitars
david henstchell startling music 1975 uk+ire 3 phil collins on drums
empire sky at night 1974 uk+ire drums by phil collins 1974:11
total:56
elton john step into christmas 1974 uk+ire synthesizers by david hentschell.
the tremoloes shiner 1974 uk+ire synthesizers by david hentschell.
brian eno mother whale eyeless 1974 uk+ire drums by phil collins
genesis the lamb lies down on broadway 1974 uk+ire 1 i was able to recover my dad's copy of this in 2013
the mothers of invention roxy & elsewhere 1974 us 1 chester thompson on drums.
peter hammil in camera 1974 uk+ire synthesizers by david hentschell.
elton john selections from caribou
pinky, solar prestige a gammon, don't let the sun go down on me, ticking
1974 uk+ire synthesizers by david hentschell.
jimmy webb land's end 1974 us synthesizers by david hentschell.
genesis twilight alehouse 1974 uk+ire 3
mick ronson hey ma get pa 1974 uk+ire synthesizers by david hentschel.
home the alchemist 1973 uk+ire produced by anthony/hentschel. 1973:14
total:45
chris darrow selections from under my own disguise
whenever you are, old scratch
1973 us synthesizers by david hentschel.
o'donnel levy dawn of a new day 1973 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with.
davey johnstone selections from smiling face
walking out, islands, smiling face
1973 uk+ire synthesizers by david hentschel.
elton john selections from goodbye yellow brick road
funeral for a friend, all the girls love alice
1973 uk+ire synthesizers by david hentschel.
genesis selling england by the pound 1973 uk+ire 0 my dad had a copy of selling england by the pound and i have never purchased or owned it and was disappointed to be unable to locate it on my father's death in 2013.
peter banks two sides of peter banks 1973 uk+ire 3 hackett and collins
blood sweat and tears no sweat 1973 us produced by anthony/hentschel.
genesis live 1973 uk+ire 1
queen I 1973 uk+ire 1 produced by anthony/hentschel.
peter hammill chameleon in the shadow of the night 1973 uk+ire produced by anthony/hentschel.
byzantium seasons changing 1973 uk+ire synthesizers by david hentschel.
roxy music for your pleasure 1973 uk+ire produced by anthony/hentschel.
genesis watcher of the skies single 1973 uk+ire 2
pilot pilot 1972 uk+ire produced by anthony/hentschel. 1972:9
total:31
o'donnel levy breeding of mind 1972 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with.
home home 1972 uk+ire produced by anthony/hentschel.
carly simon his friends are more than fond of simon 1972 us synthesizers by david hentschel.
genesis foxtrot 1972 uk+ire 1 my dad had a copy of foxtrot. i thought i had richard's copy of foxtrot, but i can't find it and haven't been able to find it in years. it may have disappeared during the move in 2013 or there might be a stack of cds somewhere i can't find. or i might be wrong in the first place.
nazareth exercises 1972 uk+ire synthesizers by david hentschell.
genesis happy the man 1972 uk+ire 3 non-album single
elton john selections from honky chateau
rocket man, hercules
1972 uk+ire 1 synths by david hentschell
al stewart orange 1972 uk+ire produced by anthony/hentschel.
o'donnel levy black violet 1971 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with. 1971:4
total:22
genesis nursery cryme 1971 uk+ire 0 my dad did have a copy of nursery cryme, but i believe this was initially my uncle richard's copy.
van der graaf generatr pawn hearts 1971 uk+ire 3 produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
peter hammil fool's mate 1971 uk+ire produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
quiet world the road 1970 uk+ire 8 i had never heard this before at all. it's some kind of concept record about jesus or something; it's absolutely atrociously terrible and yet oddly enjoyable at the same time. really. i generally despise religious or christian music along with hating christians and religious people in general, but there are ways to integrate spiritual themes without making me want to vomit, and this gets about 70% of the way there. to be clear, it is cringeworthy and worth vomiting over, but intriguiing enough in it's terribleness to get an 8. 1970:9
total:18
van der graaf generator h is for he, who am the only one 1970 uk+ire 3 produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
lindisfarne nicely out of tune 1970 uk+ire 3 viking folk, produced by anthony/hentschel. it's easy to hear the overlap this has with early genesis which should help a younger listener understand that genesis started off as a "literate folk" band rather than as a crazy 70s fusion collection or as doing 80s art-pop.
genesis trespass 1970 uk+ire 1 my dad did not have a copy of trespass because it is pre phil collins, but my uncle richard made me a cassette dub of it when i was very young (around 9 or 10) and i ended up picking the copy i have up in a discount bin at a future shop, i believe, some time in the late 90s.
cat stevens katmandu 1970 uk+ire 2 featuring peter gabriel on flute.
affinity affinity 1970 uk+ire i had never heard this before at all. anthony, production.
van der graaf generator the least we could have done is wave to each other 1970 uk+ire 3 produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
genesis bbc night ride 1970 uk+ire 3 a short bbc radio session containing trespass demoes and unreleased tracks.
genesis genesis does jackson 1970 uk+ire 1 unreleased genesis demoes from 1970 that were intended for a bbc soundtrack but end up on later records, including trespass and the lamb lies down on broadway. contains some alternate lyrics of some well known tracks.
flaming youth ark 2 1969 uk+ire 2 i had never heard this before at all and had never heard anybody talk about it. this was phil collins' first band and it's an unusual record, with a noticeable psychedelic pop influence and a 60s punk bite. phil periodically plows through the mix with psychotic drumming, but it's a pretty well behaved 60s art rock album, overall. i will criticize a lot of genesis side projects as unfocused, but this is unfocused in a good way, like can or zappa can be unfocused. call it funfocused. 1969:4
total:9
van der graaf generator the aerosol grey machine 1969 uk+ire 2 produced by john anthony before david hentschell took over for him. van der graaf generator is a lesser known progressive rock band from the 1970s that my uncle richard was a fan of and that arguably was most similar to genesis, slightly before genesis. the common production by john anthony is noticeable. i find the van der graaf material much less interesting than genesis, as art, but it's still interesting to listen to as entertainment.
genesis demoes from 1967-1975 box set 1969 uk+ire 2 the 1969 demoes lean more towards trespass.
genesis from genesis to revelation 1969 uk+ire 2 this was their first record and still features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this is a different sound than genesis would be known for, but it is actually a pretty good record, and actually features some of gabriel's more interesting vocals. it has influences from a wide variety of 60s rock genres.
canterbury glass prologue 1968 uk+ire 2 i had never heard this before at all. this is an early steve hackett project; it is relatively interesting, but just a song. 1968:4
total:5
genesis a winter's tale 1968 uk+ire 3 this was their second single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this was not on the record released in 1969.
genesis demoes from 1967-1975 box set 1968 uk+ire 2 the 1968 demoes are more similar to the first record.
genesis silent sun single 1968 uk+ire 2 this was their first single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup.
genesis demoes from 1967-1975 box set 1967 uk+ire 2 the earliest genesis recordings are from 1967 and are actually most similar to the records from the early 80s. these are extremely enjoyable and very well written 60s pop songs, with gabriel as the main focus as a poetic lyricist. while i was not born yet, it's certainly far more interesting than any of the shitty, boring metal bands from the era and i certainly would have been more interested in music like this at the time than i would have been in any kind of 60s metal. 1967:1
total:1


dec 13-14, 2024

i realized i missed some material from the early 60s so i started over again.

argent counterpoints 1975 uk+ire 3 phil collins on drums 1975:6
total:32
steve hackett voyage of the acolyte 1975 uk+ire 4 this has the guitarist (hackett), bassist (rutherford) and drummer (collins) from genesis, without either singer (gabriel or collins) or the synth player (tony banks), who was replaced on the record with hackett's brother john. there's also some musicians i know from mike oldfield records. i don't remember if this was initially richard's or if it was a gift c. 2006ish. it doesn't have the type of drumming my dad was looking for in listening to genesis, and i don't think he had a copy.
the mothers of invention bongo fury 1975 us 1 chester thompson on drums.
the mothers of invention one size fits all 1975 us 1 chester thompson on drums.
jean-luc ponty aurora 1975 france 1 daryl stuermer on guitars
david henstchell startling music 1975 uk+ire 3 phil collins on drums
genesis the lamb lies down on broadway 1974 uk+ire 1 i was able to recover my dad's copy of this in 2013 1974:3
total:26
the mothers of invention roxy & elsewhere 1974 us 1 chester thompson on drums.
genesis twilight alehouse 1974 uk+ire 3
o'donnel levy dawn of a new day 1973 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with. 1973:5
total:23
genesis selling england by the pound 1973 uk+ire 0 my dad had a copy of selling england by the pound and i have never purchased or owned it and was disappointed to be unable to locate it on my father's death in 2013.
peter banks two sides of peter banks 1973 uk+ire 3 hackett and collins
genesis live 1973 uk+ire 1
genesis watcher of the skies single 1973 uk+ire 2
o'donnel levy breeding of mind 1972 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with. 1972:3
total:18
genesis foxtrot 1972 uk+ire 1 my dad had a copy of foxtrot. i thought i had richard's copy of foxtrot, but i can't find it and haven't been able to find it in years. it may have disappeared during the move in 2013 or there might be a stack of cds somewhere i can't find. or i might be wrong in the first place.
genesis happy the man 1972 uk+ire 3 non-album single
o'donnel levy black violet 1971 us 2 a jazz guitarist i was not familiar with that chester thomspon started his career with. 1971:2
total:15
genesis nursery cryme 1971 uk+ire 0 my dad did have a copy of nursery cryme, but i believe this was initially my uncle richard's copy.
quiet world the road 1970 uk+ire 8 i had never heard this before at all. it's some kind of concept record about jesus or something; it's absolutely atrociously terrible and yet oddly enjoyable at the same time. really. i generally despise religious or christian music along with hating christians and religious people in general, but there are ways to integrate spiritual themes without making me want to vomit, and this gets about 70% of the way there. to be clear, it is cringeworthy and worth vomiting over, but intriguiing enough in it's terribleness to get an 8. 1970:5
total:13
genesis trespass 1970 uk+ire 1 my dad did not have a copy of trespass because it is pre phil collins, but my uncle richard made me a cassette dub of it when i was very young (around 9 or 10) and i ended up picking the copy i have up in a discount bin at a future shop, i believe, some time in the late 90s.
cat stevens katmandu 1970 uk+ire 2 featuring peter gabriel on flute.
genesis bbc night ride 1970 uk+ire 3 a short bbc radio session containing trespass demoes and unreleased tracks.
genesis genesis does jackson 1970 uk+ire 1 unreleased genesis demoes from 1970 that were intended for a bbc soundtrack but end up on later records, including trespass and the lamb lies down on broadway. contains some alternate lyrics of some well known tracks.
flaming youth ark 2 1969 uk+ire 2 i had never heard this before at all and had never heard anybody talk about it before. this was phil collins' first band and it's an unusual record, with a noticeable psychedelic pop influence and a 60s punk bite. phil periodically plows through the mix with psychotic drumming, but it's a pretty well behaved 60s art rock album, overall. i will criticize a lot of genesis side projects as unfocused, but this is unfocused in a good way, like can or zappa can be unfocused. call it funfocused. 1969:3
total:8
genesis demoes from 1967-1975 box set 1969 uk+ire 2 the 1969 demoes lean more towards trespass.
genesis from genesis to revelation 1969 uk+ire 2 this was their first record and still features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this is a different sound than genesis would be known for, but it is actually a pretty good record, and actually features some of gabriel's more interesting vocals. it has influences from a wide variety of 60s rock genres.
canterbury glass prologue 1968 uk+ire 2 i had never heard this before at all. this is an early steve hackett project; it is relatively interesting, but just a song. 1968:4
total:5
genesis a winter's tale 1968 uk+ire 3 this was their second single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this was not on the record released in 1969.
genesis demoes from 1967-1975 box set 1968 uk+ire 2 the 1968 demoes are more similar to the first record.
genesis silent sun single 1968 uk+ire 2 this was their first single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup.
genesis demoes from 1967-1975 box set 1967 uk+ire 2 the earliest genesis recordings are from 1967 and are actually most similar to the records from the early 80s. these are extremely enjoyable and very well written 60s pop songs, with gabriel as the main focus as a poetic lyricist. while i was not born yet, it's certainly far more interesting than any of the shitty, boring metal bands from the era and i certainly would have been more interested in music like this at the time than i would have been in any kind of 60s metal. 1967:1
total:1


dec 13, 2024

my chromebook crashed before i could get some stuff off of it so i'm restarting this process to be more inclusive.

flaming youth ark 2 1969 uk+ire 2
genesis from genesis to revelation 1969 uk+ire 2
genesis a winter's tale 1968 uk+ire 3
flaming youth ark 2 1969 uk+ire 2
genesis from genesis to revelation 1969 uk+ire 2
genesis a winter's tale 1968 uk+ire 3
flaming youth ark 2 1969 uk+ire 2 i had never heard this before at all and had never heard anybody talk about it. this was phil collins' first band and it's an unusual record, with a noticeable psychedelic pop influence and a 60s punk bite. phil periodically plows through the mix with psychotic drumming, but it's a pretty well behaved 60s art rock album, overall. i will criticize a lot of genesis side projects as unfocused, but this is unfocused in a good way, like can or zappa can be unfocused. call it funfocused. 1969:2
total:3
genesis from genesis to revelation 1969 uk+ire 2 this was their first record and still features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this is a different sound than genesis would be known for, but it is actually a pretty good record, and actually features some of gabriel's more interesting vocals. it has influences from a wide variety of 60s rock genres.
genesis a winter's tale 1968 uk+ire 3 this was their second single and features the core of banks on keyboards, rutherford on bass and gabriel on vocals, but had different guitarists and drummers than the classic lineup. this was not on the record released in 1969. 1968:1
total:1


this was continuing the youtube run through genesis' broader discography, chronologically from 1986. however, my chromebook crashed before i could get some stuff off of it so i'm restarting this process.

peter gabriel so 1986 uk+ire 0 i was able to salvage my father's copy of this cd in 2013. this was a very popular record with a number of huge hits on it, but it is also the highest quality pop music that you'll find anywhere, and was also an extremely important piece of experimental electronic music. there's a small number of records over the last 75 years that were both smash hits and actually musically innovative and important, and this makes that very short list.
tony banks soundtracks 1986 uk+ire 4 i had never heard this before at all. it's banks' third and fourth attempt at movie soundtrack work and it's substantively better, but stil pretty weak. the two suites are a lot better.
anthony phillips private parts and pieces VI 1986 uk+ire 2 i had never heard this before at all. it's more focused on piano than guitar and has a vague impressionist feel.


dec 11, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1985-1986.

anthony phillips private parts and pieces VI 1986 uk+ire 2 i had never heard this before at all.
anthony phillips private parts and pieces V 1985 uk+ire 2 i had never heard this before at all.
mike and the mechanics mike and the mechanics 1985 uk+ire 5 i had never heard this before at all, although i was surprised to recognize a few tracks that i didn't realize were mike rutherford, like "all i need is a miracle". i was expecting the mike rutherford solo material to be the weakest, but that hasn't been the case. that said, the songwriter, a producer named christopher neil that i'm not familiar with, is clearly trying to copy phil collins.
peter gabriel birdy 1985 uk+ire 1 peter gabriel's first soundtrack is a pastiche of his previous solo records with some mild remixes and compiles some of the most interesting and atmospheric tracks of his early period. my dad was not interested in gabriel's soundtrack work, but i have copies of all of it. i found this in a used bin in the late 90s.
eric clapton behind the sun 1985 uk+ire 5 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. i'm not much of an eric clapton fan, and these songs are straight-laced, buttoned up and tie-knotted, as far as clapton goes. you can hear collins prominently, and he actually does a few things that are out of character for him, but it's not that interesting.
phil collins no jacket required 1985 uk+ire 3 i had a dubbed cassette of this when i was a kid and liked it at the time. both this and hello, i must be going are actually a lot better than i remember them, oddly. these are both better records than abacab, but don't compare to anything else genesis did (not even the last two upcoming records).


dec 10, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1985-1986.

anthony phillips private parts and pieces VI 1986 uk+ire 2 i had never heard this before at all.
anthony phillips private parts and pieces V 1985 uk+ire 2 i had never heard this before at all. 1985:6
total:57
anthony phillips harvest of the heart 1985 uk+ire i had never heard this before at all. i couldn't find a stream of it.
mike and the mechanics mike and the mechanics 1985 uk+ire 5 i had never heard this before at all, although i was surprised to recognize a few tracks that i didn't realize were mike rutherford, like "all i need is a miracle". i was expecting the mike rutherford solo material to be the weakest, but that hasn't been the case. that said, the songwriter, a producer named christopher neil that i'm not familiar with, is clearly trying to copy phil collins.
peter gabriel birdy 1985 uk+ire 1 peter gabriel's first soundtrack is a pastiche of his previous solo records with some mild remixes and compiles some of the most interesting and atmospheric tracks of his early period. my dad was not interested in gabriel's soundtrack work, but i have copies of all of it. i found this in a used bin in the late 90s.
eric clapton behind the sun 1985 uk+ire 5 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. i'm not much of an eric clapton fan, and these songs are straight-laced, buttoned up and tie-knotted, as far as clapton goes. you can hear collins prominently, and he actually does a few things that are out of character for him, but it's not that interesting.
phil collins no jacket required 1985 uk+ire 3 i had a dubbed cassette of this when i was a kid and liked it at the time. both this and hello, i must be going are actually a lot better than i remember them, oddly. these are both better records than abacab, but don't compare to anything else genesis did (not even the last two upcoming records).


dec 9, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1984-1985.

peter gabriel birdy 1985 uk+ire 1 peter gabriel's first soundtrack is a pastiche of his previous solo records with some mild remixes and compiles some of the most interesting and atmospheric tracks of his early period. my dad was not interested in gabriel's soundtrack work, but i have copies of all of it. i found this in a used bin in the late 90s.
eric clapton behind the sun 1985 uk+ire 5 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. i'm not much of an eric clapton fan, and these songs are straight-laced, buttoned up and tie-knotted, as far as clapton goes. you can hear collins prominently, and he actually does a few things that are out of character for him, but it's not that interesting.
phil collins no jacket required 1985 uk+ire 3 i had a dubbed cassette of this when i was a kid and liked it at the time. both this and hello, i must be going are actually a lot better than i remember them, oddly. these are both better records than abacab, but don't compare to anything else genesis did (not even the last two upcoming records). daryl stuermer is again the guitarist on the record, which also has backing vocals by sting and peter gabriel.
band aid do they know it's christmas? 1984 n/a 8 well, do they? 1984:5
total:51
various artists against all odds ost 1984 n/a 4 features songs written by collins, gabriel and rutherford, as well as stevie nicks and others. the second side is instrumental jazz composed by larry carlton, who i'll be more thoroughly analyzing fairly shortly. i had never heard this before at all; the second side is actually relatiely interesting jazz.
phillip bailey chinese wall 1984 us 5 besides 'easy lover', i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. collins plays his electronic drums on this record prominently; it's an 80s pop update on the earth, wind & fire singer's sound that i think is mostly forgettable. has daryl stuermer on guitars, as well as phil collins on drums.
steve hackett till we have faces 1984 uk+ire 3 my dad did not have a copy of this and i only know it via digital audio. hackett continues with something that has some recognizable nods to genesis, but he has a noticeable industrial side to his sound which is more prominent here and the record also get a little bluesy (in the process demonstrating that hackett was listening to a lot of zappa) and shows an influence from both solo gabriel and solo collins material. it's an unexpected album that makes sense at points and less sense at others.
anthony phillips private parts and pieces IV 1984 uk+ire 3 i had never heard this before at all.


dec 7, 2024

this is continuing the youtube run through genesis' broader discography, chronologically.

steve hackett till we have faces 1984 uk+ire my dad did not have a copy of this and i only know it via digital audio.
anthony phillips private parts and pieces IV 1984 uk+ire 3 i had never heard this before at all.


dec 5, 2024

this is continuing the youtube run through genesis' broader discography, chronologically through 1983.

steve hackett bay of kings 1983 uk+ire 2
anthony phillips invisible men 1983 uk+ire 5
genesis genesis 1983 uk+ire 4
robert plant the principle of moments 1983 uk+ire 3
steve hackett highly strung 1983 uk+ire 3
tony banks the fugitive 1983 uk+ire 7 i had never heard this before at all. as with the other solo banks material, it is truly terrible.
tony banks the wicked lady 1983 uk+ire 7 i had never heard this before at all. it is truly terrible.
steve hackett bay of kings 1983 uk+ire 2
anthony phillips invisible men 1983 uk+ire 5
genesis genesis 1983 uk+ire 4
robert plant the principle of moments 1983 uk+ire 3
steve hackett highly strung 1983 uk+ire 3
steve hackett bay of kings 1983 uk+ire 2 my dad did not have a copy of this and i only know it via digital audio. this is more similar to what i want to hear from hackett, although i'd like to hear it better integrated. i don't actually want to have to choose between classical guitar and psychedelic rock, you can do both, and genesis did do both. 1983:7
total:46
anthony phillips invisible men 1983 uk+ire 5 i had never heard this before at all. still oldfieldish (i think he samples incantations) but just not that good.
genesis genesis 1983 uk+ire 4 my dad did not have a copy of this record, but i inherited my uncle richard's copy. this is a better record than the previous one, in that it has some more developed pieces and that the singles are also better written, but it is not nearly as well written as duke. mama is an excellent pop song. it is still similar to most of the other collins period releases in being uneven.
robert plant the principle of moments 1983 uk+ire 3 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. this is a more developed and interesting record than the previous one.
tony banks the fugitive 1983 uk+ire i had never heard this before at all.
tony banks the wicked lady 1983 uk+ire i had never heard this before at all.
steve hackett highly strung 1983 uk+ire 3 my dad did not have a copy of this and i only know it via digital audio. this is a better album with more interesting songwriting that for the first time makes some attempt to sound like classic genesis via the use of organ parts (which are not at all flashy or technical), but still kind of dorky hard rock.


dec 4, 2024

this is continuing the youtube run through genesis' broader discography, chronologically for 1982.

phil collins hello, i must be going 1982 uk+ire 5 i had a dubbed cassette of this when i was a kid and liked it at the time but, in hindsight, i could imagine his fans being disappointed by it's simplicity, although perhaps not utterly crushed by it's stupidity, at least not quite yet (the complete disillusionment with phil by his fans must have to wait until the next record, no jacket required). further, you have to understand that you can't underestimate the subtle cultural influence of some of these tracks via the ubiquity of radio play hegemony, like michaelangelo showing up in bathroom wallpaper. it's worth pointing out, for example, that the strokes' last night is a complete ripoff of you can't hurry love, and they probably didn't even realize it. it's not very compelling overall, but it actually doesn't have the kind of limp and dead tracks that ruined most of the last several genesis records. i don't want to grade this higher than wind and wuthering or and then there were three, but it's not a hit and miss, it's a weak 3 or a strong 5. features genesis' live guitarist, daryl stuermer.
anni-frid lyngstad something's going on 1982 sweden 5 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer and it's easy to tell. this woman was one of the singers for abba, which i understand as a vacuous disco group that is before my time and that i'm not very familiar with. i don't think i would recognize a single abba song, or that i've ever heard an abba record. neither of my parents listened to abba or liked disco, more broadly (my mom was a heavy metal fan mostly, whereas my dad was a prog rock fan, primarily). the woman doesn't seem to be a very good or talented singer, so all i really hear when you strip away the name recognition is a bunch of throwaway phil collins outtakes with a subpar vocalist, all of which would have been better with a more talented and emotionally invested singer, including phil, himself.
mike rutherford acting very strange 1982 uk+ire 7 this is rutherford's initial shift towards the mike and the mechanics sound and does not feature other members of genesis (except the live guitarist, daryl stuermer) or sound like genesis at all. it's worth noting that mike rutherford is a more convincing punk rock musician than the other previous members of genesis, in the sense that he might have been a decent 60s rock 'n' roll star, while the others became the 80s equivalents of 60s pop crooners or motown nerds (except gabriel, who was more experimental in a beatlesy kind of way). however, rutherford was in his mid 30s by this point and the record doesn't suit him well at this stage in his life. it's an interesting juxtaposition, at the least, but it's just not compelling.
peter gabriel IV 1982 uk+ire 0 this is gabriel's second classic record from the 80s. while it no longer has fripp, it does have levin on bass and stick and his 80s backing band of levin on bass/stick, rhodes on guitar and marotta (replaced shortly by manu kache) on drums is finally firmly in place and in control. i was able to recover my dad's copy in 2013.


dec 3, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1981-1982.

phil collins hello, i must be going 1982 uk+ire 6 i had a dubbed cassette of this when i was a kid and liked it at the time but, in hindsight, i could imagine his fans being utterly crushed. 1982:7
total:39
anni-frid lyngstad something's going on 1982 sweden i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer.
mike rutherford acting very strange 1982 uk+ire 7 this is rutherford's initial shift towards the mike and the mechanics sound and does not feature other members of genesis (except the live guitarist, daryl stuermer) or sound like genesis at all. it's worth noting that mike rutherford is a more convincing punk rock musician than the other previous members of genesis, in the sense that he might have been a decent 60s rock 'n' roll star, while the others became the 80s equivalents of 60s pop crooners or motown nerds (except gabriel, who was more experimental in a beatlesy kind of way). however, rutherford was in his mid 30s by this point and the record doesn't suit him well at this stage in his life. it's an interesting juxtaposition, at the least, but it's just not compelling.
peter gabriel IV 1982 uk+ire 0 this is gabriel's second classic record from the 80s. while it no longer has fripp, it does have levin on bass and stick and his 80s backing band of levin on bass/stick, rhodes on guitar and marotta (replaced shortly by manu kache) on drums is finally firmly in place and in control. i was able to recover my dad's copy in 2013.
robert plant pictures at eleven 1982 uk+ire 5 i had never heard this before at all. collins was heavily involved as a drummer, producer and co-writer. i'm not generally a robert plant fan; i should clarify that i don't like led zeppelin very much and the zeppelin i can tolerate is not that which has plant front and centre. to put it mildly, i find plant to be exceedingly irritating. this is a pretty generic and boring late 70s "hard rock" record that accomplishes nothing and has no memorable content. it should be pointed out that collins may have been angling to be led zeppelin's new drummer after john bonham's death, and collins did play at least one show as a member of led zeppelin, but he abandoned the idea in the end. that's what's really going on here. i also suspect that collins may have been trying to reform cream at one point.
genesis 3x3 1982 uk+ire 5 i had never heard this before at all. it's not very good.
anthony phillips private parts and pieces III 1982 uk+ire 2 i had never heard this before at all. i like these private parts and pieces releases and could listen to them back to back in a 5 disc rotation, but at some point the simplicity and sameness needs to alter, because nobody wants to buy the same record 15 times.
brand x is there anything about? 1981 uk+ire 2 my dad did not have a copy of this and i only know it via digital audio. it's a less busy and a more psychedelic record and the last to feature meaningful contributions from phil collins. 1981:5
total:32
genesis abacab 1981 uk+ire 5 my dad did not have a copy of abacab and i have never had a copy at all. this record is not well regarded by core genesis fans and i agree that it's not very good.
steve hackett cured 1981 uk+ire 5 my dad did not have a copy of this and i only know it via digital audio. i really, really don't like the vocalists or the generic hard rock song writing that hackett uses in his early solo material (hackett sings this one himself, mostly) and am patiently waiting for it to flip over to instrumental and/or classical guitar music. there's moments, but there are less of them than the previous three and the vocals and crappy songwriting kills them. this one is also less psychedelic, which deprives the record of the most interesting moments that the previous three had. these are more developed songs, but at the expense of the musicianship you expect from hackett.
anthony phillips 1984 1981 uk+ire 3 i had never heard this before at all. it has a very 80s mike oldfield sound to it, but isn't quite as good.
phil collins
drummer
(1971-1991)
singer
(1976-1991)
face value 1981 uk+ire 0 the first phil collins record, released about the same time i was born, is actually a masterpiece, complete with a cover of tomorrow never knows. my uncle also included i am the walrus on the cassette version i had. as is well known, it was somewhat downhill for phil as an artist from here, although he did well commercially. my dad did not have a copy of this, but i had a dub of this (and all of the other phil collins solo material) when i was a kid and am very familiar with it. the guitarists on this record are live genesis guitarist daryl stuermer and eric clapton, who he would play with through much of the 80s.


dec 2, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1979-1980.

steve hackett defector 1980 uk+ire 4 my dad did not have a copy of this and i only know it via digital audio. while it still contains some vocal material that i don't like at all, it is a better written, better focused and more serious record leaning in a more serious direction. 1980:5
total:27
peter gabriel III 1980 uk+ire 0 this is gabriel's first real classic record and is notable for featuring the return of phil collins on drums in key sections. the record also features king crimson masterminds fripp and levin, kate bush and some of the other artists that gabriel would work with in the 80s. i was not able to find my dad's copy of this album, which was disappointing.
anthony phillips private parts and pieces II 1980 uk+ire 2 i had never heard this before at all. this is still more interesting to me than phillips' solo rock material, but it also theatens to get a little samey. there's a 4xcd box set of the first four private parts and pieces releases.
genesis duke 1980 uk+ire 1 my dad did not have a copy of duke, but i had a copy of it on vinyl for a while and it's something i had on a store bought tape when i was a kid. this is a major change in direction, but it's also a salvaging of the band's concept. it is true that the previous three mediocre records might have been combined into one outstanding record that would blow this one away (and might have been their best, period), but that's not what actually happened, and this ends up as the first and last classic genesis record with collins singing, because it pushes past the psychedelic rock of the gabriel period and into something that is both relevant to 1980 and something that collins could define as his own. genesis were never the same after duke and that's ok.
mike rutherford
bass, acoustic guitar
(1969-1997)
all guitar
(1977-1997)
smallcreep's day 1980 uk+ire 3 this is a record that my father highly regarded but i think is overrated. i did recover his copy in 2013. it also fetaures anthony phillips on keyboards and simon phillips (known for his work with mike oldfield amongst others) on drums, so one might hope it leans towards an early genesis sound or an update to it but it actually sounds like a bad emulation of it. simon phillips is a capable drummer, but he's not phil collins. the singer sounds a little like gabriel and does what they paid him to. however, the guitar and synth work - the core of what genesis is (or was), compositionally - is just not there; rutherford is a pretty good bassist, but he's not a lead guitarist, and neither he nor anthony phillips are able to competently fill in on keyboards, they just play these big thick chords using patches from genesis songs and then over do these arpeggiation passages that sound like connecting segments in genesis songs. the result is essentially the worst genesis songs ever written, although the drumming is relatively good, and if that's all you care about then you might enjoy it. by 1980, genesis had ended it's psychedelic rock phase, so some people may have been looking for anything to grasp on to and in the process over rated this record, but the reality is that while it is certainly closer to genesis than the solo records released by the other members of the band, it's just not nearly as good.
tony banks
keyboards
(1969-1997)
a curious feeling 1979 uk+ire 7 i had never heard this before at all, and i can hear why, now. banks plays all instruments except drums, which are by chester thompson. there is also a singer, who is absolutely terrible. the salvagable moments are very few; this is a truly awful record.
brand x product 1979 uk+ire 2 my dad did not have a copy of this and i only know it via digital audio. there are a few missteps but it's still an interesting and is a more diverse record overall that relies less on the mahavishnu sound as a driving influence.
steve hackett spectral mornings 1979 uk+ire 5 my dad did have a copy of this eventually, and i think it might have been his brother richard's copy, which he kept. i did not listen to it much as it didn't appear on the shelf until later. hackett's early solo material has periodic moments of interest but is broadly poorly written and unfocused. hackett built a new band on this record and didn't really look back. i did not recover my father's copy of it in 2013 and am not that upset by that.


dec 1, 2024

this is continuing the youtube run through genesis' broader discography, chronologically from 1976-1979.

tony banks
keyboards
(1969-1997)
a curious feeling 1979 uk+ire i had never heard this before at all. banks plays all instruments except drums, which are by chester thompson. 1979:4
total:22
brand x product 1979 uk+ire 2 my dad did not have a copy of this and i only know it via digital audio.
steve hackett spectral mornings 1979 uk+ire 5 my dad did have a copy of this eventually, and i think it might have been his brother richard's copy, which he kept. i did not listen to it much as it didn't appear on the shelf until later. hackett's early solo material has periodic moments of interest but is broadly poorly written and unfocused. hackett built a new band on this record and didn't really look back. i did not recover my father's copy of it in 2013 and am not that upset by that.
anthony phillips side 1979 uk+ire 6 i had never heard this before at all and it's a change in direction for sure, into some kind of disco, when the other previous genesis members were dabbling in punk. it's not any better and i'd avoid this, despite the off-kilter eno influence and the presence of original king crimson drummer, michael giles.
anthony phillips private parts and pieces 1978 uk+ire 2 i had never heard this before at all, but this one strikes me as a lot more interesting. anthony phillips apparently quit genesis to go to music school and you can tell by listening to this record, which is something more akin to classical guitar music from a contemporary pop culture perspective, like a more technical take on mike oldfield, but stripped down to one or two tracks at a time. i would purchase this if i found it. 1978:5
total:18
peter gabriel II 1978 uk+ire 3 this is gabriel's take on punk rock (he had always said he wanted genesis to sound less like elp and more like the who and that's why he left the band in 1975, so this is not as cynical as it looks) and is by far his weakest release, but it was actually my dad's favourite gabriel cd. oddly. this has fripp and levin as well as some of the players gabriel would work with in the 80s. i was able to recover my dad's copy in 2013.
anthony phillips wise after the event 1978 uk+ire 3 i had never heard this before at all. it has a vague genesis feel, but is more similar to something like nick drake or post-floyd syd barrett. it strikes me as well written on first listen, but a little outside of my spectrum. most of the tracks sound like demos.
steve hackett please don't touch 1978 uk+ire 5 my dad did not have a copy of this one and i only know it via digital audio. this is his attempt to cash in on punk rock and is his worst solo release, although the second side is a lot more interesting than the first. chester thompson (genesis' live drummer) on drums.
genesis and then there were three 1978 uk+ire 4 my dad did not have this one or anything after this one, but i had a copy of it on vinyl for a while. it's their weakest actual record as they were still trying to be substantive but were no longer into it and are just going through the motions. a couple of tracks would be worth appending to the a trick of a tail / wind and wuthering salvage project, or you could string the three of them together into a 2xcd set with a substantive psych record on one disc and a throwaway pop record on the other.
genesis spot the pigeon 1977 uk+ire 5 my dad did not have a copy of this but i had a cassette dub made by my uncle richard (who had all of them, from 1969-1997, on multiple formats) at the end of the trespass tape. it's an ep because they're struggling to focus. 1977:4
total:13
brand x morroccan roll 1977 uk+ire 1 my dad did not have a copy of this and i have only heard it via digital audio. it continues to emulate the mahavishnu fusion sound, with a mild north african gloss, which comes off as campy.
anthony phillips
guitarist
(1969-1970)
the geese and the ghost 1977 uk+ire 5 my dad had a copy of this but i did not think to look for it in 2013 and am not upset i couldn't find it. it's not in the same category. these are very minimalistic recordings. phil collins does some guest vocals on the record, as well.
peter gabriel
singer
(1969-1974)
I 1977 uk+ire 1 i was able to recover my dad's copy of this in 2013, which he was more interested in as a robert fripp and tony levin fan. gabriel would continue to work with fripp for a while and levin for many years. i think it's a strong solo record.
genesis wind and wuthering 1976 uk+ire 4 my dad did not have a copy of wind and wuthering, which was the last record before steve hackett left. i purchased this in a used bin in the late 90s. i think it's a better record overall than the trick of the tail, and has higher points, but it's also a transition record that has components of the direction that collins took the band in once gabriel left (and, probably more importantly, once hackett left).

pulling out the substantive parts of a trick of the tail and wind and wuthering into a single lp would have created an outstanding lp, perhaps even their best, but that's not how they did it and they instead have two uneven records when they might have had one outstanding one.
1976:3
total:9
brand x
phil collins'
fusion side project
drummer
(1971-1991)
singer
(1976-1991)
unorthodox behaviour 1976 uk+ire 1 phil collins started a mahavishnu-style fusion band when gabriel left genesis, then abandoned it to become a pop star. my dad did have a copy of this and it is a very good record. i thought i had a copy but i can't find it and i might be wrong.
genesis a trick of the tail 1976 uk+ire 6


nov 30, 2024

i had some cleaning to do in the bathroom, which is closer to the youtube streaming device i use as a tv. it's a smaller system using a receiver from the 1970s that is fine for youtube but not as good for music. i nonetheless decided to run through the first third of the genesis catalogue over youtube, as i am missing key parts of it on cd.

i will backtrack on a few other artists like this that i'm missing releases from because they were my dad's cds, that i mostly listened to on vinyl or that i only ever listened to mostly via mp3 and never bought physical cds from.

i will eventually fill these in, but remember that i'm pretty poor and that i have these extremely broad, diverse and comprehensve tastes in music and that i actually make an effort to carefuly listen to everything, it's not just an empty commodity fetish. it's not financially feasible for me to have physical copies of all of the tens of thousands (no exaggeration. its probably around 25000) of lps i've listened to in my 44 years. i have not been able to go out to party in the last few years, and i was intending on shifting direction around my 40th birthday anyways, as i'm not interested in hanging out in bars with people half my age, or in spending time with young people at all but i'm pissed off that that got cut off by the government with their fascist covid restrictions and i'll never get over that lingering anger. i don't like young people much, and i really never did, even when i was young; i tended to prefer the company of older members of gen x, rather than of younger millennials. the artists i have spent my life listening to are retiring, the styles of music i have listened to are going permanently out of fashion and i'm not very interested in the types of underground music that young people are listening to or the nature of the culture that's filling up smaller venues. it's time to move on. the money i was spending on concerts will be eventually redirected towards media, once i get my living situation cleared up and fill in the remaining holes in my recording studio, and i'm going to be seeking to do things like raid the cd sections at local used stores for piles of discs at cheap prices (old cds are worthless, now. great.) or try to find widows selling cd collections off for the cost of mailing it over ebay. in the end, i'd like to find a library to house it in and somebody to oversee it.

this is 1970-1976. there is an earlier genesis record from 1969 that's alright but not the same, but i couldn't find a good ad-free stream of it so i skipped it.

genesis a trick of the tail 1976 uk+ire 6 this was my dad's favourite genesis record, as it documents phil collins taking over the band, and has the most elaborate drum work. i would consider it to be the weakest of the serious releases, although it also has some key tracks (as weak records by important bands tend to). i was able to recover my dad's copy in 2013.
steve hackett
guitarist
(1971-1977)
voyage of the acolyte 1975 uk+ire 4 this has the guitarist (hackett), bassist (rutherford) and drummer (collins) from genesis, without either singer (gabriel or collins) or the synth player (tony banks), who was replaced on the record with hackett's brother john. there's also some musicians i know from mike oldfield records. i don't remember if this was initially richard's or if it was a gift c. 2006ish. it doesn't have the type of drumming my dad was looking for in listening to genesis, and i don't think he had a copy. 1975:1
total:6
genesis the lamb lies down on broadway 1974 uk+ire 1 i was able to recover my dad's copy of this in 2013 1974:1
total:5
genesis selling england by the pound 1973 uk+ire 0 my dad had a copy of selling england by the pound and i have never purchased or owned it and was disappointed to be unable to locate it on my father's death in 2013. 1973:1
total:4
genesis foxtrot 1972 uk+ire 1 my dad had a copy of foxtrot. i thought i had richard's copy of foxtrot, but i can't find it and haven't been able to find it in years. it may have disappeared during the move in 2013 or there might be a stack of cds somewhere i can't find. or i might be wrong in the first place. 1972:1
total:3
genesis nursery cryme 1971 uk+ire 0 my dad did have a copy of nursery cryme, but i believe this was initially my uncle richard's copy. 1971:1
total:2
genesis trespass 1970 uk+ire 1 my dad did not have a copy of trespass because it is pre phil collins, but my uncle richard made me a cassette dub of it when i was very little (around 9 or 10) and i ended up picking the copy i have up in a discount bin at a future shop, i believe, some time in the late 90s. 1970:1


nov 30, 2024

godspeed you black emperor yanqui uxo 2002 canada 0
godspeed you black emperor lift yr skinny fists like antennas to heaven
disc 2
2000 canada 4


nov 29, 2024

genesis trespass 1970 uk+ire 1
ralph vaughan williams fantasy on greensleeves 1928 uk+ire 2 ralph vaughan williams was a british composer of what sounds to me like incredibly lush impressionist music that is idiosyncratically british rather than french in character, but my sample size of his work is a little bit small. he would seem to be the leser known british response to debussy on some level, but i don't know if the music historians would like that analysis or not. the tallis fantasia, which is tagged on to the end of the planets because the theme is british music of the early 20th century (again with the nationalism in classical music...), is one of my favourite pieces of music of all time and has frequently stopped me right in my tracks and knocked me flat on my ass. i have been less impressed by the other ralph vaughan williams i've heard, but i would explore it in the right context. i also believe that ralph vaughan williams may have been an aesthetic or cultural influence on early genesis via the focus on britishness as a musical quality, and that would be another coincidence, as the cycle shifts out of gybe and into genesis via the holst/williams disc as a go between. i've decided to try to find linkages like this as i continue to listen to my cd collection in order.
ralph vaughan williams fantasy on a theme by thomas tallis 1910 uk+ire 0
gustav holst the planets 1916 uk+ire 1 gustav holst was an early twentieth century swedish-british composer that existed at the start of the era where western music was no longer classified as classical, due to a combination of printing press and other technological as well as social innovations, but his key works are now over a hundred years old (he died in 1934) so this convention should be revisited. i would consider the planets to be a wagnerian symphonic piece that was popular in it's time frame because it reflected the west's evolution to secular humanism and movement away from christianity. that is to say that if this piece of music had been written or commissioned in the 19th century, it would have certainly been christian in theme, rather than astrological. the british public, and western society in general, was struggling with leaving christianity behind without entirely abandoning it's artistic and cultural legacy, however enforced by papal despotism that might have actually always been. for that reason, this piece is actually slightly over-rated. however, it's also exactly what the west needed, and exactly when the west needed it, at the height of the first world war.

as it existed at the junction between the christian past and the secular future, the piece also had an outsized influence on the culture that developed in the 20th century, including on the genres of science fiction and art rock. yes, you might notice that segments of the planets, such as the mars section, have been heavily influential on 20th century film music, and especially on science fiction film music, such as on the theme music for star wars. the riffs have also shown up in heavy metal and progressive rock records, starting in the early 70s.

i first learned about holst at school and am only vaguely familiar with holst's other works, which are neither as well known nor as well regarded, but i would look further into holst if i found it around, such as in the cbc overflow bin. this was picked up in the early 00s as a course requirement and also includes the ralph vaughan williams pieces, which i found to be more compelling, personally.

it is a coincidence that the long death march at the centre of gybe's yanqui uxo, which is heavily influenced by the planets via the intermediary of early pink floyd, is currently in the same five disc cycle as the planets via the sharing of the first letter g in their respective names, but it also indicates the depth of the symphony's influence on contemporary western culture, more broadly.
godspeed you black emperor yanqui uxo 2002 canada 0


nov 28, 2024

genesis trespass 1970 uk+ire 1
ralph vaughan williams fantasy on greensleeves 1928 uk+ire 2
ralph vaughan williams fantasy on a theme by thomas tallis 1910 uk+ire 0
gustav holst the planets 1916 uk+ire 1
godspeed you black emperor yanqui uxo 2002 canada 0
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
ralph vaughan williams fantasy on greensleeves 1928 uk+ire 2
ralph vaughan williams fantasy on a theme by thomas tallis 1910 uk+ire 0
gustav holst the planets 1916 uk+ire 1
godspeed you black emperor yanqui uxo 2002 canada 0
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor 04-19-99: paris
disc 2
1999 canada 2 2xcd cd-r bootleg i made myself from mp3s
godspeed you black emperor yanqui uxo 2002 canada 0
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4


nov 26, 2024

godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor 04-19-99: paris 1999 canada 2 2xcd cd-r bootleg i made myself from mp3s
godspeed you black emperor yanqui uxo 2002 canada 0
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor 04-19-99: paris 1999 canada 2 2xcd cd-r bootleg i made myself from mp3s
godspeed you black emperor slow riot for new zero kanada 1999 canada 0


nov 25, 2024

godspeed you black emperor 04-19-99: paris 1999 canada 2 2xcd cd-r bootleg i made myself from mp3s
godspeed you black emperor slow riot for new zero kanada 1999 canada 0


nov 22, 2024

godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor 04-19-99: paris 1999 canada 2 2xcd cd-r bootleg i made myself from mp3s
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor yanqui uxo 2002 canada 0 godspeed you(!) black emperor (!) were, and still are, a symphonic post-rock collective from montreal that took a section of the underground music scene by storm in the late 90s and initially dissolved due to political pressure from the iraq war, before reforming in 2012. in fact, they picked up where they left off, but the direction they moved in afterwards was decidedly less political/punk/anarchist and decidedly more religious/christian, and they lost me in the process. this might be subtle to some, and it started with skinny fists, but it was enough to tune me out, especially in the face of the ten years of a silver mt zion that existed in between. you could say i found the idea of gybe reforming, which broke up mt zion, to be a disappointing step in the wrong direction. gybe were initially recommended to me by an internet friend name ren over a mailing list called epilag, and i got a chance to see them in ottawa at the babylon in 1999 on the slow riot tour due to that rec, which got me heavily hooked. i bought my copy of slow riot directly from the hands of aidan girt in 1999 at the show. i will eventually catch up with their discography, and i have listened to most of the post-2012 material via streaming with mixed but largely unmpressed results, but i haven't purchased any of it at this point, so this does stop here.
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
godspeed you black emperor lift yr skinny fists like antennas to heaven 2000 canada 4
godspeed you black emperor slow riot for new zero kanada 1999 canada 0


nov 21, 2024

godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0


nov 20-21, 2024

i will continue to listen to the cassettes as they come up in sequence, and what i just ran through is indicative of the oddball nature of what remains of my cassette collection (which once had a lot of 90s grunge, including a pretty comprehensive collection of seattle grunge records, a large amount of 80s-90s socal punk (green day, offspring, bad religion, dead kennedys, etc), a bunch of what was called jangle pop or college rock (rem, b52s, barenaked ladies, u2, the cure) and a lot of 80s pop and synth pop, like bon jovi, duran duran, inxs, madonna, 80s genesis and michael jackson), but the gentle giant record is the last one in the list to catch me up to where the cds are at, for now.

gentle giant free hand
the missing piece
octopus
1975
1977
1972
uk + ire 1 cassette dub (chrome) made by my uncle richard (i recognize the handwriting) for my father (his brother), probably c. 1990. richard died in, i think, 2006. my father died in 2013. there is some degradation, but it's not as bad as should be expected. gentle giant were one of the early british progressive rock bands, but they were neither one of the progressive rock bands i decided were worth remembering as they had real artistic value (genesis, king crimson) nor were they one of the progressive rock bands i decided should be forgotten because they were void of artistic value and represented the absolute low point of western culture (yes, elp). in fact, like the zappa tape, i'm not entirely sure how this came into my possession at all, and i think this is the first time i've ever listened to it. gentle giant would have been more richard's thing, actually; i don't remember my dad listening to or talking about gentle giant, probably because they didn't have a kickass drummer for him to listen to (that's what he really liked). my general impression of gentle giant is that it's boring folk rock with synth stabs and string accompaniments, like a pretentious early beegees, but i don't think i've given them a chance since i was a kid, so let's see what i think as an adult.

thoughts?

yeah, this is pretty awful. i think these are maybe a little later and consequently a little less straight up folk rock and a lot more pretentious (in drawing more from medieval english music or something), but it doesn't make them any less boring. something i had perhaps forgotten was gentle giant's huge influence on cardiacs (william d. drake mostly probably), but they don't have the crunchy punk aesthetic that cardiacs do, and the awkward, aimless keyboard solos end up sounding more like keith emerson, who is a persona non grata in my music review alter-reality. some of the instrumental sections have some potential, but they don't extrapolate and repeatedly demonstrate no counterpoint and no harmonic development; they just stay stuck in I-V to make it easy to solo in without doing any kind of thought about it (there's no wrong notes that way; but there's no interesting notes, either.) and then just noodle and arpeggiate in key. this is a characteristic that frequently defines the worst prog. it is truly boring, at least to anybody that isn't overwhelmingly pretentious, and wants to pretend they understand it without actually understanding it. it's the kind of music that music theory grads that are good with memorizing the math but have no actual creativity or actual musical talent make and like. i would never listen to this, and i'll repeat that i'm not sure how i got it, but it's a cassette dub of three records so i can't sell it. *shrug*.

it's not quite as awful as yes or elp, but it's closer to it than i remember it being, probably because these are later records. i beleve that the earlier material is a little more folky and not quite as awful.
gowan strange animal 1984 canada 1
gowan strange animal 1984 canada 1
gowan strange animal 1984 canada 1 cassette only. this 40 year old chrome tape still sounds fine. if you're going to make cassettes in the future, you should really make them chrome tapes, clearly; i know everybody rolled their eyes when the techs said that in the 80s, but they were clearly right, and at this point your old tapes had better be chrome, or bust. (lawerence) gowan was an 80s synth pop artist from toronto that had a hugely successful album in canada in the late 80s called strange animal, partly because he managed to score peter gabriel's backing band for it, before becoming the singer and songwriter for ultra cheesy disco-prog band styx for several albums, which i take it was sort of his dream job. this was, hands down, my favourite record as a kid; i've had this cassette since 1986 or so and i'm surprised that it plays well still, but i'll note it's a (store bought, not dubbed) chrome tape, which is different than most of the cheap mass manufactured cassettes. i have this on vinyl too but i've never owned it on cd and obviously should but his other releases, both solo and with styx, don't have the same nostalgic effect on me. yes, i still listen to it periodically. the title track, strange animal, isn't a kid's song, but it's a song a kid could like, as you don't really have to know it's about stalking somebody, you could think it's a silly song about cryptozoology.
frustrations negative reflections 2011 us 2
frustrations negative reflections 2011 us 2 cassette only. frustrations were a noise rock band from detroit that i saw in the punk house on kent in ottawa around 2012ish, where i purchased this tape due to the cover of instellar overdrive being impressive. i have not seen any show listings for frustrations since i moved to windsor, but i think i've met a few of these guys at shows by other bands they washed up in.


nov 19, 2024

frank zappa overnite sensation 1973 us 1 cassette dub (chrome) made by my uncle richard (i recognize the handwriting) for my father (his brother), probably c. 1990. richard died in, i think, 2006. my father died in 2013. there is some degradation, but it's not as bad as should be expected. i don't actually know how this got in here and i don't think i've ever listened to it. my dad had both of these on cd (overnite sensation was re-released with apostrophe on rykodisc) and remember listening to them that way. this wasn't the tape he used to listen to in the car because it doesn't have apostrophe (and the yellow snow suite).
frank zappa live at the filmore east 1971 us 1
dead voices on air piss frond 1998 canada 1 cassette dub made by myself. the quality loss on this tape is pretty terrible, mostly at the ends. i do remember transferring piss frond to cassette to listen to on the bus in the late 90s. this is a 2xcd album with one cd one each side.


nov 18, 2024

the tear garden mix (1986-1992) 1998 canada cassette dub made by myself. this one is not too bad, actually. it is chrome, which is no doubt the difference. i have a cassette with download on one side and tear garden on the other, which i actually think was made for a friend and never delivered.
download mix (1995-1997) 1998 canada


nov 17, 2024

download 05-12-1996, huset (denmark) 1996 canada cassette dub by tape trader. this is a chrome tape but it's still demonstrating substantive quality loss, although the coil bootleg was always bad quality. i can't remember what i traded this for in 1997 or 1998ish.
coil 05-08-1983, london, magenta club 1983 uk+ire


nov 16, 2024

coil love's secret domain 1991 uk+ire 0 cassette dub. substantive quality loss, but it's a dub. it's odd because these records are so harmonically complex that the decreased quality just pulls out different sections of the mix. it actually sounds like a remix of furnace from source, but i know it's just quality loss on the high end and increased saturation in the middle. i appear to have a cassette dub with a mix of download material from 1995-1996 on one side and love's secret domain on the other, which i must have made for listening to in my walkman on the way to work on the bus c. 1997/1998, as i was walking to school by that time (something that substantively cut down on my walkman listening time starting in the 11th grade). i received a discman for christmas in 1997, so it actually must have been late 1997, but is probably the reason i don't remember listening to this much.
download mixed (1995-1996) 1995-1996 canada
collective soul hints, allegations and things left unsaid 1993 us 3 cassette only. as with the others, this cassette is in poor shape. collective soul were a 90s rock band that had an alt-country bent to them and a better guitarist than some of the other similar bands from the time period. i actually spent a lot of time playing collective soul as a young guitarist as the tabs were available to me and the music was accessible during the years i was directly learning to play more developed parts (91-94), but i didn't need to buy the records because my dad was actually a collective soul fan, which he approached from a southern blues perspective, which is roughly correct. it's technically more correct to call it alt-country and talk about bands like the meat puppets and dinosaur jr, but that doesn't matter if you're a like eagles fan or something and just like the songs when you hear them. i had this one on cassette and my dad had the next four on cd. i remember specifically that "gel" was a fun guitar solo to play. i should at least get the second one on cd. collective soul, like most of the bands from the period, eventually lost the plot and got boring by going throught the motions, and people lost interest.
candlebox lucy 1995 us 2 cassette only. this cassette just ate itself and is permanently destroyed. it appears to have already been twisted at the end, and got caught in the tape deck. *shrug*. i should prioritize upgrading these to cd, but, after hearing how bad the tapes sound, i think that's going to be a general project once i get my housing situation dealt with. candlebox were a "post-grunge" band from seattle signed to madonna's label in 1992 or 1993 and who had some success with some soul asylum-type ballads before evaporating relatively quickly. while their music has some sonic similarty to pearl jam and alice in chains at points and is defined by the same basic dichotomy of punk singer with metal or blues band that underlies the grunge sound, and that was probably intentional, my young ears picked up that this guy (peter klett) was actually a way better guitarist than either mike mccready or jerry cantrell, and i would actually classify the band as progressive blues, and more similar, overall, to something like dire straits or pink floyd, although i bet the guitarist liked bon jovi (richie sambora) a lot and you can hear a lot of srv in the frequent 9th and 13th chords. if you can find these records (and i would guess they manufactured quite a few of them), they're actually pretty good guitar records. i should upgrade these to cd, but i wouldn't listen to them much, anymore.
candlebox candlebox 1993 us 2 cassette only. this one has some mild degradation that is noticeable mostly as tape saturation when the guitars get disorted, but it's not as bad as the others. i wonder if it's because i played this one more often. this is actually the same type of tape degradation that occurs from over-use.


nov 15, 2024

bush sixteen stone 1994 uk+ire 1 cassette only. i had sixteen stone on cassette and razorblade suitcase on cd, but i can't find the cd. this cassette is degraded, and initially seemed to be unlistenable, but it actually impoved over time, oddly, and now it sounds degraded but listenable.

oddly, the actual cassette i have is this one:
discogs link

which has a number of acoustic versions at the end of it. however, this tape is in a casette slip that was manufactured in the brief period before bush had to append an 'x' to their name in canada. the tape and liner notes have different bar codes. the liner notes say distributed by warner canada, but it's the us release of interscope 92531 and does not have the goofy "x" anywhere on it. the tape itself does have the x on it in quotes (bush "x") and is the intc-9000. i have a vague memory of replacing the tape but i also don't remember if i listened to the standard tracklisting on the bus in grade 8 or this one. i do remember that i purchased the tape in the timeframe between when everything zen was a hit in the united states (that song didn't take off in canada. maybe it's the slide. but i picked it up in a guitar world magazine and enjoyed playing it. that was the actual reason i bought sixteen stone before bush was really popular in canada, i liked the guitar parts in everything zen) and they got picked up by muchmusic for some of the more poppy songs on the record and, at that time, bush was kind of obscure and something you had to pick up as an import. i may have purchased a weird release in between the label adjusting to the legalities around the name, or i may have swapped it out, i don't really recall.
bush were a noisy english rock band at the height of the brit pop craze that didn't really fit in in the uk but did very well across the pond. does anybody know what happened to bush? i'm not sure. i did like their first two records as well as that remix disc with mixes by goldie, tricky and mbm and should have the three of them due to the amount of time i spent listening to them, but iirc they took an ill advised swing in the direction of not-very-good pop music and they utterly disappeared. or perhaps gwen stefani ate them for breakfast. i dunno. if i did pick up later bush, it would be with essentially no expectation other than that i probably wouldn't like it much. i think the not so pretty guitarist and obvious actual songwriter left at some point and that might discern the better bush from the worse bush. fwiw, they claim they were big pixies fans, and i don't really see the similarity in sound, although i do notice the similarity in hair.


nov 14, 2024

bryan adams into the fire 1987 canada 3 cassette only. my copy of reckless is missing, but was in very poor shape and may not be playable if it can be located. i think i sold cuts like a knife. this cassette is also in pretty poor shape.
blind melon blind melon 1992 us 2 cassette only, although i had this on cd as well at one point and sold it. this cassette is also experiencing extreme degradation. blind melon were an la rock band from the 90s that emerged during the alternative rock moment and that very much sounded like the early 70s aor sound (led zeppelin) in ways that their grunge contemporaries largely didn't. yes, the bee suit guy. not the one on the simpsons. the singer killed himself in a way that, in hindsight, seems like a cliche. i will eventually replace this record and the other one on cd but it's less of a prority as the records haven't aged as well and the band was always slightly overrated.
baby labour 2016 tour demo 2016 canada 2 cassette only
baby labour 2016 tour demo 2016 canada 2 cassette only baby labour are a math rock band from guelph (a city in the greater toronto area that, with brantford, will eventually be absorbed into kitchener-waterloo-cambridge and, together, will form the western boundary into the gta, proper) that have an obvious tera melos fetish, and don't appear to deny it. i saw them at phog in windsor in 2016, and the guitarist gave me the demo tape for free (without asking for it) during a smoke break conversation outside in the front of the venue.


nov 13, 2024

animal faces analytical dreaming 2010 canada 2 cassette only.
animal faces analytical dreaming 2010 canada 2 cassette only. i saw animal faces play in the avant garde bar in ottawa in 2011, i believe, and this self-made demo cassette is the only media they had for sale at the time. they were an extremely loud head cave at the time, although i believe they've moved away from that sound. i enjoyed the show, but i haven't kept up with them. i saw them again at the trumbullplex in detroit years later and they were very different. i would purchase further animal faces cds if i saw them. this cassette is 15 minutes and takes up one half of the tape.


nov 11, 2024

alice in chains nothing safe 1999 us 1 i was and still am a grunge fan and consider it to be a subgenre of punk rock. alice in chains were one of the most prominent grunge bands from seattle, which was now long enough ago that some people might not know much about it. i think i first heard alice in chains on muchmusic c. 1992ish. i did have facelift on cd at one point, but i didn't like it very much and eventually sold it. i have actually never purchased dirt on cd, but i still have my cassette from the early-mid 90s. i've commented elsewhere that alice in chains are more substantive musically than they are often given credit for due to the accidental microtonality in the vocals (in fact, layne staley was tone deaf, and consistently just missed the notes, but his voice was so powerful that it often functions as accidental harmonization. this is the classic alice in chains sound, and it's just a consequence of poor ear training, but it often sounds incredible.). however, of the four major seattle grunge bands, alice in chains also holds up the least well, all of these years later. they were opportunistic metalheads, and that's what's happened with alice in chains post-staley, they became an awful metal band. it's a shame, as there was a mad season record released in the mid 90s that demonstrated a lot of potential and jerry cantrell would likely make more interesting music as a solo artist. as a young guitarist, i bought the last two records new in local corporate music stores within a week of their release in the 90s (which is also where i bought my cassette of dirt c. 1994-1995ish) and specifically recall buying jar of flies at a garage sale for something like $2.00 c. 1995/1996. i should have a copy of dirt on cd, and i'd rebuy facelift if i saw it cheap.
alice in chains "tripod" 1995 us 2
alice in chains jar of flies 1993 us 0
alice in chains dirt 1992 us 1 cassette only. this is a thirty+ year old cassette. with all of the talk of cd rot, it's easy to forget that low quality commercial grade cassettes will lose their data in the upper registers due to the tape demagnetizing. this record was, i believe, always poorly mixed, and maybe intentionally - it always sounded dull. it's still salvagable for now by cranking the treble on the receiver, but it may be for the last time. i will need to finally upgrade this to cd. the 1999 release does have most of the best material on dirt, though.


nov 9, 2024

i'm going to take a detour through my cassettes as i put them in order on the shelf, up to g. i have in the past had cassette holders, but i have decided that the way i'm building my custom shelves means it makes more sense to just put the cassettes in place. the vinyl will never fit, but i can do the dvds that way too and i will (i only have a handful of dvds).

these will be skewed towards the 80s and early 90s because they are cassettes. however, there will also be some handmade dubbed tapes by more contemporary independent canadian and midwestern artists.

54-40 smilin' buddha cabaret 2024 canada 3 cassette only 54-40 may be remembered by a lot of people in canada for a handful of extremely successful radio singles in the mid 90s, but they were actually one of the first alternative rock bands out of the pacific northwest and have an underappreciated importance to the music scene that developed out of the region. i remember hearing 54-40 on the radio when i was very young and watching them do a set at the civic centre at the ottawa ex through the fence when i was about 10 or so. i believe it was 1992. for me, 54-40 were in the collection of bands i listened to from about the ages of 9-12, before my tastes changed in 93/94ish and also included rem, barenaked ladies and u2. i had a store bought copy of dear dear which i thought i still had and a couple of cassettes of their earlier material that i dubbed from the ottawa public library's gloucester branch (before they turned it into a kmart) that i don't know what happened to and i never actually bought. i actually should buy the 54-40 back catalog out up to this point, but they moved towards a more direct radio-friendly sound after this record (they were always pretty poppy, but they turned it up a notch) and i lost interest. i'm not sure why i have this one but don't have dear dear and wonder if dear dear is in a box hiding somewhere.

there's a new touche amore album out and i had some cleaning to do in the dining room so i did some touche amore streaming today.

touche amore spiral in a straight line 2024 us 2 something i've learned over the years is that you have to listen to a new touche amore record a few times because the subtleties are often not discernible on first listen. on first impression - three listens today - the record is simultaneously a movement towards the sound they've been leaning into since 2016 and a movement towards the sound they've been moving away from for as long and i might argue it is a good compromise. the second track stands out on first impression as being a little bit more developed, in the direction they peaked at in 2013, but the record doesn't have a deficit of material intended for a modern alternative rock radio format that as far as i can tell doesn't actually exist any more. it's a moderate improvement over the previous record, which i found to be a little bit too contrived, but it doesn't hit the heights of their best work, or not often. i'd advise giving this a listen if you liked their previous work and have fallen away from them, or if you grew up listening to nirvana and have never found anything to fill that void, and always wanted to.
touche amore lament 2020 us 3
touche amore stage 4 2016 us 1
touche amore is survived by 2013 us 1
touche amore parting the sea between brightness and me 2011 us 1
touche amore ...to the beat of a dead horse 2009 us 2
touche amore spiral in a straight line 2024 us 2
touche amore spiral in a straight line 2024 us 2


nov 6, 2024

the who won't get fooled again 1971 uk + ire 1


nov 4, 2024

deny everything curious george 2000 canada


nov 3, 2024

henryck gorecki string quartet no 2 1990 poland 3 gorecki was a polish composer active in the second half of the 20th century and bleeding a little into the 21st that is known mostly for his third symphony and his other vocal works after about 1970 (he write serialist music before that). i believe that much of his work has yet to be recorded. the two string quartets are on a kronos quartet cd, and he commmissioned some other works for them as well. i was first exposed to gorecki via the track moya by gybe, which is based on the third symphony. gorecki has an audience that overlaps with arvo part's, and his third symphony is very well regarded, but he is not credited with any particular innovation or development of sound.
henryck gorecki string quartet no 1 1988 poland 3
henryck gorecki symphony 3 1976 poland 0
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1 glenn branca was a composer that developed in the new york city punk underground as a composer of noise rock symphonies, and who had a profound influence on modern rock via his influence on new york city guitar luminaries like thurston moore, lee renaldo, paige hamilton, rhys chatham and michael gira, all of whom performed for him in various capacities. "bad smells" features moore and renaldo on guitar. looking at his work from a distance, it may sound like a composed version of sonic youth (or perhaps a little like the syr stuff), but that very much gets the influence backwards. i would like to pick up more branca, but i haven't run across a lot of branca in real life and i'm not sure how much of it ever got released on cd, so it's going to be up to the younger generation to keep this alive via digital media. i believe i picked this up at cd warehouse in ottawa in my serious music kick in the early 00s. he is not well known (outside of noise rock circles, where he is lionzed), but his importance is incalculable.
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0
henryck gorecki string quartet no 2 1990 poland 3
henryck gorecki string quartet no 1 1988 poland 3
henryck gorecki symphony 3 1976 poland 0
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0


nov 1, 2024

henryck gorecki string quartet no 2 1990 poland 3
henryck gorecki string quartet no 1 1988 poland 3
henryck gorecki symphony 3 1976 poland 0
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0


oct 31, 2024

henryck gorecki symphony 3 1976 poland 0
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0
frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. this is the 1995 3xcd "box set" with the cds in lp-like sleeves on rykodisc (10533-10535)
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0
frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. this is the 1995 3xcd "box set" with the cds in lp-like sleeves on rykodisc (10533-10535)
frank zappa shut up 'n' play yer guitar some more 1981 us 0
godspeed you black emperor f#a#∞ 1997 canada 1
godspeed you black emperor f#a#∞ 1997 canada 1
glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0
frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. this is the 1995 3xcd "box set" with the cds in lp-like sleeves on rykodisc (10533-10535)
frank zappa shut up 'n' play yer guitar some more 1981 us 0
frank zappa shut up 'n' play yer guitar 1981 us 0


oct 30-31, 2024

glenn branca bad smells 1982 us 1
glenn branca dissonance 1980 us 0
glenn branca lesson no 1 for electric guitar 1980 us 0
frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. this is the 1995 3xcd "box set" with the cds in lp-like sleeves on rykodisc (10533-10535)
frank zappa shut up 'n' play yer guitar some more 1981 us 0
frank zappa shut up 'n' play yer guitar 1981 us 0
frank zappa hot rats 1969 us 1 with beefheart, jean-luc ponty and ian underwood


oct 30, 2024

frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa shut up 'n' play yer guitar some more 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa and the mothers of invention one size fits all 1975 us 3 with the mothers of invention, which mostly featured frank in the role of lead guitarist and had lead vocals by others, like george duke.
frank zappa hot rats 1969 us 1 with beefheart, jean-luc ponty and ian underwood


oct 27, 2024

frank zappa return of the son of shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa shut up 'n' play yer guitar some more 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound. 3xcd box set.
frank zappa and the mothers of invention one size fits all 1975 us 3 with the mothers of invention, which mostly featured frank in the role of lead guitarist and had lead vocals by others, like george duke.
frank zappa hot rats 1969 us 1 with beefheart, jean-luc ponty and ian underwood


oct 26, 2024

frank zappa shut up 'n' play yer guitar 1981 us 0 studio project built from pre-existing sound.
frank zappa joe's garage (I, II & III in full, unedited)
mp3 cd
1979 us 1 mostly a studio project built from pre-existing sound. features members of missing persons.
frank zappa and the mothers of invention one size fits all 1975 us 3 with the mothers of invention, which mostly featured frank in the role of lead guitarist and had lead vocals by others, like george duke.
frank zappa boulez conducts zappa: the perfect stranger 1984 us 3 with boulez and his ensemble and zappa and the synclavier
frank zappa chunga's revenge 1970 us 3 with the turtles, gone snappy. and ian underwood.
frank zappa hot rats 1969 us 1 with beefheart, jean-luc ponty and ian underwood


oct 24, 2024

i came very close to burning an mp3 cd wth the 1972-1978 material on it, not including one size fits all: waka/jawaka, the grand wazoo, over-nite sensation, apostrophe ('), roxy & elsewhere, bongo fury, zoot allures, zappa in new york, studio tan. that's about 650 mb and doesn't include a few of the later discs, but they aren't as interesting to me. but, i'd have to open a package of cds, and these cds were bought for production, not for burning cds. it makes more sense to get a line out into the system and listen to the dvd, but i may do that in the long run and call the mp3 cd "dad's zappa records".

frank zappa boulez conducts zappa: the perfect stranger 1984 us 3 with boulez and his ensemble and zappa and the synclavier
frank zappa chunga's revenge 1970 us 3 with the turtles, gone snappy. and ian underwood.
frank zappa joe's garage (I, II & III in full, unedited)
mp3 cd
1979 us 1 mostly a studio project built from pre-existing sound. features members of missing persons.
frank zappa and the mothers of invention one size fits all 1975 us 3 with the mothers of invention, which mostly featured frank in the role of lead guitarist and had lead vocals by others, like george duke.
frank zappa hot rats 1969 us 1 with beefheart, jean-luc ponty and ian underwood
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 23-24, 2024
frank zappa shut up 'n' play yer guitar
shut up 'n' play yer guitar some more
return of the son of shut up 'n' play yer guitar

next cycle
1981 us 0 my zappa is currently a disheveled mess, as i was really hoping to inherit my dad's zappa collection and it was the one thing i couldn't find when he died. the string of records he had was freak out, the grand wazoo, over-nite sensation, apostrophe ('), roxy & elsewhere, bongo fury, zoot allures, zappa in new york, sheik yerbouti, joe's garage and tinseltown rebellion. this is pretty close to comprehensive, from 1972-1982, which was vaguely zappa's "prog" period. i filled in some of the gaps by picking up copies of hot rats, chunga's revenge, one size fits all, shut up and play yer guitar (the three cd box set) and the perfect stranger. there were also a few random things on vinyl (we're only in it for the money). so, between the two of us, it was a pretty complete zappa collection that i really didn't want to lose track of. i also have a dvd disc with mp3s of almost everything from 1966-1993 (i am familiar with almost all of it) but it doesn't play on my dvd player that i'm using to play these discs, unfortunately. it does play cd-mp3 discs. that's something i may be looking to resolve, but it's also why i bought the pi, which is currently not installed anywhere. we'll see what i end up listening to over the next few weeks but the best option may be to set my music pc back up, which i'm currently avoiding doing because i don't want it to get broken even worse (the retards appear to have tried to overclock an asus p5b with a pentium d from 2005 and almost fried it).

frank zappa was something i grew up with. probably my earliest memories of zappa are of my dad listening to the yellow snow suite on a dubbed cassette in the car, as he was driving me around somewhere, at roughly the age of six or seven. i was raised to appreciate the musicianship. eventually, i started playing guitar, and zappa was something i was taught to play. this stack of zappa cds on my dad's shelf in the living room was something i would get into and listen on my own, during various phases, over quite a long period of time. i mean, those zappa cds were just always there, from 1985 to 2010ish, until they were gone when i went to get them.

zappa himself came from pseudo-intellectual beginnings (influenced heavily by varese) on the east coast before moving out west and navigating through the jazz, rock and blues underground in the very south-western tip of the united states. he found himself in competition with hippies for venue space and couldn't help but make fun of them, which in the process generated an audience that may not have fully understood the performance art unfolding in front of them. as the styles shifted and changed through the 60s, 70s and 80s, zappa's performance art as satire shifted and adjusted with it; at the end of the process, he left us with a fairly broad cross-section of satire and ridicule, all of it produced with a level of flair and performed with an extremely high degree of musicianship and in ways that almost nobody fully understands. in between the over-the-top satire, he also produced some strictly original and strictly creative jazz fusion recordings as well as a pretty important collection of tape collage experiments.

i will rebuild this lost zappa collection over time, eventually.
frank zappa boulez conducts zappa: the perfect stranger 1984 us 3
frank zappa chunga's revenge 1970 us 3
frank zappa joe's garage (I, II & III in full, unedited)
mp3 cd
1979 us 1
frank zappa and the mothers of invention one size fits all 1975 us 3
frank zappa hot rats 1969 us 1
frankie sparo arena hostile 2000 canada 5 frankie sparo was the stage name of a lounge singer named chad jones that was lucky enough to release a few records near the top of the constellation records catalog, which feature contributions from the cst records house band (members of a silver mt zion and related projects). these are not bad records, exactly, but they're pretty timid and bland and you have to be into the schtick, which i'm largely not. they came to me as a part of the blind purchase of the first roughly 20 cst records releases when i mail ordered the second mt zion disc as a pre-order in 2000 or 2001.
frankie sparo my red scare 2001 canada 5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 23, 2024
fryderyk chopin ballade 4 1842 poland/
france
0 this is the disc of 8 of chopin's most substantive piano works, as performed by british-canadian pianist valerie tryon, and is a more valued addition to my cd collection than the polish symphonic music disc or the franco-slavic ballet disc.

chopin was a half french and half polish romantic era pianist and tentative composer that grew up in poland and identified mostly as polish but spent most of his career in france. while chopin is in many ways the archetype of the starving artistic genius and an icon of romantic culture, he did have periods of financial success and he spent most of his life under the financial shelter of a sequence of wealthy (and attractive) young women, who were intrigued by his unique talent as perhaps the greatest technical piano composer-performer that has ever lived. to add to the mystique, he didn't make it to 40 and died of a mysterious illness that he spent his entire adult life suffering from. this gives chopin a split personality, historically; while he is remembered primarily for his musical genius, he is also remembered for.....the liner notes of this cd describe him as the andy warhol of the romantic era, which is in some ways a trivializing insult, but also has a deep reality of truth to it. chopin wrote almost exclusively for piano and left the world some of the most challenging pieces, both to perform and to listen to, that have ever been and probably ever will be written for the instrument. for that reason, chopin is loved and dreaded by piano students, everywhere. however, chopin also had a dark gothic side that is perhaps his more lasting contribution to popular culture, as the proper intermediary between beethoven and debussy in a short history of the piano in european popular music. i first learned about chopin in the theory book, but there was often chopin playing in the house, growing up, as well. i will pick up more chopin as it is available to me.
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 22-23, 2024
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0 tchaikovsky was a russian composer that wrote not just a few but several of the most important pieces of music that are from the nineteenth century and continue to be known today and is even one of the five most important musicians in the history of western music, by almost universal analysis. this piece is embedded in the fabric of western culture, from commercials and ringtones to movies and video games to christian and pagan festivals, but you might not fully realize it until you sit down and listen to it. the idea of the nutcracker was actually supposed to be a survey of non-western music, but this has been somewhat obscured in the ballet's success in the capitalist west as a christmas story and as a source of jingles for various musical wallpaper. there was a section about the nutcracker prince in that music theory textbook that went over the modal connections between the dances and their ethnic associatons, which was why the ballet was written the way it was (to allow the composer the space to write in different harmonic considerations), and which was just a good educational resource in that sense for a young person. this suite, which today is the more famous abridgement of a larger work, is in some way at the very beginning of the concept of world music as we understand it in modern terms. these four compositions make up the ballet disc performed by eugene ormandy and the philadelphia orchestra.
leo delibes sylvia 1876 france 3 leo delibes was a french composer that wrote fruity ballets a little before tchaikovsky and these two pieces by delibes sound so much like tchaikovsky (it's the other way around, actually) that it threw me for a loop and i had to sit down with the disc and figure out which was which, although, as mentioned, it is the case that all ballet music sounds very similar, by definition. ballet is not supposed to be a very creative form and if you went to town with it you'd break it, which is exacty why you should, but it's not something with a large repertoire. if you like ballet, you should like these ones as well as the next one, which is the nutcracker prince. to me, this sounds a little generic, but i realize i may have the causality reversed, which i'm not interested enough in ballet to carefully rectify. coppelia is based on a story by the same author that wrote the story for the nutcracker. this cd is my first exposure to delibes.
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5 as far as i know, the primary or sole reason that anybody listens to chopin is for the psychotic piano solos and it is also worth pointing out that virtually everything he ever wrote was on piano, too. chopin would consequently seem to be a poor choice for a ballet, a priori, and it's consequently curious that this piece, which was created in the late 1800s out of chopin's works but was not written by or overseen by chopin himself, is the first piece of ballet music in the history of ballet music to not have a narrative story line, but instead just be about ballet people dancing ballet moves. if you're like most people, and you think all ballet music sounds the same, this distinction is just that much more meaningless. apparently, the ballet people like this idea of putting chopin to the spandex dance circuit, but i'm actually sort of appalled by the whole thing. this version was rearranged in 1936 from a version that was rearranged in 1907 from a piece compiled in 1892 of works written in chopin's lifespan, which was 1810-1849. i am not sure who to give credit to, but i strongly suspect that chopin would have vociferously rejected ownership (in whispers, between coughing fits) and denounced everything about this and that's more or less my own view about it as well.


oct 22, 2024
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3 peter paul koprowski is a polish-canadian composer that i don't know much about. this piece was a part of the program recorded by the kitchener-waterloo orchestra on the disc i picked up in the cbc overflow bin on the name recognition of the chopin piece, but which was really a program with a theme of polish romantic music. orchestras everywhere tend to cater to nationalism, for some reason, and should really re-evaluate why they do that. this piece is a little more atonal and modern sounding but is basically still generic romantic music and doesn't sell me much on the composer, either. these three pieces make up the kitchener-waterloo orchestra disc with the polish theme.
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3 moritz moszkowski was a polish romantic composer that i don't know much about. this piece was a part of the program recorded by the kitchener-waterloo orchestra on the disc i picked up in the cbc overflow bin on the name recognition of the chopin piece, but which was really a program with a theme of polish romantic music. orchestras everywhere tend to cater to nationalism, for some reason, and should really re-evaluate why they do that. this piece is a little bit wandering and unfocused and while it does have some louder moments it doesn't have the epic grandiosity that i like from my romantic music as the full orchestra moments are kind of vanilla and bland and dull. the piano runs through a lot of arpeggios and trills and sounds fast and twinkly and impresssive, but it doesn't have the narrative subtlety of a chopin or a rachmaninov (or a debussy or a beethoven), despite sounding a little like all of them at points. the slower sections are harmonically lacking and don't really move, melodically. i simply don't know much about this guy or whether this is a good starting point or a bad piece, but i'd have to describe this as generic late romantic music that is written by the book to get played and that is done better by others elsewhere (try rachmaninov). it's alright, but it doesn't sell me on moszkowski as something worth looking into further. this is a 37 minute piano concerto that takes up most of the disc.
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1 this relatively short piece by chopin is pretty good, but also sounds a little bit too purposefully put together. the draw is the schroeder-like piano playing, as chopin is hanging out with his buddy the piano, here, but i don't think this is truly finished. if chopin hadn't died so young, he might have finished this, eventually.


oct 21, 2024
dead kennedys triumph of the swill 1986 us 0


oct 18, 2024
frankie sparo arena hostile 2000 canada 5
frankie sparo my red scare 2001 canada 5
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0
frankie sparo arena hostile canada 5
frankie sparo my red scare canada 5
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0
frankie sparo arena hostile canada 5
frankie sparo my red scare canada 5
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 17-18, 2024
frankie sparo arena hostile canada 5
frankie sparo my red scare canada 5
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 16, 2024
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


expanded country chart to more ordered and include cities, taking note of eight epicentres (relative to my tastes) that have so far demonstrated themselves: london, new york, chicago, los angeles, seattle, vancouver, montreal, toronto. i expect this list to expand, but the thresheld is ten hits and nowhere else has hit it yet.

oct 11, 2024
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0 i've listened to these three discs several times over the last few days.

the nutcracker prince notwithstanding, i'm not very impressed by the ballet disc from the philadelphia orchestra. it's not really a chopin composition, it's something some russian built out of chopin's music and then assigned to him. i may even re-file this under tchaikovsky, instead. it's a good version of a known classic. i'd give the disc a 4.

the waterloo symphony disc with the poland theme is variable; the chopin piece is sort of impressionisty, which makes me ask questions about the performer. i haven't seen the score, but chopin is a very romantic pianist, so these blurry chromatic scrawls that are more debussy than beethhoven sound wrong. you can hear chopin's narrated playing style, which is the mark of a virtuoso; chopin is friends with the piano, and he has conversations with it, and it talks back. the other two pieces by the other polish composers are relatively generic. i'd give the disc a 3 overall.

the piano disc played by valerie tryon, however, features chopin's characteristically psychotic piano playing, and fluctuates from those narrative moments to impossibly complicated playing to just beating the shit out of the keyboard. this is what you expect from chopin, and these are some of his best pieces. this disc gets a 1 or a 0.
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 10, 2024
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
p'yotr ilyich tchaikovsky the nutcracker suite, op 71a 1892 russia 0 these pieces are scattered across 3 chopin cds currently in my 5 disc changer that i picked up together in the cbc overflow bin. i didn't realize one had the nutcracker suite on it. i know chopin and tchaikovsky but i am not familiar with the other composers and will need to listen before i can form an opinion. there seems to be a poland theme on one disc done by the kitchener-waterloo (ontario) orchestra for cbc, a french ballet theme on one disc done by eugene ormandy at the philly orchestra (who i have a lot of recordings by) and a disc strictly of chopin's piano music (four scherzos and four ballades), which is what he is known for. i first learned about both chopin and tchaikovsky in that music theory text book, although the nutcracker suite is an embedded part of western culture that everybody knows, even if they don't actually know it, and you definitely at least know one chopin piece (piano sonata 2, not here). there is a pile of tchaikovsky coming when i get to the p.
peter paul koprowski souvenirs of poland for piano and orchestra 1983 poland/
canada
3
moritz moszkowski concerto for piano and orchestra in e major, op. 59 1898 poland 3
leo delibes sylvia 1876 france 3
leo delibes coppelia 1870 france 3
fryderyk chopin les sylphides (douglas version) 1892/
1907/
1936
poland/
france
5
fryderyk chopin ballade 4 1842 poland/
france
0
fryderyk chopin ballade 3 1841 poland/
france
0
fryderyk chopin scherzo 4 1839 poland/
france
0
fryderyk chopin scherzo 3 1839 poland/
france
0
fryderyk chopin ballade 2 1839 poland/
france
0
fryderyk chopin scherzo 2 1837 poland/
france
0
fryderyk chopin andante spianato and grande polonaise in e flat major for piano and orchestra, op. 22 1836 poland/
france
1
fryderyk chopin ballade 1 1835 poland/
france
0
fryderyk chopin scherzo 1 1832 poland/
france
0


oct 9, 2024
firewater green light 1998 us 2 firewater was the band formed by the singer of cop shoot cop and signed to universal records after cop shoot cop failed to sell enough records to stay signed. firewater did not sell well either, but the singer kept the moniker as he went back to the independent label scene, and it emerged later as a band containing this same singer (tod ashley) and members of gogol bordello, amongst others. one of their later records, the golden hour, is one of my favourite records post-2000, but i don't have a physical copy of it. my first exposure to firewater was via this not for resale promo cd, which i picked up in a used bin in the late 90s on name recognition. it contains three anthemic radio rock songs with concerning lyrics (you're going down like a pederast in a boy's school) that predictably had difficulty breaking through to a mainstream audience, despite being pretty catchy. i would like to fill in the firewater, but i was a little apprehensive about it at the time, as the early material on universal records (before they got dropped) is uneven.
fuck buttons street horrrsing 2008 uk+ire 1 fuck buttons were a sound art duo that was picked up by pitchfork magazine during it's 1337 period and that i stumbled into opening for caribou in ottawa. i bought this cd at the show, in which they performed on a small table on the floor at the now sadly closed babylon. there have been further fuck buttons records, but they shifted towards more of a pop-friendly sound; i would suggest the follow-up project, blanck mass, for something that better continues the sound on this first record, which is dirtier and noisier and influenced by drone and post-industrial bands like coil, nurse with wound and current 93. that would appear to be an ehx big muff pi distorting the fuck out of everything on the disc, which gives it a guitarish feel, even though it's all (soft) synths and (software) sequencers. you should purchase any and all fuck buttons records if you see them; i will eventually fill this out.
fennesz venice 2004 austria 3
foo fighters foo fighters 1995 us 1 foo fighters developed quickly as the new project of nirvana's for-hire drummer dave grohl, who is not from seattle but rather grew up in the dc emo/hardcore scene as an ian mackeye etc fan, because the reality is that nirvana had already broken up before kurt cobain killed himself in 1994. grohl has described this as a process of actually being cut out because he wasn't into the drugs. the best nirvana songs were written by the bassist, but nirvana was really rooted in the drumming, so it's perhaps better that we don't have a lot of evidence of what kurt cobain had in mind post-nirvana, as it probably would have been awful. worse, kurt was apparently a complete asshole to grohl, despite grohl's drumming being the key asset that made the sound work. after releasing the record quickly and having it function as a new nirvana record in 1995, grohl assembled a live band consisting of pat smear of the germs (who had been performing with nirvana) and the rhthym section of sunny day real estate, although the drummer was quickly replaced by a session drummer named tayler hawkins (who became a fixture in the band until his recent death) and eventually by josh freeze (who i personally despise) and smear has come in and out of the band, as his job has largely been held by the guitarist for pop band mefirstandthegimmiegimmies. this actually makes foo fighters something of a supergoup, while being the only real extension of nirvana and also being seen mostly as grohl's solo project. as of 2024, they are the last remaining organically constructed global selling arena rock band. however old you are, you probably know the foofighters.

i at one point had their first three records on cassette, but i found their second record to be uneven and didn't like their third record much at all. i should point out that i was 14 when the first record was released and 18 when the third was released and that five or so years represents some emotional growth for most people. grohl has stated to the press that he is not as upset about having a very young audience as kurt was, and he's not going to, like, kill himself over it, or anything. but, like nirvana, foofighters is something that people tend to get into fairly young and leave behind as they age. i haven't listened to radio rock, in general, in decades. i've honestly heard very little foofighters over the last 25 years and have little to say about their material after their third record.

i picked up a copy of the first record on cd used at some point because my memories of it are more positive, particularly listening to it on the bus as a 14 or 15 year old. i think that later foofighters moved in more of a classic rock direction, but the first record is very much a dc-area hardcore punk record. while the second record is uneven, i should probably also have a copy and do not currently. i would grab anything else they've done for cheap used, but i'm not sure i'd write positive reviews of it.
filter short bus 1995 us 1 filter has become the solo project of former nine inch nails guitarist richard patrick, who claims to have been involved in the writing for nine inch nails on pretty hate machine and broken (and which reznor disputes), but this first record is a collaboration between patrick and brian liesegang, who was one of reznor's background programmers in the early 90s. the record is most similar to broken, but has a heavier grunge aesthetic. this is a goofy, booming record in some ways, but it's sort of exactly what i wanted when i was 14. i had a version of this on cassette that i upgraded to cd at some point. i believe i first heard filter in an x-files episode, which is funny because his brother (the t-1000) later joined the show.

i picked up a copy of their second record, title of record, on cd not long after it was released, but it wasn't what i was interested in at that point of my life and i didn't keep up with them. i haven't heard much that he's done since 2000. there are now quite a few filter records, and they largely aren't something i'd be much interested in, but i would purchase them for cheap if i found them.


oct 7, 2024
john lennon working class hero 1970 uk + ire 0


oct 6, 2024
fennesz venice 2004 austria 3
foo fighters foo fighters 1995 us 1
filter short bus 1995 us 1
firewater green light 1998 us 2
fuck buttons street horrrsing 2008 uk+ire 1
fuck buttons street horrrsing 2008 uk+ire 1
fennesz venice 2004 austria 3
foo fighters foo fighters 1995 us 1
filter short bus 1995 us 1
firewater green light 1998 us 2
firewater green light 1998 us 2
fuck buttons street horrrsing 2008 uk+ire 1
fennesz venice 2004 austria 3
foo fighters foo fighters 1995 us 1
filter short bus 1995 us 1
firewater green light 1998 us 2
fuck buttons street horrrsing 2008 uk+ire 1
fennesz venice 2004 austria 3
fly pan am sedatif en frequences et sillons 2000 canada 3
fly pan am fly pan am 1999 canada 1


oct 5, 2024
can horror trip in the paperhouse 1973 germany 2 i found this cd-r of a bootleg of a live performance from 1973 in my pile of cd-rs that i burned in like 1998 or something. i still can't find the spoon releases.
fennesz venice 2004 austria 3
faust IV 1973 germany 4
fly pan am sedatif en frequences et sillons 2000 canada 3
fly pan am fly pan am 1999 canada 1


oct 4, 2024
fennesz venice 2004 austria 3 christian fennesz is an austrian guitarist and sound artist that is known for working in a space similar to robert fripp's work with brian eno, and is not particularly far in genre space from some of the guitar compositions i've created myself. fennesz had a lot of hype around him in the early 00s, enough that somebody i knew from high school named sean thought i ought to like his work, and gave me this as a gift at some point around it's release date. it's probably because it's a little too close to my own work that i found it subpar. the big difference between this record and some of the material i've done myself is that fennesz lacks any focus on melodic direction, while my ambient guitar work is very much about the interplay of notes in the musical spectrum. this blurry approach to ambient music was popular in the 00s, but it was never something i found very interesting. music as purely inharmonic and atmospheric sound art can potentially go somewhere, but you need to really be intense about it, and fennesz never is. this consequently barely even functions well as background music. i am generally highly critical of this style of music, broadly, as it developed in the 00s and early 10s and would have more or less the same criticism of similar musicians from the period, like tim hecker or daniel lopatin, who you will note have no presence in my cd list. this fennesz disc was a gift that i haven't got around to selling yet, partially because i've been waiting to give some of his other work a closer listen, and have never gotten around to it. i would like to hear something more musical and focused and less just blobs of formless sound, but that's just my opinon and i can and will listen to something else if i like it better. i realize that this style has an audience, i'm just not in it.
faust IV 1973 germany 4
fly pan am sedatif en frequences et sillons 2000 canada 3
fly pan am fly pan am 1999 canada 1


oct 2, 2024
faust IV 1973 germany 4 faust were a german rock band from the early 70s that were known for composing abstract sound collages and using motorik beats roughly contemporary to can, who they sounded relatively similar to. i have not delved deeply enough into the faust back catalog to say much informed about it. i read about faust somewhere online, likely at the same time as i was reading about can and took a chance on this when i found it in a used bin in the early 00s. i was living with sarah, so it would have been in 2004, at the height of my dmst fandom. it was a rational thing to take a chance on, but i wish i would have found one of their earlier records, as this one is a little spotty. i will look into their earlier work, eventually, but it hasn't come up yet (and it was a long time ago).
fly pan am sedatif en frequences et sillons 2000 canada 3
fly pan am fly pan am 1999 canada 1


oct 1-2, 2024
adrian belew the guitar as orchestra 1995 us 1 cd-r version given to me as a gift
brian eno + robert fripp (no pussyfooting) 1973 uk + ire 0 cd-r version given to me as a gift
andy summers + robert fripp i advance masked 1982 uk + ire 2 cd-r version given to me as a gift
fly pan am sedatif en frequences et sillons 2000 canada 3 fly pan am are the sometimes terrible kitschy post-punk band that gybe plucked roger tellier-craig from in the 90s after mike moya left, and which were consequently permitted to release a string of initially pretty good to sequentially more awful releases on constellation releases in the 2000s, even after roger tellier-craig quit gybe to focus strictly on fly pan am, in one of the most questionable decisions in the history of rock music. these cds were both a part of my initial mail order purchase from constellation records, in which i bought out the catalog up to the second mt zion disc, which was in pre-release at the time (not including the ones i already had), and got a swell mt. zion poster for my patronage. i initially found the records moderately bland and i haven't kept up very intently, but the first one has grown on me while the remix record has not as much. i saw fly pan am play here in windsor in 2019 without having kept up and it was a little more straight ahead rock than i'd like. as mentioned down the page, i'm overdue for a large cst purchase, and some, and maybe all, of the subsquent releases will get in there, but i'm not sure the reviews of them will be positive. nice est en feu is based on a steve hackett track from voyage of the acolyte called shadow of the hierophant but is nonetheless a substantive piece worth hearing.
fly pan am fly pan am 1999 canada 1
soundgarden jesus christ pose 1991 us 1


sept 30, 2024
fly pan am fly pan am 1999 canada 1
adrian belew the guitar as orchestra 1995 us 1 cd-r version given to me as a gift
brian eno + robert fripp (no pussyfooting) 1973 uk + ire 0 cd-r version given to me as a gift
andy summers + robert fripp i advance masked 1982 uk + ire 2 cd-r version given to me as a gift
brian eno + robert fripp (no pussyfooting) 1973 uk + ire 0 cd-r version given to me as a gift
andy summers + robert fripp i advance masked 1982 uk + ire 2 cd-r version given to me as a gift
aphex twin pseudo-
melodies from mars
1995 uk + ire 3 a cd-r of some mp3s i downloaded in the 90s. it's low quality and some of the tracks cut off. rdj has since accepted authorship of the tracks, but at the time they were seen as fake. this is not the version released years later.
adrian belew the guitar as orchestra 1995 us 1 cd-r version given to me as a gift


sept 28, 2024
aphex twin pseudo-
melodies from mars
1995 uk + ire 3 a cd-r of some mp3s i downloaded in the 90s. it's low quality and some of the tracks cut off. rdj has since accepted authorship of the tracks, but at the time they were seen as fake. this is not the version released years later. i have a pile of cd-rs around that i haven't been going through up to this point. i have or had another box of unmarked cd-rs; it might have been one of the things thrown out by the upstairs retard when i left it outside my storage space c. 2014 or it might be in a pile of boxes in the back of my apartment. i don't know. i have a much smaller pile of cd-rs at the bottom of one of my cd bookshelves (i currently have two large shelves i'm "installing" by listening to these in sequence), and i'm going to plug these in.

these are the cd-rs in that pile for a-->f, not including a fripp/sylvian case that is apparently empty. you'll note a king crimson theme of fripp/eno/belew. david byrne was the singer for the talking heads (who also used belew, albeit too sparingly) and andy summers was the very underrated guitar player for the pop band the police, which was fronted by a singer that used the stage name "sting", who was also a jazz bassist. summers actually started off in the 60s as a progressive rock guitarist, which is not widely realized or appreciated. these four discs were all burned by my dad's friend dieter, who gave them to him as gifts; my dad liked king crimson, but it was because he was a fake drummer (king crimson is known for it's complex time signatures and intricate drum patterns), so these guitar-focused cds with minimal to no drumming weren't that exciting to him. i, on the other hand, am an experimental guitarist. so, they were regifted to me, as i would appreciate them better. the general rule is that my dad didn't like "weird" music and would dump anything he thought was "weird" off on me, which usually worked out, because i'm generally into "weird" so long as it's also musical and, because most of what he listened to was made by progressive rock musicians, that intersection of weird and musical frequently held. so far, other records given to me because they were "weird" were by alan holdsworth and can, and these cd-rs by belew, fripp, eno and byrne are also in that list, which i'll keep track of as i go. so, i was generally happy to get these "weird" records he didn't like. the frippertronics work with eno has become the stuff of legend (i used to have an lp of this record as well), but the belew disc is also pretty good and the summers/fripp disc is underrated. i like the other eno/byrne disc, which is very different, a lot better.

i will work the cd-rs in as they come up, as i continue to work through this.
adrian belew the guitar as orchestra 1995 us 1 cd-r version given to me as a gift
brian eno + david byrne everything that happens will happen today 2008 uk + ire 6 cd-r version given to me as a gift
brian eno + robert fripp (no pussyfooting) 1973 uk + ire 0 cd-r version given to me as a gift
andy summers + robert fripp i advance masked 1982 uk + ire 2 cd-r version given to me as a gift


sept 27, 2024
manorexia the radiolerian ooze 2002 australia/
us
0
steroid maximus ectopia 2002 australia/
us
0
foetus flow 2001 australia/
us
2
wiseblood pttm 1991 australia
/us
1
foetus interruptus thaw 1988 australia
/us
1


sept 22-23, 2024
manorexia the radiolerian ooze 2002 australia/
us
0
steroid maximus ectopia 2002 australia/
us
0
foetus flow 2001 australia/
us
2
wiseblood pttm 1991 australia
/us
1
foetus interruptus thaw 1988 australia
/us
1
manorexia the radiolerian ooze 2002 australia/
us
0 jim thirlwell emerged simultaneously in the no wave and industrial scenes and seemed to exist in a quantum state that fluctuated in measurable observations between new york and london, allowing him to exist in several places and do several things simultaneously, often in a mostly technical role. his name exists on a startling number of seminal releases from the early 80s, in both genres, such as releases by einsturzende neubauten, swans, sonic youth, nurse with wound, coil, nick cave, lydia lunch, the the, mars and pig in addition to his own various projects, often using the word 'foetus' in some amusingly shocking manner. his technical work continued into the 90s in both genres. i first looked into foetus in the mid 90s in order to explore more of the work created by the person behind the jaw-dropping nine inch nails remixes done by jim thirlwell from 1993-1996 by purchasing a string of his 90s releases and was largely underwhelmed by them. i at one time had just about everything he did in the 90s but i sold all of it in 2002 to raise some cash. while my analysis hasn't changed (they are disappointing releases, without exception), i wish i hadn't sold them, in hindsight, because i would now like to drastically fill out my thirlwell collection. what i have left are two cds not released in the 90s, although i also tried to sell thaw (and keep butterfly potion because it's a wax trax! release), but they ended up in the wrong cases, so i now have a copy of thaw in a butterfly potion case, and somebody bought butterfly potion at discgoround expecting to get thaw (it was gone by the time i realized it). i know now that thirlwell was struggling with alcoholism at the time and that he agrees that these releases were underwhelming. i did go looking for some earlier foetus cds but i could not find anything before thaw anywhere in ottawa, neither used nor new. even record runner didn't have old foetus cds for sale, not even marked up to $50 as they did for records by similar bands like swans or lpd, probably because they were already out of print and impossible to find, even then. i'll point out that this was before bandcamp, before youtube, before torrent seeding and even before napster or mp3.com. i was, nonetheless, able to find a foetus discography in low quality mp3 on an underground ftp site shared on the skinny puppy mailing list (thanks, az) and download it over a 56K modem. the early records, which i have never seen copies of in real life and hence have never had the opportunity to purchase, were closer to what i wanted but still didn't give me something comparable to these brilliant remixes, leaving both artists in the awkward position of having their best and most memorable work attached to each other, and apparently not really liking each other. thirlwell's material began to recover after 2000, first in a string of experimental side projects that produced some legitimate obscure left-field lost classics and eventually doing soundtrack work for comedy central, which was the day job he apparently really needed. he has since shifted into the role of an electronic composer and released an extremely diverse collection of records under a variety of monikers, some of which i have been able to find in physical form via opportunity, but which i am mostly familiar with via digital audio. i think his work after the year 2000 is by far his most substantive (under his own name) and what i would recommend the most. i would definitely like to fill this in, but so much of his discography is out of print or released in limited edition runs that i might never be able to. i think i can do better than this, at least; there must be somewhere in detroit that will sell me a pile of thirlwell cds without needing to order it, but i have yet to look into where. today, thirlwell cds are most likely to be found lurking in unexpected places like garage sales and discount used bins, as only music nerds know who he is, and there's actually something appropriate about that. if you ever find any cd or lp anywhere with the name "thirlwell" on it, buy it and listen to it. this is a minimal but broad cross-section of his work and, as mentioned, i'd really like to fill it out because he has proven himself as one of the most important musicians of the post-punk period, but these are not cds that are easy to find. there are currently physical copies of his first four records listed on ebay for $100-$200.
steroid maximus ectopia 2002 australia/
us
0
foetus flow 2001 australia/
us
2
wiseblood pttm 1991 australia
/us
1
foetus interruptus thaw 1988 australia
/us
1


sept 21, 2024
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
foetus flow 2001 australia/
us
2
foetus interruptus thaw 1988 australia
/us
1
einsturzende neubauten haus der luege 1989 germany 1
einsturzende neubauten strategies against architecture 1984 germany 8
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
foetus flow 2001 australia/
us
2
foetus interruptus thaw 1988 australia
/us
1
einsturzende neubauten haus der luege 1989 germany 1
einsturzende neubauten strategies against architecture 1984 germany 8


sept 20-21, 2024
einsturzende neubauten perpetuum mobile 2004 germany 3
einsturzende neubauten silence is sexy (w/pelikanol) 2000 germany 1
einsturzende neubauten tabula rasa 1993 germany 1
einsturzende neubauten interim 1993 germany 2


sept 14-15, 2024
einsturzende neubauten perpetuum mobile 2004 germany 3
einsturzende neubauten silence is sexy (w/pelikanol) 2000 germany 1
einsturzende neubauten tabula rasa 1993 germany 1
einsturzende neubauten interim 1993 germany 2
einsturzende neubauten perpetuum mobile 2004 germany 3 einsturzende neubauten were really the only true industrial band, making music out of power tools and sheet metal but retaining a basic punk rock aesthetic of screaming over power chords, and being banned from venues for lighting the stage on fire (perhaps accidentally). i don't have much of the early material, but it's very difficult to listen to outside of the novelty of what it is, aesthetically, as a proof of concept. you can pretend to like it, but i have analyzed it and internalized it carefully over the course of many years and decided that is actually a pretentious position, as nobody really does, people just pretend it's brilliant to try to be extreme and cool. it's actually, in truth, unlistenable; it's objectively mostly trash. it took some time for them to develop into abstract noise composers, in parallel to blixa bargeld's work with nick cave, which is when they started to become much more interesting, after about 1985 and especially after 1989. this material (which was still early in their career) integrates the industrial elements into can-influenced noise collages, ideas from experimental classical music (mostly german) and more musical post-punk song structures and is far more enjoyable to listen to and, i think, far more substantive art. what i have on cd is an almost complete collection of albums and singles from 1989-2004 (i do not have a copy of ende neu) that i picked up in various places, mostly by opportunity, and a compilation of their early material called strategies against architecture that is kind of enough for me. i am familiar with the early material solely via digital downloads and i have generally opted to buy something else when given the opportunity, despite frequently holding physical copies of several of their early cds in my hand in the cd store and thinking about it before putting it back, as there was always something else that seemed more compelling to purchase with my finite funds, but i would like to fill this out, eventually. they sometimes sing in german and sometimes sing in english, and sometimes sing in french, and sometimes sing in multiple langages in the same song; this is potentially a barrier for english speakers. most people will want to start with haus der luge and be careful with their early work, but their early work (especially halber mensch) really is the purest and most brutal and probably only real example of industrial music and is worth experiencing at least once for that reason. i think i first heard about einsturzende neubauten in that guitar world article about nine inch nails, but i had to wait a few years before i could do any serious research on them on the internet, which would have been through websites like wired and brainwashed.
einsturzende neubauten silence is sexy (w/pelikanol) 2000 germany 1
einsturzende neubauten tabula rasa 1993 germany 1
einsturzende neubauten interim 1993 germany 2
einsturzende neubauten haus der luege
for next cycle (foetus)
1989 germany 1
einsturzende neubauten strategies against architecture
for next cycle (foetus)
1984 germany 8


sept 10, 2024
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2


sept 9, 2024
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
erik satie nocturnes I-V 1919 france 1
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
erik satie nocturnes I-V 1919 france 1
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1


sept 7, 2024

added country list.


sept 6-7, 2024
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
erik satie nocturnes I-V 1919 france 1
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
erik satie nocturnes I-V 1919 france 1
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2
erik satie nocturnes I-V 1919 france 1
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1
evelyn glennie
performs james macmillan
veni, veni emmanuel 1993 uk+ire 2 evelyn glennie is a scottish percussionist that operates in the grey area between modern western classical music and experimental rock and electronic music. while she is stone deaf, she claims to be able to hear her own playing through the vibrations in her body, and i would not know how to evaluate that claim. ears and brains evolved together, so virtually all animals with ears have brains. however, the ears physically work by amplifying vibrations picked up in the environment. there is an evolutionary record of species that exist with partial ears that demonstrates how ears evolved but the problem is that they all have primitive brains, or no real brain at all. it's consequently impossible to know what it means to "hear" something via feeling vibration when you have a brain that can process the vibrations, and it comes off as lacking a meaningful or coherent definition on first glance. i might plug my ears and go to a dance club and feel the bass but i know i am not hearing it because i can hear. if i could not hear, i do not know how much of the vibrations in the bass that my brain might be able to learn, through plasticity, to convert into sound to be understood like hearing but i would imagine the brain would have some real but limited ability to do that. i would imagine that a young person that could not hear but was otherwise capable would consequently be attracted to anything that vibrated, like a drum, and anything they could manipulate vibrations of. i could also imagine that they could trick themselves into thinking that was hearing, without being able to experience actual hearing.

i have had a few of her records come in and out of my collection over the years and have heard her work with musicians like bjork and steve hackett, who might have interpreted her similarly to an eccentric ruth underwood. this record is a performance of a piece by a composer named james macmillan that i'm otherwise not familiar with but who seems to mostly write religious music for the catholic church, which i wouldn't be interested in. this particular piece is written as a percussionist concerto with accompanying orchestral parts and is some kind of very late romantic music but the frequent solos for instruments like woodblock and marimba make it sound more like late fusion or early progressive rock. it's an odd disc, which is what i'd have to say about all of the glennie i've heard, it's all very idiosyncratic and unusual. this disc was picked up for a $1 in the cbc overflow bin. i would be interested in exploring her work further.

my first exposure to evelyn glennie would have been as something my dad picked up cheap looking for complicated drum parts, but left me with because he was disappointed with it.
erik satie nocturnes I-V 1919 france 1 erik satie was a french pianist and tentative composer that lived roughly contemporary to debussy and was an influence on him, and vice versa. they were friends. satie did not write much for instruments other than solo piano. he was more of a direct extension of beethoven's piano work than debussy, as satie was a traditionally trained pianist, while debussy was an intuitive self-taught idiot savant. debussy was, however, more of an ideological extension of beethoven in his rejection of the theory of bach, which was targeted for destruction by all as suffocating and retarding at the precise moment it was finished but took centuries to thoroughly destroy because it was violently enforced by the church in order to resolve the mathematical problems created by it's precursor pythagorean music theory, which necessitated certain atonalities, which were interpreted as satanic and marked for tonal removal by the church leaders. this is not the language that debussy or satie would have used because they were products of the anti-establishment thinking of the 19th century but it is the correct historical analysis to apply; they may have verbally reacted against romantic music, but they were in reality late romantic composers that were finishing the long process of destroying the theory of bach, which was set in process by beethoven. satie is more melodic and "classical" than debussy, which is often extremely abstract and difficult to linearly deduce from anything at all. satie's core period also differs from debussy in being a more direct precursor to the minimalism of the 20th century, and i particularly want to draw attention to the piano work of arvo part in the 1970s. satie is consequently important to take note of as a kind of missing link between beethoven and the 20th century genres of impressionism and minimalism. however, his work is at times written to be boring on purpose, and he only transcends it in bursts. when satie is on, he's greatly enjoyable, but he's usually off, which reduces much of his works list strictly to background music. this list consists of two cds i got in the cbc overflow that have some overlap and is not comprehensive but is actually a good way of the ways there. my sister used to play satie in the house, but he's also come up in music history courses i've taken on early 20th century music. i will fill in the satie holes for cheap over time, but this is really pretty good in terms of collecting what his substantive compositions were.
erik satie sonatine bureaucratique 1917 france 1
erik satie ragtime parade 1917 france 1
erik satie avant-dernieres pensees 1915 france 1
erik satie trois valses distinguées du précieux dégoûté 1914 france 1
erik satie croquis et agaceries d'un gros bonhomme en bois 1913 france 1
erik satie descriptions automatiques 1913 france 1
erik satie embryons desseches 1913 france 1
erik satie poudre d'or 1901 france 1
erik satie je te veux 1900 france 1
erik satie pieces froide (danses de travers) I-III 1897 france 1
erik satie pieces froides (Airs a faire fuir) I-III 1897 france 1
erik satie prelude de la porte heroique du ciel 1894 france 1
erik satie gnosiennes I-V 1890ish france 1
erik satie gymnopedes I-III 1888 france 1
erik satie sarabandes I & III 1887 france 1


sept 5, 2024
erik satie france


sept 2, 2024
erik satie france


sept 1, 2024
emerson lake and palmer brain salad surgery 1973 uk+ire 8 emerson lake and palmer must have sat down at some point and decided to make the most pretenious music ever written, as there's not any other way to explain them. they then became the low point of rock music history for a while, before wandering off to write commercial pop music in the 80s like everybody else. i am using the word 'pretentious' with the intent to fully express it's actual meaning, as nothing embodied pretentiousness more than elp. they seeemingly intentionally picked the worst compositions by the worst composers and then intentionally ruined everything those worst composers ever did. brain salad surgery was my dad's cd, and i kept it because i used to make fun of him for listening to it, and often made him laugh because he knew i was right. i bought the self titled disc for $1 at the cbc overflow bin, and it's actually marketed as a radio promo for 'lucky man' rather than as an lp. this first record is a little bit better than their other recordings, as it doesn't have the endless generic prog arpeggios that came to saturate and ruin most of their discography but is a little more musically creative; parts of it could pass as early bowie (as written by rick wakeman) or early king crimson (which had the same singer, greg lake). i would pick up further elp for $1 but it's not because i would enjoy listening to it. there's not much else quite like this in my collection, as the other prog records in the list are there because they have good guitar players or truly memorable songwriting or something else that is a redeemable characteristic, while i just hold on to elp because it's truly awful music that i enjoy making fun of.
emerson lake and palmer elp 1970 uk+ire 8
electric light orchestra electric light orchestra 1971 uk+ire 1 the electric light orchestra formed as a supergroup in the early 70s out of members of some obscure 60s rock bands that were of varying quality, with the conscious intent to pick up where the beatles left off, and that is what most people would say about their first record. unfortunately, they then decided to release a string of subpar disco records before jeff lynne decided to literally start a band with tom petty and george harrison. this record is consequently left suspended in history as some kind of missing link between the last beatles compositions and the first queen record. i bought this in a second hand store many years ago with little knowledge of elo and due to having confused roy wood with roy harper and was subsequently surprised by it's quality and have kept it, which then led me to explore their other work via digital media, which i didn't like as much. i will likely fill this out as opportunity allows for it, but there's not much else in their discography worth holding on to.
emerson lake and palmer brain salad surgery 1973 uk+ire 8
emerson lake and palmer elp 1970 uk+ire 8
electric light orchestra electric light orchestra 1971 uk+ire 1
exhaust cst004 1998 canada 5
econoline crush the devil you know 1997 canada 1*
eco-hed positron! 2 1998 us 1
exhaust cst004 1998 canada 5
econoline crush the devil you know 1997 canada 1*
eco-hed positron! 2 1998 us 1
exhaust cst004 1998 canada 5 exhaust were a project by the drummer for gybe! (aidan girt) and some friends on instruments like clarinet that released a few side projects on constellation records before dissolving. the records are unusual, in being some kind of jazz influenced trip-hop wth live drumming, but are not particularly compelling and border on satirical when they shift into klezmer punk. this was purchased as a part of a large package of cds on mail order from cst and has been kept for that reason, which would be the only reason to purchase further exhaust records, if you like to collect cds like collectibles based on characteristics like record label of release. the very deep clarinet parts are perhaps in some way foreshadowing the rise of deep bass music but are actually difficult to even hear or even reproduce into sound waves at all, so much of this and subsequent records feature muffled rumbles where the bass clarinet ought to be or what seems to simply be silence but is actually a clarinet you can't hear. maybe ask an elephant to translate?
econoline crush the devil you know 1997 canada 1*
eco-hed positron! 2 1998 us 1


august 31, 2024
duran duran electric barbarella (greatest hits promo) 1997 uk+ire 7
doubting thomas father don't cry 1997 canada 3
econoline crush the devil you know 1997 canada 1* *canada only. otherwise, you probably are not familiar with this electronic grunge band from thunder bay, ontario (marketed as being from vancouver) that got plenty of time on muchmusic and headlined some rather gigantic festivals with bands such as the tea party (invented the style muse popularized), i mother earth (invented the style the mars volta popularized) and our lady peace (possibly the first corporate emo band). they started off in the canadian industrial-pop circuit (their previous record, which i no longer have, was produced by rhys fulber of delerium and frontline assembly) before being positioned as crossover pop stars; this record sold very well but the band disappeared shortly afterwards and they're now totally obscure. this was a style of music that was popular at the time, but the record is really more depeche mode than nine inch nails, while having the distinction of having an actual guitarist and drummer in the band (not true of either nine inch nails or depeche mode), which makes these songs more like "post-grunge with hard beats" than "new wave with thrash guitars". these songs are about guitar riffs, not synth bass parts. it's an effective synthesis and it sold for a reason; it still sounds good, to me. i believe i bought this at future shop close to it's release date after seeing a video for the band on muchmusic. i should probably repurchase their older discs, but they are actually not as well produced and i sold them because i didn't listen to them much and needed the cash, and it's not a high priority.
eco-hed positron! 2 1998 us 1 posi002 eco-hed were a one off project by half of the core of chicago house and industrial-jazz monstrosity die warzau and a frequent die warzau collaborator directly from the chicago house scene (matt warren), who had to put the moniker down because nobody let them do anything anymore due to being too creative for commercial production. zappa coined the term "no commercial potential", which is about what die warzau was by 1998. this was released as the second selection on chris randall's (smg, micronaut) new label, positron!, which was designed to fill the gap of dying chicago industrial labels like wax trax and invisible, but instead learned the hard way why they died in the first place. i purchased the first handful of positron releases via mail order together in the late 90s. this was the kind of music that needed a bandcamp for distribution before there was a bandcamp and just couldn't exist in the corporate consolidation and shit culture of the late 90s and early 00s. these guys were in truth some of the most creative chicago electronic artists of the 80s and 90s, one of the techno epicentres, so it's not fair to accuse them of hopping trends, but this is definitely less of the manic party that die warzau was and more dialing in towards a traditional rave sound.
missing cds: c/d i don't recall selling but cannot find: garlands - cocteau twins, david bowie - hours..., fresh fruit for rotting vegetables & bedtime for democracy - dead kennedys. it is not clear if they are stolen or lost.
duran duran electric barbarella (greatest hits promo) 1997 uk+ire 7 duran duran were a vapid 80s pop band that were probably created by a record label executive and were extremely successful and extremely profitable for a relatively long amount of time. i believe that duran duran actually survived the 90s in tact and still as a commercially viable product, but then they just aged too far and disappeared. i had some duran duran tapes when i was a young child in the late 80s, but they've long since disappeared and i never upgraded them to cd as my tastes changed in the early 90s and duran duran was something i put down and away, along with bands like inxs and glass tiger, as they didn't have the artistry or abstraction of, say, david bowie or the cure or peter gabriel. i found this for $1 in the cbc overflow bin and decided it was something that really ought to be on my shelf for historical reasons, as i did listen to this band quite a bit before i turned 10. however, i do not remember the last time i listened to duran duran with any serious intent or thought about them in any way at all except ironically and this is probably all that is necessary, and all that will exist. i would pick up key selections for nothing or almost nothing if the opportunity arose, though.
doubting thomas father don't cry 1997 canada 3 subcon009 doubting thomas was another project that developed out of the decay of skinny puppy in the late 80s and early 90s and is purported to be "soundtracks for films that don't exist", but in truth sounds a lot like a throwback to the earliest period of skinny puppy, when only key was involved with the music, and entirely minus ogre or the hard ebm beats that came in in the mid 80s. dwayne goettel's technical and compositional facelift on the bites sound is, however, obvious; if key was trying to sound like kraftwerk or tangerine dream (or maybe even genesis) at points of early puppy without having the know how to do it, dwayne helped him get closer to that end point in doubting thomas by applying his vast academic musical abilities. one could consequently consider doubting thomas to be primarily goettel's take on very early skinny puppy, before he had joined the band, as a kind of throwback to the project's initial goals, which is something key would struggle with for decades. whatever skinny puppy and the various side projects were able to accomplish, it never seemed to be what key really wanted, which was rooted in the various projects before 1987. he was always trying to get that back, while dwayne and others were running full steam ahead. doubting thomas released an album on wax trax that is hard to find and i don't have, but i believe this extended single is the only other actual release, and something i would have also picked up at record runner in the 90s.


august 30, 2024
subconscious communications encore 2003 canada 4 subcon666
download III steps forward 2002 canada 2 subcon015
download inception 2001 canada 3 subcon014
download III 1997 canada 2 subcon013
subconscious communications paradigm shift 1997 canada 1 subcon012
subconscious communications encore 2003 canada 4 subcon666
download III steps forward 2002 canada 2 subcon015
download inception 2001 canada 3 subcon014
download III 1997 canada 2 subcon013
subconscious communications paradigm shift 1997 canada 1 subcon012


august 28-29, 2024
subconscious communications encore 2003 canada 4 subcon666 download, a project named after the last song on what was intended to be the last skinny puppy record (but was not), was initially intended by two of the three members of the classic lineup (cevin key and dwayne goettel) to be the successor project to skinny puppy. a severe level of disagreement had developed between the singer, nivek ogre, who wanted to sing in a rock band, and the composer and synthesizer player, dwayne goettel, who wanted to drive the band more into the realm of abstract techno and experimental classical music. ogre consequently quit the band because he found dwayne's artistic direction to be unworkable, leaving key and goettel to refocus on this new project called download, which formed with the integration of mark spybey (dead voices on air), phil western, ken marshall (both vancouver area producers that had worked on and would later work on a wide variety of different records) and genesis p-orridge (throbbing gristle, psychic tv). fans of skinny puppy may notice that download lacks the political and social and satirical (punk rock) themes of skinny puppy, and this is at the core of the personality conflict that had developed between ogre and goettel. conversely, download takes the abstract electronic compositions that had become the centrepiece of 90s skinny puppy to the next level and is really next level electronic classical music that is heavily influenced by composers like morton subotnick, in addition to being awesome rave music and, in some sense, still progressive rock. i am of the opinion that this string of download records represents the historic high point of electronic art music, which has been in decline ever since. after dwayne died of a heroin overdose in 1995, download carried on as a techno project with key and western, but it lacked the same level of experimentation and abstraction and i did not keep up with it. goettel was a very special talent and could not have possibly been replicated or replaced and, to their credit, nobody ever tried to. even in the mid 2010s, live skinny puppy shows still featured an empty synthesizer stool. i am overdue on making a big download purchase, but i would not grade the post-goettel releases nearly as highly as the goettel releases. as it is, the download cds that i do have, which is all of them up to that point, were largely purchased in the mid 90s at the old record runner in ottawa, when i was fairly young. the last three were limited edition releases from the first vault series. my interest in download was as the successor project to skinny puppy, and they consequently blur together in terms of being essentially the same project, but the actual truth is that both download and skinny puppy were already defunct due to dwayne's death in 1995 by the time i picked up my first puppy and download records in 1996 and 1997 and i consequently got what was an unbroken discography to explore from 1982-1996. when i get to the puppy in the list, i will work through it that way (including other side projects like the tear garden as well), but i've just isolated the download in the d section for now.
download III steps forward 2002 canada 2 subcon015
download inception 2001 canada 3 subcon014
download III 1997 canada 2 subcon013
subconscious communications paradigm shift 1997 canada 1 subcon012
download sidewinder 1996 canada 1 subcon010
download the eyes of stanley pain 1996 canada 0 subcon008
download charlie's family 1997 canada 1 subcon005
download microscopic 1996 canada 1 subcon003
download furnace 1995 canada 0 subcon002
download sidewinder 1996 canada 1 subcon010
download the eyes of stanley pain 1996 canada 0 subcon008
download charlie's family 1997 canada 1 subcon005
download microscopic 1996 canada 1 subcon003
download furnace 1995 canada 0 subcon002


august 26-27, 2024
subconscious communications encore 2003 canada 4 subcon666 this is a run through subcon001-subcon016 + the encore bonus disc from the first from the vault series, which i did purchase. or almost. i sold the process because it was scratched (i'll buy it again one day, but i have it on flac for now) and that plateau disc is the only other one i don't have, besides the very limited subcon001, which is on paradigm shift. this occupies the space of download on my cd shelf; i stopped at subcon016 because it is the last subcon release with dwayne goettel (d. 1995) on it and this can in some sense also be seen as the posthumous drg archive, much of it being absolutely brilliant. i will pare it down to just download for the next run and do the write up for download itself there.
cevin key music for cats 1997 canada 0 subcon016
download III steps forward 2002 canada 2 subcon015
download inception 2001 canada 3 subcon014
download III 1997 canada 2 subcon013
subconscious communications paradigm shift 1997 canada 1 subcon012
plateau music for grass bars 1997 canada 2 subcon011, which i have never purchased in any form.
download sidewinder 1996 canada 1 subcon010
doubting thomas father don't cry 1997 canada 3 subcon009
download the eyes of stanley pain 1996 canada 0 subcon008
the tear garden to be an angel blind, the crippled soul divide 1996 canada 2 subcon007
skinny puppy the process 1996 canada 4 subcon006, but don't have at this time, as it was sold at one point (it had a scratch).
download charlie's family 1997 canada 1 subcon005
skinny puppy brap 1996 canada 1 subcon004
download microscopic 1996 canada 1 subcon003
download furnace 1995 canada 0 subcon002
aduck/philth power/touched 1993 canada 0 subcon001, which i don't have, except via paradigm shift.


august 23, 2024
ren and stimpy happy happy joy joy 1995 us 1
do make say think you, you're a history in rust 2007 canada 3
do make say think winter hymn secret hymn country hymn 2003 canada 1
do make say think & yet & yet 2002 canada 0
do make say think goodbye enemy airship / the landlord is dead 2000 canada 0
do make say think do make say think 1998 canada 1


august 22, 2024
django reinhardt the indispensable (1949-1950) recorded 1949-1950
released 1983
belgium/
france
1 it's easy to not realize just how foundational django reinhardt was and is to the development of all electric guitar playing that follows him, with or without his friend stephane grappeli. django lived a difficult life that started with his playing hand being badly deformed young, then went through the depression before existing as a precarious minority in occupied europe during the second world war under constant threat but ultimate protected status. he apparently never got over the guilt he suffered from surviving the nazi occupation and lived the rest of his life in a state of depression over the depravity of living through the war, which is something you can tell via the tone of his later output, which lacked the pizazz of his earlier playing. however, his work in the 30s changed the way the guitar is played. yes, they called it 'gypsy jazz' in france, which is the genre he's known for developing. almost a hundred years later, his recordings are still enjoyable to listen to, even as they are obviously very dated. if you have ever played the guitar, educate yourself about django by listening to him and understand that he's really at the true starting point for the modern instrument. two of these are cbc overflow pickups, whereas one of them was purchased cheap in a used bin years earlier. my dad had some django in his collection, as it was something his own father listened to, apparently, but i didn't inherit any of it or even look for it at the time as it didn't cross my mind (my sister sold all of his cds the day he died, before i could get at them). i don't remember where i first read about django reinhardt.
django reinhardt swing 39 recorded 1939
released 2000
belgium/
france
1
django reinhardt & stephane grappelli continental style recorded 1935-1938
released 1994
belgium/
france
1
do make say think you, you're a history in rust 2007 canada 3 my ds are unusually canadian. it's fitting, as cana-duuuuuh deserves a D-rating nowadays.
do make say think winter hymn secret hymn country hymn 2003 canada 1
do make say think & yet & yet 2002 canada 0
do make say think goodbye enemy airship / the landlord is dead 2000 canada 0
do make say think do make say think 1998 canada 1


august 21, 2024
do make say think you, you're a history in rust 2007 canada 3
do make say think winter hymn secret hymn country hymn 2003 canada 1
do make say think & yet & yet 2002 canada 0
do make say think goodbye enemy airship / the landlord is dead 2000 canada 0
do make say think do make say think 1998 canada 1
do make say think you, you're a history in rust 2007 canada 3 do make say think were the core of a secondary but arguably more interesting constellation post-rock vertex during the mid to late 90s, and centred out of toronto rather than montreal. they produced a string of the best psych records of the turn of the century before converting into a pop band called broken social scene, under the direction of metric lead primadonna emily haines, which is a transformation that did not last and more or less ruined the band in the process. their last two records are not here but are also both outstanding, but the format is essentially unworkable, and the band had nothing left to do but implode and go in different directions. i need to fill in the holes of the last two records; i purchased most of these blindly by mail order in the very early 00s and was extremely impressed by them. they're still some of my favourite records.
do make say think winter hymn secret hymn country hymn 2003 canada 1
do make say think & yet & yet 2002 canada 0
do make say think goodbye enemy airship / the landlord is dead 2000 canada 0
do make say think do make say think 1998 canada 1
die warzau engine 1994 us 0 die warzau emerged out of the electronic music chicago underground as a kind of psychotic industrial jazz supergroup, incorporating elements of chicago house, the wax trax industrial sound and mississippi river jazz instrumentation and tonality. i wasn't there, but i hear it was a helluva party. their earlier and later work is spotty and hard to find so i may never collect it (i had their second record at one point but didn't like it very much), but this record is an outrageous leftfield classic that is really unlike anything else i've ever heard. my die warzau was all picked up used, as it was even out of print in the 90s. this was purchased solely on the name recognition of the wax trax label, but is a tvt release.
delerium flowers become screens 2004 canada 2 delerium, as i understand it, is primarily where the material created by rhys fulber under the fulber/leeb partnership is published. that is, this is the fulber-directed side of frontline assembly, which focuses mostly on vocal music paired to a more sensual take on electronic body music. it has at times included female guest vocalists and at times utilized samples from gregorian chant in a way that draws from world music. the 2004 release is a greatest hits record ( i thought it was a single when i bought it for $1) and the 1994 release is one of the most unique pieces of electronic music i've ever heard, reminding me of a philip glass quote stating something like "this music avoids all of the tonal controversies that define music history and is consequently void of historical context, making it impossible to date to any specific period; it could have been made at any time since the dark ages.". i picked up semantic spaces used in the 90s before the mp3 era and solely because it was on nettwerk, without being entirely sure what it was, and was very pleasantly surprised. some delerium is better than others; i believe this is actually the best of it, but delerium is the one leeb project i like, and the one i intend to fill in.
delerium semantic spaces 1994 canada 0
dead voices on air piss frond 1998 canada 0 dead voices on air is the moniker of anlo-canadian noise composer mark spybey, who has at this point created a very large body of sound that more or less all sounds exactly the same. this captures a brief period where he worked with a canadian producer named daryl neudorf, also known for his work with sarah mclachlan and 5440. my interest in dvoa is due to his work in download. while i had some other dvoa records at one point, this is the only one i kept and he hit something pretty awesome with it, however accidentally. there are a few more releases from around 2000 with members of legendary pink dots that are more musical, before he collapses back into abject noise. a little bit of spybey can perhaps cleanse the soul, but i would advise avoiding spending large amounts of money collecting these cds, which don't seem to be created with much attention to detail. i bought this from a friend on the internet in 1998 because he didn't like it; i liked it quite a bit.
dead kennedys us my dead kennedys cds, which only included fresh fruit for rotting vegetables and bedtime for democracy, have disappeared. i do not remember selling them.
david sylvian dead bees on a cake 1999 uk+ire 5 david sylvian emerged out of the new wave scene in the band japan during the late 70s as a bowie or eno type and is well regarded in certain circles but i'm actually not very familiar with his work. i bought this in the cbc overflow bin for $1 out of curiosity and am not impresssed by it. i'm not sure if i'd get any more or if i'll hang on to it.
david gilmour on an island 2006 uk+ire 2 david gilmour was initially signed up to perform pre-written guitar parts for the 60s psychedelic and proto-punk band pink floyd, specifically to play shows in underground uk venues while barrett focused on being a psychotic drug addict and flailing lead singer, which cut into his ability to play guitar in real time. eventually, gilmour replaced syd on guitar (after he was found having a conversation with a trash can at a rest stop) and bassist roger waters took over on vocals, but gilmour eventually also became the singer at the terminal point of pink floyd in the late 80s. throughout the 70s, gilmour became known for an uncomplicated guitar style that cut through the mix with an obnoxiously tasty tone that just makes all guitarists starving. this record was largely written by his wife, but features enough of that guitar tone to increase your appetite. it's a good record. gilmour's work with pink floyd is absolutely essential to all; however, i would avoid the other solo gilmour records because they aren't very good. this was a new purchase on release in 2006. pink floyd was so ubiquitous to a young person growing up in the 80s that it's hard for somebody my age to pinpoint where they first heard them, but i have a specific memory of hearing the bassline for one of these days while transiting somewhere in a car in the mid to late 80s as a very young person and wanting to know more about what the fuck that was all about. that early memory of one of these days in the car is actually one of the most formative musical experiences i've had in my whole life. it set me going. really. i don't know if they still make the kind of car audio systems that bass-heavy tracks like one of these days or immigrant song were specificaly written for, but you're missing out if you haven't experienced it. i actually also have very young memories of the hit single "learning to fly", with gilmour singing, which sounded pretty spacey to me at the time, via multiple mediums from 87 or 88ish, when i was 6 or 7.
dave brubeck we're all together again for the first time 1973 us 1 dave brubeck was an american bandleader known for writing jazz standards during the later, whiter and more eurocentric and academic phase of american jazz, called cool jazz, when the white eggheads began to convert what was really just black people jamming and having fun into an academic theory involving inverted augmented 13th chords. sus 17. just cause. i like brubeck, but i get that he's dry, too, and really only for serious nerds. i have had various brubeck lps and cds come in and out of my collection (including time out); these both came from the cbc overflow relatively recently. i get brubeck when i see it cheap or not at all. i believe i first heard take five in a music course in grade school, but i also think my stepmother's father had brubeck records lying around his house, which i got into and infiltrated at some point. i have a more clear memory of listening to his louis armstrong records and reading his copy of lord of the flies.
dave brubeck dave digs disney 1957 us 1


august 20, 2024
david sylvian dead bees on a cake 1999 uk+ire 5
david gilmour on an island 2006 uk+ire 2
dave brubeck we're all together again for the first time 1973 us 1
dave brubeck dave digs disney 1957 us 1
david bowie reality 2003 uk+ire 6 david bowie emerged from under a table somewhere in the most pretentious fringes of the late 60s uk art rock scene, and managed to convince yes keyboard and synth whiz rick wakeman to work with him, which resulted in a left field radio pop hit. from there, bowie (not his real name, btw) essentially took over the world, becoming one of the industry's biggest names by the time he started doing duets with freddie mercury and john lennon. what makes bowie memorable even now in the landscape of bad 70s and 80s pop music is that he wasn't content with merely producing a product, he wanted to make marketable art...until he didn't anymore, and until he did again, which led him to a sometimes underlooked renaissance in the 90s, where he found himself discovering the pixies (there's a reason nirvana did a bowie cover on the unplugged record, and it was that it was actually bowie that commercially broke grunge and alt rock), writing the pallas athena theme that clint mansell ripped off as that song in all the movies in the late 90s and collaborating with billy corgan and trent reznor, in addition to getting mike garson and brian eno back in the band, which was key. bowie then disappeared in the early 00s and while he was quiet and reserved about it it later emerged that he found himself disillusioned with the mediocre state of modern music and disinterested in participating in it, which is perhaps his last visionary statement. i mean, he was right. right? bowie died of cancer in 2016, after returning to the studio for a last hurrah, which took on the form of a retro delve into his glory years, which is ok when you're literally dying. these are my bowie cds. my 70s and 80s bowie collection was almost complete (i did not have a copy of tonight on any medium) but always on vinyl (except never let me down, which was cassette only), and i never upgraded it, which is why the christiane f cd functions as a greatest hits collection from the berlin period that is in some ways good enough, although i am also missing key records from the spiders period (space oddity, man who sold the world, hunky dory). ziggy stardust (which was my first exposure to bowie and forms an important memory in my young childhood) and aladdin sane were actually my father's cds, and were the only two he had; my own bowie cds are heavily skewed towards the 90s, because that is when they were bought, and out of my own interest in him. my dad had long lost interest in bowie by the mid 90s, although the reason i don't have a copy of hours... is because he borrowed it and never gave it back, and i wasn't able to find it after he died. he enjoyed responding that mick jagger said "time is on my side". i need to fill these gaps in, but i also need to point out that there are quite a few bowie records from the 70s and 80s that really aren't very good at all, as well. while i will eventually complete this discography, and it may even be the first one i complete for the exercise/review project, the truth is that the three early spiders cds plus station to station and the berlin trilogy and also hours.. and blackstar and maybe let's dance just for the stevie ray vaughn guitar parts would be enough (in addition to what's listed here); the rest of bowie's discography is middling to awful. i would personally consider the mid 70s soul period (diamond dogs and young americans) to actually be worse than the 80s pop period, but those are the two phases to avoid.

for a long time, bring me the disco king was the last bowie song (if his discography is laid front to back) and perhaps it should have stayed that way as it sounds like a more fitting end, to me.
david bowie heathen 2002 uk+ire 3
david bowie i'm afraid of american 1997 uk+ire 1
david bowie earthling 1997 uk+ire 1
david bowie outside 1995 uk+ire 0


august 15, 2024
david bowie i'm afraid of american 1997 uk+ire 1
david bowie earthling in the city 1997 uk+ire 2
david bowie earthling 1997 uk+ire 1 earthling got savaged when it was released as an old man copying the styles, but bowie wasn't actually that old at the time, and it was really the analysts that couldn't keep up. it's not really a drum 'n' bass record at all; in fact, it's one of bowie's most guitar-focused records, over his entire career. to the extent that it is jungle, it is the only jungle record i've ever heard with a live band, making it more like a reggae record except on par with a level of musicianship shown in the genre at the time really only by tom jenkinson (in fact, earthling was released before music is rotted one note). these are top notch studio musicians, as one expects from bowie, taking on the idea of a jungle record as a challenge, and having fun with it. it's acually a jazz record, and a good one at that, and in that sense bowie was actually a couple of years ahead of the genre, which shifted massively towards jazz in the early 00s.
david bowie heart's filthy lesson 1995 uk+ire 1
david bowie outside 1995 uk+ire 0
david bowie i'm afraid of american 1997 uk+ire 1
david bowie earthling in the city 1997 uk+ire 2
david bowie earthling 1997 uk+ire 1
david bowie heart's filthy lesson 1995 uk+ire 1
david bowie outside 1995 uk+ire 0
david bowie white tie black noise 1993 uk+ire 3
david bowie tin machine 1989 uk+ire 3
david bowie christiane f 1981 uk+ire 2
david bowie aladdin sane 1973 uk+ire 0
david bowie ziggy stardust 1972 uk+ire 1


august 14, 2024
david bowie white tie black noise 1993 uk+ire 3
david bowie tin machine 1989 uk+ire 3
david bowie christiane f 1981 uk+ire 2
david bowie aladdin sane 1973 uk+ire 0
david bowie ziggy stardust 1972 uk+ire 1
cyberaktif temper sigle 1990 canada 1
cop shoot cop release 1994 us 3
cop shoot cop white noise 1991 us 1
cyberaktif temper sigle 1990 canada 1 the classic skinny puppy lineup was cevin key, nivek ogre and dwayne goettel, but goettel was not a part of the band for the earliest releases. the initial third member was wilhelm schroeder, aka bill leeb, who left before mind:tpi was released to form frontline assembly, and was then replaced by goettel. cyberaktif formed in the very late 80s as an alternate history experiment, and included key, goettel and leeb. ogre was not involved, but blixa bargeld of einsturzende neubauten was. the tracks are closer to fla than puppy, but have goettel's odd sense of humour interspersed in them via the sampling work. meltdown has the odd characteristic that it sounds uncannily like daft punk's around the world, released several years later. i was initially underwhelmed by this single and did not pursue purchasing the lp, but it has grown on me over the years and i would now like to find a cpoy of the lp as it was released on wax trax. i received this cd single for free from a cd distro company that was giving out unlimited free cds (under $10) to people that already knew how to clear their cookies by the mid 1990s and learned about what cyberaktif was by reading the online skinny puppy discography, as put together by todd zachritz.
cop shoot cop release 1994 us 3 cop shoot cop were a late no wave band to emerge from new york with notable influences from foetus, swans and black flag. they were picked up by a major record label in the post-nirvana craze and disbanded after failing to sell enough records, but their early releases have become left field cult classics amongst no wave and industrial fans. white noise was initially of interest to many for featuring contributions from jim thirlwell, but fans of post-reformation swans or some phases of xiu xiu may be interested in some early phil puleo drum work. i picked it up on the thirlwell collab, but became interested in the vocalist and his follow-up band, firewater (often featuring members of gogol bordello). these were both picked up used; i am missing consumer revolt and ask questions later as well as some eps and will grab them one day when i see them.
cop shoot cop white noise 1991 us 1
count basie the essence of count basie 1991 us 1 count basie was one of the mot popular piano players from the big band era and was known for his work in a number of jazz subgenres including swing and vocal jazz from as far back as 1925. it's less that count basie is known for inventing or popularizing any specific sound and more that he's known for constantly leading a band through a fairly lengthy period of time that changed with the times to adjust to what was popular. my understanding is that the most exciting basie material would be the earliest material, and that much of it could not have been recorded well in the 20s or 30s and mostly wasn't ever recorded at all, leaving only an oral history, which really sucks. this is a selection of basie i picked up in the cbc overflow bin and while there are some pieces at a faster tempo, it has a lot of slower pieces and vocal pieces, as well. i would prefer the faster, swingier pieces. i will eventually fill this out, but there are no notable actual lp releases (count basie mostly existed before the lp era) and the various compilations have a lot of overlap, so i wouldn't want to pay much for any of it. i probably first heard about count basie in a book or in an article on the internet; i don't remember.
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
paul mccartney and stevie wonder ebony and ivory 1982 uk+ire 7
the supremes stop in the name of love 1965 us 1


august 13, 2024
the beatles being for the benefit of mr kite 1967 uk+ire 0


august 12, 2024
nirvana stay away 1991 us 3


august 9, 2024
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
coma lodge what kind of mind do you have? 1996 canada 5 this is an ottawa band from the mid-90s that sounds like the mid-90s. i knew the guitar player, at the time. it's not very good.
coil songs of the week 1 & 2 2000 uk+ire 4 in the late 90s, john whitney started posting these weekly coil outtakes tracks on brainwashed and demanded nobody bootleg them. an internet friend of mine named mark promptly bootlegged them, but only for select friends on the epilag list. well, whitney told him not to, so he had to, obviously. i learned years later that mark succumbed to his multiple sclerosis in the mid 00s. i think he probably made less than 20 of these.
coil presents time machines (live) 2000 uk+ire 1
coil musick to play in the dark vol 2 2000 uk+ire 1
coil musick to play in the dark vol 1 1999 uk+ire 0
coil astral disaster 2000 uk+ire 3
coil summer solstice 1998 uk+ire 1
michael jackson black or white 1991 usa 0


august 8, 2024
coil (various artists) foxtrot 1998 uk+ire 1 coil were one of two projects to emerge out of the collapse of the seminal industrial music project throbbing gristle, and were defined by a relationship between it's two members, peter christopherson and john balance (geoff rushton), with a revolving group of talented and sometimes uncredited collaborators. my first exposure to coil was via nine inch nails remix records. i have a selection of coil cds (i wish i didn't sell horse rotorvator) but am familiar with most of their discography. while generally seen through a historical prism primarily as one of the primary artistic forces behind the development of "industrial music", their output is actually extremely varied and diverse but it is also slightly overrated. time will not remember coil as the important cultural force that genesis p-orridge was. these are mostly just pretty good records that are really not particularly ground-breaking or experimental, but they are also mostly pretty good records. coil was arguably at their best a little later in their career when they were more interested in writing songs. coil ceased to exist when balance died and christopherson has also since perished. more recently, genesis p'orridge also died of cancer. at this point, i would purchase any physical coil cd i happened to find anywhere, as their discography is almost entirely out of print and will likely never get repressed. i'd like to fill this in, but doubt it's even possible. settle for the flacs, kids. i mail ordered some of these from the band in the 90s and bought some of them in used bins, as i found them, as they were already out of print even then.
coil backwards demos 1995 uk+ire 8
coil the snow 1992 uk+ire 2
coil love's secret domain 1991 uk+ire 0
coil panic 1983 uk+ire 1
cocteau twins heaven or las vegas 1990 uk+ire 3
cocteau twins blue bell knoll 1988 uk+ire 2
cocteau twins echoes in a shallow bay 1985 uk+ire 1 oddly, my kefs sound better when my celestions are drawing power away from them. they're brighter, and have more definition, which is supposed to be what they're good at. these speakers are sometimes criticized for not having enough bass, but they sound better when the bass they do have is being pulled away. it could be my choice of records. it could be the small space. i dunno.
cocteau twins tiny dynamine 1985 uk+ire 2
cocteau twins treasure 1984 uk+ire 1


august 3, 2024
cocteau twins heaven or las vegas 1990 uk+ire 3 this four cd rotation was played a couple of times in june and july as well, but i don't remember the exact dates. i was getting some weird interference on my speakers in april and may that has now thankfully resolved, so i mostly just shut down for a bit to shake it off. i think it was the losers upstairs trying to hack an analog receiver over wifi, with the expectation that it was a cell phone or something. ugh. right now, only the kefs are connected; i'll be connecting the celestions again soon.
cocteau twins blue bell knoll 1988 uk+ire 2
cocteau twins echoes in a shallow bay 1985 uk+ire 1
cocteau twins tiny dynamine 1985 uk+ire 2
cocteau twins treasure 1984 uk+ire 1


july 31, 2024
kermit the frog
(apparently with kenny rogers)
put the lime in the coconut 1979 usa 1


july 30, 2024
david bowie five years 1972 uk+ire 1


july 23, 2024
gaytheist i quit 2015 us 1


july 22, 2024
frank zappa joe's garage 1979 us 0


july 10, 2024
the byrds turn turn turn 1965 us 7


july 8, 2024
rap news eurodivision 2015 australia 1


june 24, 2024
new kids on the block hangin' tough 1988 us 12 louis riel song. it even has indian chanting, like at an atlanta braves game.


june 8, 2024
nine inch nails still 2002 us 0 tongue-in-cheek for the losers upstairs.


may 28, 2024
pink floyd + syd barrett selections wish you were here 1975 uk+ire 0 my copy of wish you were here is from the box set and i actually wasn't expecting selections from relics, pipers and a saucerful of secrets to come on at the end of it.


may 24, 2024
the great tyrant adorable 2011 us 0
pearl jam daughter 1993 us 3


may 16, 2024
claude debussy preludes II 1912 france 0
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


may 13, 2024
econoline crush elegant 1997 canada 2


may 8, 2024
claude debussy preludes II 1912 france 0
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0



may 7, 2024
claude debussy preludes II 1912 france 0
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


may 6, 2024
claude debussy preludes II 1912 france 0
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


april 27, 2024
dead voices on air piss frond 1998 canada 1
delerium semantic spaces 1994 canada 0
dead voices on air piss frond 1998 canada 1
cyberaktif temper 1990 canada 2
cevin key the ghost of each room 2001 canada
cevin key music for cats 1997 canada


april 25, 2024
jjjjjjjjj ambient works vol 1 & 2 2003/2015 canada


april 19, 2024
claude debussy preludes II 1912 france 0
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


april 17, 2024
claude debussy preludes II 1912 france 0 claude debussy is a unique accident in the history of western music, as a discovered illiterate prodigy whose brilliance was in approaching music composition intuitively rather than being taught about it in a school as a theory to be applied academically. debussy's contribution to the deconstruction of western music theory is so profound that music historians talk of music before and after debussy, as they talk of music before and after beethoven and before and after bach. in debussy, and for the first time in western music history, the sterile rules of the theory of bach become mere suggestions and are even often rendered outright irrelevant in the composition process, to be replaced by a strictly intuitive approach as to what feels right. this replacement of the stifling mathematically correct theory of bach with pure intuition has been described as creating an effect of blurred notes and fuzzy audio and variously labeled as impressionism or symbolism, but this is a comparison to the painting of the period and is rather imprecise; the idea that debussy finally truly picked up where beethoven left off is a better analysis. as such, debussy was the true successor to beethoven, finally, and several generations removed. i only currently have two debussy cds, but these include his most substantive pieces, namely la mer, the nocturnes and the two books of piano preludes. i previously had a cd with prelude a l'apres-midi d'un faune, the images and the printemps suite, in addition to la mer and the nocturnes, but i sold it because it had a scratch and only replaced it with a disc with the latter two. while i would like to fill in the holes in my debussy collection, and actually consider it a priority, it should be pointed out that, as an intuitive composer that was also illiterate, not all of debussy's works are substantive or compelling and there really isn't much else to explore. his works tend to sound relatively similar. replacing the aforementioned pieces is a priority, but there is not a lot left after that. i initially became interested in debussy via reading music history texts on western classical music (i found a first year music history textbook at a garage sale when i was about 15 and used it as a primary reference text for years), but i also took a first year music history course in early 20th century music that covered debussy and debussy is one of the things my sister played on piano, so it was frequently heard in the house. the reality is that his core works are not voluminous and that a 2xcd set with piano preludes on one disc and la mer and a few orchestral pieces on the other is really all there actually is.
claude debussy preludes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


april 16, 2024
download the eyes of stanley pain 1996 canada 0
fuck buttons street horrsing 2008 uk+ire 0


april 15, 2024
inri inriched 1999/2016 canada


april 14, 2024
coil musick to play in the dark vol 1 1999 uk+ire 0


april 11, 2024
coil backwards demos 1995 uk+ire 8
coil the snow 1992 uk+ire 2
coil love's seret domain 1991 uk+ire 0
coil panic 1983 uk+ire 1
claude debussy preudes II 1912 france 0
claude debussy preudes I 1910 france 0
claude debussy nocturnes 1899 france 0
claude debussy la mer 1905 france 0


april 9, 2024
my bloody valentine loveless 1991 uk+ire 0
delerium semantic spaces 1994 canada 0


april 8, 2024
sergei rachmaninov piano concerto 3 1909 russia 0
sergei rachmaninov piano concerto 2 1901 russia 0
philip glass symphony 3 1995 us 0
philip glass symphony 2 1994 us 0
ludwig van beethoven symphony 9 1824 germany 0
ludwig van beethoven symphony 8 1814 germany 0
ludwig van beethoven symphony 7 1813 germany 0
ludwig van beethoven symphony 6 1808 germany 0
ludwig van beethoven symphony 5 1808 germany 0
claude debussy la mer 1905 france 0


april 7, 2024
garbage garbage 1995 uke+ire 1


april 4, 2024
einsturzende neubauten total eclipse of the sun 2000 germany 1


april 3, 2024
chris cornell euphoria morning 1999 us 3
chris connelly phenobarb bambalam 1992 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3


april 2, 2024
cocteau twins heaven or las vegas 1990 uk+ire 3 cocteau twins emerged out of the darker side of the scottish post-punk scene and conjure up images of scottish banshees wailing through space-time from pre-history, seeking to escape from the ether in order to track down and scalp some dastardly roman soldiers, haunting them as they trudge through the hills and rainforests, for the crime of daring to venture north of hadrian's wall. elizabeth fraser is not singing in gaelic, but she'd might as well be to many listeners, as the music has such a brooding, celtic tonality that it sounds like she ought to be. this spooky, pre-historical, celtic, pagan presentation from the subarctic fringe of the scottish islands may or may not be intentional. the rumour i heard was that the cocteau twins actually stumbled through the 80s doing too much cocaine, barely remember it and then wanted to write normal music with normal vocals when they came down, which very quickly led them nowhere at all. they never recovered. i initially explored the cocteau twins over mp3 in the 90s due to their association with other bands from the period and era and have slowly picked up cds in used bins when i've found them; these discs were collected sporadically as i came across them, and the holes are overdue to be filled in. i am missing my copy of garlands, apparently.
cocteau twins treasure 1984 uk+ire 1
cocteau twins blue bell knoll 1988 uk+ire 2
cocteau twins echoes in a shallow bay 1985 uk+ire 1
cocteau twins tiny dynamine 1985 uk+ire 2


april 1, 2024
nine inch nails ghosts I-IV 2008 us 2 halo 26. i legitimately enjoyed this when it came out, but it's certainly a shift in a different direction that morphed into way too many generic soundtracks. i have not found subsequent nine inch nails releases to be very exciting, but the trilogy of eps does have some interesting instrumental sections. rather, i think the most exciting thing reznor has done since 2005 is the piece he did for the tetsuo soundtrack. i will likely eventually purchase the eps, but the rest of it will be for cheap or not at all. i wonder if i could get some of his soundtracks at the next cbc sale.
nine inch nails year zero 2007 us 3 halo 24. i tried to listen to with teeth at least 50 times and have never enjoyed it. it's like his brain fell out or something. he may have suffered some brain damage from shooting testosterone. year zero was a legitimate attempt to return to form and he gets a B for effort, but it's just not as good as his earlier material. i should have a copy of halo 25 but just never bought it. with teeth was now over 20 years ago, and it's an open question whether i should try to collect it or not given that it's just a flat out bad record; it'll have to be in the $2 bin or not at all.
nine inch nails still 2002 us 1 i might have picked up a version of halo 15 if i saw it, but i never did. i tried to listen to halo 16, as i wanted the abstract remixes, and was devastated by how awful it was. i do not tend to enjoy live records, but i mail ordered halo 17b for the instrumental pieces and consider it reznor's last substantive release.
nine inch nails the fragile (jessica's one disc abridgement) 1999 us 2 halo 14. sort of. when this album was released, nine inch nails had been my favourite band for over five years but i was lukewarm about it. i liked the instrumental tracks (i was listening to post-rock and experimental art-rock like sonic youth, so the instrumental parts made sense to me) but i really did not like the delves into arena rock and found some of the vocals to be so cringey that it was unlistenable. i resolved this by deriving my own tracklisting and burning a new cd with 14 tracks: the way out is through, the frail, we're in this together, the fragile, just like you imagined, even deeper, pilgrimmage, the mark has been made, ripe, underneath it all, complication, the new flesh, the day the world went away (quiet), the great below. this let me enjoy something that was otherwise developing in an opposite direction as i was. i eventually sold the 2xcd store version. in 2016, reznor released an instrumental version of the fragile that i have not yet picked up but which i have listened to via digital audio and which i think should have been the actual release. i believe reznor has acknowledged that the album was recording during a period of heavy alcohol use, and that this heavy alcohol use led to bad artistic decisions. i would give the full 1999 release a "4" and the 2016 re-release a "1".
nine inch nails the day the world went away 1999 us 9 halo 13
david bowie i'm afraid of americans 1997 uk+ire 0
nine inch nails quake 1996 us 0 this is an often ignored lost classic
various artists lost highway ost 1996 us 4
various artists natural born killers ost 1994 us 4
nine inch nails sin 1990 us 2 halo 4
nine inch nails head like a hole v2 1990 us 1 halo 3
nine inch nails head like a hole v1 1990 us 1 halo 3
nine inch nails pretty hate machine 1989 us 1 halo 2, but i didn't actually listen to it on this day. my physical copy of pretty hate machine developed a nasty scratch many years ago and i never replaced it. when i listened to it frequently, i listened to it as a cd-to-cassette dub on an old walkman c. 1993-1995ish and that cassette (which is also now lost) was what i listened to anyways, so replacing it was never important. i will, eventually. this is the only one i'm missing of the classic period, halo's 0-11.
nine inch nails down in it 1989 us 3 halo 1
nine inch nails purest feeling 1988 us 8 halo 0
my life with the thrill kill kult days of swine and roses 1990 us 9


mar 31, 2024
nine inch nails the perfect drug 1997 us 1 halo 11
nine inch nails further down the spiral (v2) 1995 us 0 halo 10 v2
nine inch nails further down the spiral (v1) 1995 us 0 halo 10
nine inch nails closer to god 1994 us 0 halo 9
nine inch nails the downward spiral 1994 us 1 halo 8
chris cornell euphoria morning 1999 us 3
chris connelly phenobarb bambalam 1992 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3


mar 30, 2024
nine inch nails the downward spiral 1994 us 1 halo 8
nine inch nails march of the pigs 1993 us 2 halo 7
nine inch nails fixed 1993 us 0 halo 6
nine inch nails broken 1992 us 1 halo 5


mar 29, 2024
corey hart never surrender 198 canada 1985


mar 27, 2024
chris cornell euphoria morning 1999 us 3
chris connelly phenobarb bambalam 1992 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3


mar 26, 2024
chris cornell euphoria morning 1999 us 3
chris connelly phenobarb bambalam 1992 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3


mar 25, 2024
chris cornell euphoria morning 1999 us 3
chris connelly phenobarb bambalam 1992 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3


mar 24-25, 2024
chris cornell euphoria morning 1999 us 3 chris cornell was initially the drummer for seattle "slow blues" band soundgarden, before becoming the vocalist and subsequently playing a dominant role in the development of the grunge subgenre. soundgarden saw some success in the mid-90s, but the band was unhappy with the characteristics of it's audience and broke up in 1997 (soundgarden formed out of university in 1984, making them almost ten years older than nirvana and closer to twenty years older than their audience in 1995, and they seem to have been alienated by it, as they wanted to return to their small venue roots, while continuing to play in arenas. maybe they wanted to be sonic youth. rather than let it go, they disbanded.). i believe that the first soundgarden material i heard was videos released as promos for superunknown in 1994. this record (which features the band eleven as backup and actual primary songwriters) was released in a brief phase when cornell was trying to be a croony rock star, and before he formed a band called audioslave out of the remnants of the shitty nu metal band rage against the machine, which thoroughly sucked. i actually enjoyed this record, while acknowledging it's flaws, but i understand why a lot of soundgarden fans wouldn't like it. i picked this up in 1999 in a corporate music store, close to the release date, as soundgarden was actually one of my favourite bands in the 90s (and you can tell if you listen to my guitar playing. soundgarden was one of the primary bands that i learned how to play guitar to.). i have avoided audioslave because i have always despised rage against the machine but i will need to evaluate it properly at some point; i used to have an eleven record, and this disc is fairly similar to it, as a better comparison point, if you want an honest analysis as to who actually wrote it and played on it. it should have been released as an eleven record with chris cornell on guest vocals rather than as a solo cornell record. eleven also had an association with the red hot chili peppers in the early 90s, worked briefly with billy corgan when the pumpkins were imploding in the late 90s and was responsible for collaborating with josh homme on some classic desert rock in queens of the stone age in the mid 00s.
chris connelly phenobarb bambalam 1992 us 3 chris connelly is best described as being in the extended friend group of the now historical chicago-based wax trax! industrial collective. he wasn't an industrial musician himself, but was rather a singer-songwriter; however, his name appears on a startling number of 80s and 90s industrial releases, mostly as a guitarist or a backup singer. he seems to have been always just hanging around, for a few years. this record was mostly written by martin atkins and has some members of ministry playing on it. i must have heard about chris connely somewhere on the internet, but i may have also been attracted specifically to the wax trax! label on the disc; i don't fully recall. the copy i have is a wax trax! promo release with "not for resale" stamped on it, that i bought in a second-hand bin in the mid 90s. there are other chris connelly cds.
chester thompson a joyful noise 1991 us 3 chester thompson was a session drummer known primarily for his creative work with frank zappa and his live performances filling in for phil collins in genesis, so phil could run around like a goof while he was singing and i know him via name recognition from my father's interest in "progressive rock" drumming. this was another disc that was picked up for cheap in the cbc overflow bin. it is largely a cheesy 80s electronic jazz record that would cause most people to cringe, but it is competently enough put together and can work as background music, if you've spontaneously broken your leg and can't get up to change the disc. it may have some left-field interest to fans of jazz-influenced post-rock acts like tortoise. i would advise purchasing anything with chester thompson's name on it, for cheap.
charlie hunter & pound for pound return of the candyman 1998 us 3 charlie hunter is best known for his work with michael franti, but that is his day job; he'd rather be focusing on his eight-string guitar and writing tributes to guitarists you've never heard of, like joe pass and lenny breau. the record is initially not very flashy and might be disappointing, until you realize he's playing multiple parts with his hands. it's more technical than it sounds. nonetheless, this is a musician's record, and is not particularly notable as one, at that. i found this in the cbc overflow bin and purchased it out of curiosity because it was cheap, but i was familiar with charlie parker's work with michael franti and spearhead, specifically (as i had dated a girl that liked that kind of hip-hop). i would pick up further charlie hunter for cheap if i found it.
cevin key the ghost of each room 2001 canada 3 cevin key was initially the drummer for a synth-pop band called images in vogue before quitting the band to focus on a side project called skinny puppy, which he spent the next ten or so years in as either a hanger on or as the main writer (depending on who you asked, in 1996). key's subsequent post-goettel discography, or lack thereof, has clarified the point relatively clearly. ogre would rather work with mark walk. music for cats is probably 95% dwayne, whereas the ghost of each room was put together from outtakes meant for other projects, like the tear garden, and features other collaboraters in prominent roles. while whatever it is that key actually does, besides play drums and apparently sell drugs, is unclear, he does have the ability to pull together interesting pieces of music written by his friends into enjoyable records. i bought the 1997 release at record runner in 1997 and was given the 2001 release as a gift in 2001. i believe there are two further "cevin key" records (one mostly written by ken marshall, and the other written by some kids from japan he's been following around), both of which i'll need to pick up at the right time. i initially learned about skinny puppy in a guitar world article about trent reznor that was a history essay about the commercialization of industrial music and that also named dropped einsturzende neubauten, foetus, ministry, cabaret voltaire and throbbing gristle, amongst others.
cevin key music for cats 1997 canada 0


mar 23, 2024
can ege bamyasi 1972 germany 1 can emerged out of what was then called the german krautrock scene (that name has fallen out of favour, athough i don't think it's very racist, myself) as an attempt by german academics to integrate american rock music into german art music, at the height of the american occupation of west germany. while can is known for a specific drum pattern called motorik, the truth is that can's music shifted extremely dramatically over a short period of time, from heavy sequencer music to davis-influenced abstact jazz to hendrixian psych rock, and finally into somewhat vapid and boring pop music. in the end, they collapsed into disco, like everybody else. these two particuar sa-cds, which are by far their best records, were christmas presents, but they were regifted; my dad's friend dieter gave them to him, and my dad subsequently gave them to me, as he thought they were "weird". they are in fact amongst the weirdest music ever made. i was familiar with them at the time via mp3 downloads and believe i was first exposed to can via reading about them in some kind of music press like wired or brainwashed, but my physical can collection at that point was composed strictly of live bootlegs and a couple of the spoon releases (which have since disappeared). i personally greatly prefer can as a live band, but these two recordings are extremely important in the history of rock music. i am not prioritizing the purchase of future can (besides the spoon releases), but would pick up any can cheap if i saw it.
can tago mago 1971 germany 0
cabaret voltaire red mecca 1981 uk+ire 8 cabaret voltaire is often credited as being one of the first industrial artists but the well-informed know that the claim is dubious as they really didn't invent or do anything first at all. more truthful is that they may have invented a specific marketing image on the fringes of the post-punk scene (in the uk) that became associated with what was called industrial music in the 80s, and that the actual music they actually made was a poor emulation of truly innovative artists like kraftwerk and tangerine dream, who did everything first and everything better (and were themselves preceeded by composers like reich and varese). i found this in a used bin in the 90s after reading about them online and purchased it without expecting much from it and i had my expectations met. they are something everybody interested in "industrial" music will eventually need to grapple with on their own, but i find them to be overrated and generally not very interesting. they notably never came even close to selling any substantive number of records. i would buy any cabaret voltaire i found anywhere for cheap, but their records are generally marked up very highly due to their association with that specific marketing image, and i've broadly decided they aren't worth the inflated price. i would expect that these prices will eventually come down, if they haven't already.
missing records: a/b * * * * i don't recall selling but cannot find: aphex twin - girl/boy, brand x - unorthodox behaviour (phil collins jazz project), bush - razorblade suitcase (the good bush record), billie holiday - lady in satin (she was a drunk, but this is the sweeping orchestral disc. it is what it is.). it is not clear if they are lost or misplaced.
bryan adams waking up the neighbours 1991 canada 1 bryan adams was a canadian singer-songwriter that stumbled through the 70s before becoming a global superstar in the mid 80s and then fizzled out as rock music changed and left him behind. i was a big fan of reckless as a young child (i was born in 1981) and already had all of the bryan adams tapes when this came out, but i sold them all years ago; i found this for $0.50 in the cbc overflow bin and decided i should have it on my shelf, for nostalgic value. i think i still have the copy of reckless on cassette that i bought used with allowance money when i was about seven and if i found it or any of the other 80s releases on cd for $0.50 i would also grab it but i'm not interested in bryan adams releases after 1991.
bruce cockburn stealing fire 1984 canada 2 bruce cockburn first emerged in the late 60s as a jimi hendrix style guitar hero before disengaging from rock culture and releasing a series of christian records in the 70s. ymmv with these, but i am not a christian and don't listen to christian music. he re-engaged with secular culture in the early 80s as a 60s activist anachronism in the reagan era and made a name for himself on the fringe of the post-punk scene as a talented guitarist writing jazz-influenced electronic pop music with hardcore punk themes. i have a certain level of respect for bruce cockburn, but this is really the only record of his that i'm interested in, and it may be his best-selling. i have distinct memories of the jarring video for if i had a rocket launcher, which comes off as a jazz remix of a clash song and remained in late night rotation on muchmusic, perhaps for cancon reasons, for years after it's release and that would have been my introduction to bruce cockburn in probably the early 90s. cockburn is also known as the original writer of "lovers in a dangerous time", which has been covered by many, including by the barenaked ladies, which is something i was familiar with in the early 90s. there was also the video for "if a tree falls", which also received heavy rotation for many years. this was initially my dad's cd, but it's mine now.
brian eno & jah wobble spinner 1995 uk+ire 2


mar 22, 2024
brian eno & jah wobble spinner 1995 uk+ire 2
brian eno & david byrne my life in the bush of ghosts 1981 uk+ire 1
brian eno music for films 1978 uk+ire 1


mar 18-19, 2024
brian eno & jah wobble spinner 1995 uk+ire 2 brian eno started off in a cheesy pop band called roxy music before releasing a handful of solo records in the mid 70s that presented him as a kind of tongue-in-cheek messianic figure as a sort of parody on medieval religion. i am too young to have any memory of it, but my understanding is that the brian eno fan club was a kind of a joke cult and that it is this messianic way in which he presented himself that formed the basis of his following in the 80s and beyond but this is a kind of a blurry historical point that you may find difficulty constructing clear references for, as it was never meant to be taken seriously and was largely forgotten about. eno then shifted into production work and became known for his role in incorporating synthesizers into rock music in a specific way, as can be heard on records by david bowie, talking heads and u2, to name a small selection of examples. my first exposure to eno was via u2 in the late 80s. however, during this period, his main focus and what he will be remembered primarily for was not on production work but on releasing a string of lps that developed a type of ambient music that was intended to exist as background sounds embedded into landscapes, which is an idea that he unfairly took credit for inventing. there's a writeup a little down the page on arvo part, who eno entirely stole the concept from. nonetheless, eno was one of the most important producers of the rock era (1960-1995) due to his responsibility for the integration of ambient music production techniques into commercial rock music (where the streets have no name is unquestionably the biggest, best, most commercially successful example) and he forms a bridge from the long defunct rock era into the development of current and contemporary modern music production techniques as they have evolved since the end of the rock era. eno himself has really not been relevant, except historically, in decades. my eno collection has ebbed and flowed over the years, with much of it initially existing on vinyl (including all of the early material), or as cd-rs that were given to me as gifts by my father via his friend dieter (i had both cd-rs and vinyl versions of the eno/fripp material, for example, and actually still have the cd-rs, but they are not listed here). these are all of the store bought physical cds i have, and while it's a small subset, it's also a relatively complete representative sample that touches essentially all of the concepts that eno developed (i also have a lot of bowie, u2 and other eno produced recordings). i will eventually fill this out, but because i'm already familiar with all of the eno material, i tend to only pick it up in discount bins. my copy of music for airports is apparently missing, or maybe i sold it.
brian eno & david byrne my life in the bush of ghosts 1981 uk+ire 1
brian eno music for films 1978 uk+ire 1
brian eno before and after science 1977 uk+ire 1
brian eno taking tiger mountain (by strategy) 1974 uk+ire 1
bowery electric beat 1996 us 2 bowery electric got some buzzy press when the term post-rock first appeared in the early 90s and subsequently disappeared without really releasing anything of substance. they've been remembered as one of the initial bands to get labeled as post-rock, rather than for the substance of their work. i pulled this out of a used bin in the early 00s because it was released on kranky and have kept it for that reason. i don't have any particular plans to buy more bowery electric, but i might if i see it.
bjork medulla 2004 iceland 2 bjork was initially an icelandic child prodigy that ran away to new york to start a punk band before emerging as an it girl at the fringe of the uk techno scene and using the buzz it created as a launching pad for a string of abstract and interesting solo pop records. i've been accused of giving her more credit than she deserves, but my perception is that she's in full artistic control and that suggestions otherwise are off-base; at the least, she has impeccable taste in picking what she wants to pair to her vocal compositions. i did sell a couple of bjork records i bought in the 90s because i decided they'd be easy to find and have reclaimed some but not all of them; i should repurchase a copy of homogenic at the least. as for her post-2005 work, it did hit a low point with volta, but it hit a high point with vulnicra. the discography gets a little spotty after 2005, but i'll probably just fill this in in totality and iron out the mistakes in the review process. i first heard bjork on muchmusic in the early to mid 90s doing some horn-heavy peter gabrielish pop music. one of my dead uncles was a big bjork fan before he died.
bjork vespertine 2001 iceland 0
bjork post 1995 iceland 1
billy corgan the future embrace 2005 us 4 billy corgan emerged in the late 80s as the virtuoso guitarist and lead singer of the psychedelic rock band the smashing pumpkins and systematically became a dominant cultural force in american music before sabotaging his own career by insisting on writing subpar 80s synth pop about ten years before it came back into fashion and then on continually being an asshole with bad politics in public ever since. my first exposure to the smashing pumpkins was via the rhinoceros video c. 1992ish; i did not buy gish until later, but i bought siamese dream (on cassette) not long after it was released and actually due to being interested in the guitar riff for geek usa, which i pulled out of a guitar world article. corgan briefly had a column in guitar world. i had already been playing guitar for a few years and had at that point taken basic acoustic and more advanced blues guitar lessons, but i taught myself how to play guitar more seriously primarily via learning early smashing pumpkins (and soundgarden) songs. i believe that this 2005 release, which i purchased close to it's release date, was written primarily by bon harris of nitzer ebb and it is largely forgettable and disappointing. i was a substantive smashing pumpkins fan in junior high school and high school (1993-2000) and have a nearly complete discography of the original lineup, from 1989-2001. it may take more than a day to listen to all of the smashing pumpkins cds i have, in order. i do not have any of the smashing pumpkins releases after 2001 at all, but i should probably buy the 2007 and 2012 releases just to shelve them. i don't have any interest in billy corgan's work after about 2015 or so, but i'll probably eventually buy it anyways, just to slam it. he still has time to refind himself, but it would require reacquianting himself with his guitar, and he doesn't seem to want to do that. there was such a drastic decrease in the quality of the guitar playing after 1996 that i've wondered over the years if somebody else played guitar on his early releases and f corgan was in truth just an actor in a fake band (or if it was even his father playing) and my own interest in corgan is going to wane until or if he ever gets his guitar style back, which i'm not holding my breath for. i'm not looking for loud and stupid, i'm looking for abstract and psychedelic; i'm just not interested in listening to corgan try to be a songwriter, as that was never his strength as a musician, if it was even him playing at all. nor do i want to listen to corgan try to be a keyboard player. corgan, in recent years, is clearly just interested in the cash, and has consistently made awful artistic decisions in an attempt to appeal to 80s hair metal boneheads, which is what he appears to have actually been, himself.
billy cobham spectrum 1973 panama 0 billy cobham is a drummer that initially appears with john mclaughlin on a series of late 60s miles davis records before he and john mclaughlin left davis' band to start the mahavishnu orchestra. the earliest cobham-mclaughlin pieces are on a string of davis records, which can function as pre-mahavishnu if what you really want is that mclaughlin/cobham pairing. this classic record has the distinction of featuring tommy bolin (who was ritchie blackmore's initial replacement in deep purple) on guitar rather than john mclaughlin. i am a john mclaughlin fan and picked this up used in the early 00s on that basis but do not have much else with cobham; as with bruford, i would consider anything that features cobham on it to be worth purchasing, if found in the right bin. however, the other cobham solo discs are drum-oriented and do not feature prominent guitar playing, so may be less interesting unless you are looking for drum work, which i am not.
bill bruford one of a kind 1979 uk+ire 1 bill bruford initially emerged in the late 60s as the drummer for the band yes, but was at some point stolen by robert fripp and ended up as the drummer for king crimson, instead. these two bruford/holdsworth (there's a write-up for holdsworth down the page) collaborations happened during a down period for king crimson, when fripp was working on the berlin trilogy with brian eno and david bowie. the 1977 release also features robert fripp's wife on vocals. these records were initially released on brian eno's record label (eg records) and one of the discs i have (both inherited from my father, who was not a drummer but pretended he was and was a bill bruford fan for that reasob) is an eg release, while the other is a re-release printed by bill bruford himself. now, i'm no drummer, i'm a guitarist and my cd collection is consequently guitar-centric rather than drum-centric, but it has a fair amount of bruford in it; there's a reason that bill bruford has the distinction of having worked with almost every substantive guitarist of the 70s and 80s and it's that he was the best drummer out there for years. for me, the draw to these records is that they feature alan holdsworth essentially as a temporary replacement for robert fripp and in the process feature a distinct shift towards holdsworth's style rather than fripp's. they are (along with the uk record) the best introduction to alan holdsworth. there is a third bruford record, but it doesn't have holdsworth on it. i don't have any of the earthworks releases, which are more drum-focused, but i have most of his work with king crimson and yes. i actually have a relatively complete bruford discography, minus the earthworks material, which i would pull out of the right bin, but which i'm not actively seeking. if you find any lp or cd with bll bruford's name on it, it is worth purchasing, if found in the right bin.
bill bruford feels good to me 1977 uk+ire 1
benny goodman bg in hifi 1955 us 1 benny goodman was a clarinet player from chicago and real as shit motherfucking gangster that is known for his work in developing the subgenre of swing. i probably first read about benny goodman on the internet, but i don't have a clear recollection of my first exposure to him. i have long had a nurturing interest in barn-burning, drunken, rowdy swing music, of which this mostly isn't. these three cds all came out of the cbc overflow bin for a $1 each. benny goodman largely existed before the lp era so there's major overlap in the various compilations available on cd, but i would purchase any benny goodman i saw anywhere, for cheap. these collections do not feature any performances by any of the most notable benny goodman band members, such as gene krupa or louis armstrong.
benny goodman small groups (1941-1945) 1989 us 1
benny goodman the best of benny goodman and his orchestra (1935-1945) 1990 us 1
belle and sebastian dog on wheels 1997 uk+ire 9 belle and sebastian first arose out of the remnants of the shoegaze movement in the uk in the late 90s and have developed in a way that i find to be frustrating. i want to hear belle and sebastian write more involved and elaborate compositions, but they are frequently more interested in writing lo-fi material, whic is frustrating to me as i find the idea of cutesy little boys crooning on sparkly guitars to be trite and cliched and boring. there's a talented singer-songwriter in this band that has been stunted by the expectation of conformity within the indie rock scene, which he's fallen in line with rather than railed against. i would have been exposed to belle and sebastien via communicating with radiohead fans on the internet in the mid 90s. i purchased this ep in a used bin in ottawa for cheap out of curiosity, on that basis. i've kept this out of print ep around because it is legitimately an interesting teaser, but a deeper exploration into their discography didn't generate much further interest in them from me and i've long since given up on them. however, i dated a girl in the early 00s that pulled this ep off my shelf and loved it so much that she bought a bunch of their better known records and played them in the house, which familiarized me more with their discography up to that point. i don't currently expect to purchase further belle and sebastien cds, but a careful survey and evaluation of their discography is possible and it is foreseeable that i might pull a thing or two out of it, if it happens.
barry adamson as above, so below 1998 uk+ire 2 barry adamson emerged out of uk post-punk scene as the bassist for alternate reality genesis cover band magazine and then, under the heavy influence of blixa bargeld, nick cave and jim thirlwell (as a member of the bad seeds), morphed into a jazz/techno artist with a heavily idosyncratic sound. this particular record tells a story that is somewhat of a concept record and is considered a high point. while i am not familiar with most of his discography, i would nonetheless expect to fill this in over time. finding records by bands like magazine at this late a date in small cities in canada is hopeless, i'll have to order it. this disc was purchased second hand in ottawa c. 1999ish. it has an imported to montreal sticker on it, indicating somebody ordered it from the uk. i would have picked this up on name recognition.
barenaked ladies gordon 1991 canada 1 the barenaked ladies eventually had a hit single that was some kind of a reggae song, and they are known for that in the united states, but that was on something like their fifth record. their earlier records were highly successful in canada; they were a household name in canada from 1992 on. they emerged on a street corner in toronto and conquered the country during the alternative rock moment and alternative rock is broadly what they were; i don't want to call this a children's record exactly, although they were appealing to young people and were extremely popular amongst teenagers in canada in the early 90s. at the time, their audience would have been in the 15-25 age range; young, but not kids. this was and remains one of my biggest influences, and for good reason as it's an incredibly well produced and diverse cd. i at one point had copies of their next couple of records, but my tastes changed around 1993 and i was no longer interested in the type of music they created, which also suffered from a dramatic decrease in complexity. they tried to become a by-the-textbook, poppier, jangly college rock band after this for a few years, and i don't think the results were very interesting. it's likely that gordon will remain stranded in this list. however, the (very talented) rhythm section has released some instrumental jazz records since then, and i may find myself more interested in exploring that at some point.


mar 17-18, 2024
autechre untilted 2005 uk+ire 2 autechre emerged out of the late 80s uk electronic music scene as a duo that was less interested in being intelligent, exactly, and more interested in not being dumb and what makes their records better than almost everything in the techno universe is that they've succeded for decades in avoiding being dumb. while generally seen as one of the key and seminal artists in the history of techno, they in truth have few imitators and their use of tools like max and c++ gives them more in common with modern classical music composers than with djs in the dance music culture. they stand alone as unique sound design artists. autechre is the second artist in this list that i would label a favourite band and as something i've followed closely since the 90s. i did decide to sell the bass cadet single because it was tvt, and somebody stole my copy of confield; those two omissions and some small eps not withstanding, this is otherwise a very nearly complete discography from 1993-2005 that was collected slowly over that time frame and temporarily ends when i generally stopped buying cds altogether. i am familiar with everything autechre has done since 2005 and would consider oversteps and sign/plus as high points. i will eventually fill this in. autechre have spoken about being influenced by industrial luminaries like skinny puppy and coil, while dwayne goettel indicated late in his life that he was inspired by early autechre, which was a primary influence on the direction taken by goettel in download, and it would have actually been via exposure in industrial music circles, rather than techno music circles, that i became interested in autechre.
autechre draft 7.30 2003 uk+ire 3
autechre gantz graf 2002 uk+ire 0
autechre peel session 2 1999 uk+ire 3
autechre peel session 1999 uk+ire 9
autechre ep 7.2 1999 uk+ire 0
autechre ep 7.1 1999 uk+ire 3
autechre lp5 1998 uk+ire 1
autechre chiastic slide 1996 uk+ire 0
autechre tri repetae 1995 uk+ire 1
autechre anvil vapre 1995 uk+ire 2
autechre garbage 1995 uk+ire 2
autechre amber 1994 uk+ire 1
autechre anti 1994 uk+ire 1
autechre incunabula 1993 uk+ire 3
arvo part spiegel im spiegel 1978 estonia 0 arvo part is a contemporary minimalist composer that began writing expressive orchestral compositions before he took a drastic shift in direction strictly into religious music, which i'm not interested in. these pieces are from before his shift to religious music and are some of the most intensely emotional pieces of classical music i've ever heard. these cds were picked up at cd warehouse in the 90s. i believe that i first heard about arvo part via communication with gybe fans.
arvo part tabula rasa 1977 estonia 0
arvo part fur alina 1976 estonia 0
arvo part symphony 3 1971 estonia 2
arvo part collage uber bach 1964 estonia 2
arnold schoenberg pelleas et melisande 1905 austria 5 arnold schoenberg was an austrian composer that is best known for completely ruining music. it's not the break from tonality by introducing the tone row that is catastrophic about schoenberg (i slam mozart, i slam schoenberg, what do i want?) but the fact that he just wasn't a talented composer, and his teachers told him that. his melodies suck, his harmonies are shit, etc. instead, schoenberg repeatedly resorts to calculated delves into contrived drama via the overuse of extreme tension, making his music the perfect soundtrack to an old man dying of a heart attack (or perhaps a mime being filmed interpreting the event). i bought this cd for cheap to do required listening for a 20th century music course, and i've kept it around because it has an absurdist niche as halloween music or as the kind of thing you can upset your asshole neighbours with. there's something to be said about completely terrible music. these symphonies are highly valued in some circles, but the truth is that they're vapid shock rock with little real musical value (making schoenberg somewhat akin to the alice cooper or marilyn manson of his era) and that schoenberg was really an overrated hack. yet, i would and probably will buy more schoenberg in order to shelve it and ultimately to slam it.
arnold schoenberg verklarte nacht 1902 austria 5
aphex twin richard d. james album 1996 uk+ire 0 richard d. james (aka the aphex twin amongst other things) emerged out of the acid house scene in the late 80s as a very young electronic sound artist and has become one of the most important progenitors of an idiosyncratic form of british techno. my aphex twin collection took a hit in the early 00s when i sold most of it because it was all reprise imports i bought cheap second hand; i expected to replace them with warp imports but i never got around to it. this particular album is considered a high point. i'm overdue to fill this in and that will happen when i get to doing it. i believe i was first exposed to aphex twin via the nine inch nails record further down the spiral, which features two original compositions.
antonio carlos jobim stone flower 1970 brazil 0 antonio carlos jobim was a mega superstar in brazil who was known for developing and popularizing the subgenre of jazz known as bossa nova. this cd is considered a high point in his discography. i picked this up in a discount bin in the mid 90s out of curiosity after first hearing his work on the lost highway soundtrack and it's become one of my favourite records over the years. if i found more jobim records in the right bin i would grab them, but his popularity in latin america has not transferred to canada, where he is an obscure mid-20th century composer.
wolfgang amadeus mozart piano quartet no. 1 in g minor 1785 austria 5 mozart was a child prodigy whose commercial breakthrough came with the brilliant masterpiece "twinkle twinkle little star" (< /sarcasm>) and who then spent his career delighting bourgeois acadamics and church leaders alike by approaching music composition like he was solving an engineering problem by perfectly applying the theory of bach without interjecting any discernible level of heretical creative or independent thought. i find mozart to be boring. this piece is on one of the dvorak discs.
antonin dvorak piano quintet in A major 1888 czechia 3 dvorak was a slavic ethnomusicologist and late romantic composer working in eastern europe c. 1900. these pieces come from two dvorak cds that i purchased in the cbc overflow bin for cheap to shelve, out of curiosity. i was mildly familiar with dvorak (i had a cd with the new world symphony at one point but haven't seen it in years and guess i sold it, although i don't remember it explicitly), but not with these pieces. i first learned about dvorak in a music history course i took when i was a university student. i was not overly impressed by either piece. if the dances have some value as folk music, that value is lost on their appropriation by the bourgeois academic.
antonin dvorak all slavonic dances 1886 czechia 5
angels of light sing other people 2005 us 3 this is the acoustic version of michael gira, who otherwise releases under the name swans with a collection of new york no wave musicians. the intial angels material was strong, but these two records catch gira in somewhat of a rut and i'd avoid them. back in the late 90s and early 00s, gira always charged so much for his records (which you had to mail order) that he priced me out, and i just downloaded them instead. i'm long overdue to buy them, but is he still charging $40/disc? the reason i have these two cds is that i bought them at angels of lights concerts in montreal in 2003 and 2005 and they're actually both signed by gira for that reason. my interest in angels of light is as outgrowth of my interest in swans, which i learned about from the internet community i was a part of in the mid 90s.
angels of light everything is good here / please come home 2003 us 3
animal collective hollinndagain 2006 us 3 animal collective was a loser geek boy phenomenon in the early 00s and something i strenuously avoided for some time because my initial impression of them was that i thought they were dumb. i think i first heard about them via online chatter, but i can't pinpoint exactly where. they were a buzz band; i heard about the hype, and then wasn't remotely impressed. however, as a music critic and cd collector, i eventually had little choice but to carefully survey their discography, because it reached a level of popularity where they could no longer be ignored. after listening to their discography very carefully, my analysis of their output didn't change, but this record did differentiate itself as a unique anomaly in ther discography. while sorting through this list will expose an interest in experimental music, the reality is that my primary interest is in actual music and i need a real level of musicianship to root the sound in when listening to anything labeled as experimental. i need my experimental music to be actual music, too. there's a difference between a controlled experiment and shitting on a canvas, and animal collective has simply never passed the bullshit test. these kids weren't actually musicians, and it was obvious from the start. i grasp that that might actually be appealing to some, but i've consistently labeled early animal collective as what it actually is, which is pretentious rich children that don't know what they're doing aimlessly fucking around with equipment that they don't understand and trying to mass manufacture it as a corporate product, which they succeeded in doing. the buzz that was generated by the loser geek boys that bought their records got them signed to a lucrative recording contract, and they then quickly converted into a generic pop band, probably because the record label started ordering producers to write the music for them because the suits realized they were talentless hacks that couldn't be effectively marketed and yet wanted to protect their investment, having already fallen for the hype. however, there was a brief moment around feels where they had developed enough experience to just begin to start to know what they were doing a little but hadn't sold out yet and in that brief moment they accidentally stumbled on to something that is both substantive and interesting. feels is a pop record, but it has no clear parallel in pop music history (which is not true for their later releases, which are generic pop records that sound like radiohead or coldplay or u2). i don't hear much worth taking note of before feels, and what is after feels is just boring generic pop music, but i have to accept feels as a substantive and interesting record. i bought these cds together used at cd warehouse in ottawa c. 2006 for a couple of dollars, total, because they were there. i don't have any particular intention to buy more animal collective, but it's the kind of thing that i'd pull out of the $2 bin if i found it in there just to rip it apart.

note: i just learned that a member of the mope-rock band mum, who was dating one of the losers in the band at the time, was the primary writer and performer on this record, and that is likely the reason it stands out as a singular release that is more substantive than anything they did before or after this record. i haven't listened to much mum as i've found it to be too mopey, but i would certainly list it as more compositionally interesting than animal collective. she seems to have been responsible for providing the vital injection of musical understanding that they lack on all records before and after, which allowed them to express their ideas in ways that they did not understand how to do on their own, as they had absolutely no idea what they were doing, whatsoever.
animal collective feels 2005 us 1
allan holdsworth atavachron 1986 uk+ire 2 allan holdsworth initially emerged out of the canterbury prog scene via performing in a handful of bands like soft machine and gong and in the process gained a reputation as being both a highly technical and highly expressive guitarist, which is rare. he became known in that scene primarily as a hendrix replacement (because everybody wanted to find the soul of jimi hendrix on the curb somewhere), but has since been cited by a number of prominent guitarists as being next level, technically. he eventually released his most substantive recordings with a drummer named bill bruford, who had previously worked with both yes and king crimson (i have these bruford/holdsworth records and value them highly). this particular cd was given to me by my father because he thought it was too weird for him, which is how i came into posession of a number of left-field prog and fusion classics and how i learned about holdsworth more generally. he tended to like his prog to be straight forward and driving (he was not a drummer, but he like to pretend he was one, so his record collection was heavy on drummers like bruford and collins) and would periodically take chances on these discs via name recognition and just not like them. this record contains a selection of holdsworth's experiments with a device called a synthaxe, which is an instrument that is technically a synthesizer that is shaped like a guitar and is played half like a guitar and half like a synth and is in fact fairly weird. it's not a midi guitar, exactly. unlike my dead father, i like weird, but this record is also a little cheesy. holdsworth can be esoteric, overbearing and tedious to non-guitarists; he's essentially the james joyce of guitar players, so you have to be willing to work through it to enjoy it, but any serious guitarist will speak of his work highly, even if it's not reflected in this particular record. the bruford discs that are coming up are a better starting point for holdsworth, who recently died. i would like to find more holdsworth, which has always been obscure, but may never find them, especially now given his death.


mar 16, 2024
alice in chains nothing safe 1999 us 1 i was and still am a grunge fan and consider it to be a subgenre of punk rock. alice in chains were one of the most prominent grunge bands from seattle, which was now long enough ago that some people might not know much about it. i think i first heard alice in chains on muchmusic c. 1992ish. i did have facelift on cd at one point, but i didn't like it very much and eventually sold it. i have actually never purchased dirt on cd, but i still have my cassette from the early-mid 90s. i've commented elsewhere that alice in chains are more substantive musically than they are often given credit for due to the accidental microtonality in the vocals (in fact, layne staley was tone deaf, and consistently just missed the notes, but his voice was so powerful that it often functions as accidental harmonization. this is the classic alice in chains sound, and it's just a consequence of poor ear training, but it often sounds incredible.). however, of the four major seattle grunge bands, alice in chains also holds up the least well, all of these years later. they were opportunistic metalheads, and that's what's happened with alice in chains post-staley, they became an awful metal band. it's a shame, as there was a mad season record released in the mid 90s that demonstrated a lot of potential and jerry cantrell would likely make more interesting music as a solo artist. as a young guitarist, i bought the last two records new in local corporate music stores within a week of their release in the 90s (which is also where i bought my cassette of dirt c. 1994-1995ish) and specifically recall buying jar of flies at a garage sale for something like $2.00 c. 1995/1996. i should have a copy of dirt on cd, and i'd rebuy facelift if i saw it cheap.
alice in chains "tripod" 1995 us 2
alice in chains jar of flies 1993 us 0
al dimeola heart of the immigrants 1993 us 2 al di meola is an academically trained guitarist that first appeared as chick corea's virtuoso new kid guitarist and then released a string of albums under his own name starting in the mid 70s. i believe al di meola was first recommended to me by my first guitar teacher, at a small music school in suburban ottawa. i don't have the classic trio of di meola albums on cd, but i did used to have them on vinyl. i sold all of my vinyl several years ago. i am not a vinyl enthusiast. i have flacs. i'm familiar with almost all of his discography and plugging in the holes in his discography with physical cds has been something i've been meaning to get around to and something i'll do when i get back to the review project. these particular cds were both purchased second hand in discount bins. di meola is the very rare example of a guitarist that excels both as a technical player and as a feel player and, for that reason, di meola was probably the most important guitarist of the second half of the 20th century, even if these records are not the best example of that. however, scenario features both phil collins and bill bruford on drums and jan hammer on synthesizers and is an underrated album, as a piece of music.
al dimeola scenario 1983 us 1
aix em klemm aix em klemm 2000 us 2 this is a collaboration between members of labradford and stars of the lid that i picked up second hand in ottawa (at a store called discgoround) due to seeing the name listed in the new releases at brainwashed and which is an exercise in debussy worship. it is arguably better than any stars of the lid or labradford record. my interest would have been from the labradford half, as i find stars of the lid to be tedious and boring.
afro celt sound system sound magic 1996 uk+ire 2 i was already familiar with this world fusion group on real world records when i picked these three records up in the cbc overflow bin due to work they'd done with sinead o'conner and label owner peter gabriel. i don't listen to this every day, but it's a nice change of pace once in a while. i would pick up further afro-celt records if found for cheap.
afro celt sound system release 1999 uk+ire 2
afro celt sound system anatomic 2005 uk+ire 2
adrian belew side three 2006 us 3 solo albums by member of king crimson and session guitarist for frank zappa, talking heads, david bowie and nine inch nails (to name a few), who i initially heard via his work with one of those artists, although i don't recall exactly which. he is best known for his work with king crimson. his backing band for the 2004 release was danny carey and les claypool. his earlier out of print material is more abstract; good luck finding it. i picked the three sides up in the 00s when they were released and the other two randomly in used bins. i have yet to hear adrian's entire discography, which has always been somewhat obscure and hard to find. while one of the most important session guitarists of the last 50 years, adrian is know for his expressive playing, rather than for his technical prowess.
adrian belew side two 2005 us 2
adrian belew side one 2004 us 1
adrian belew op zop too wah 1996 us 3
adrian belew here 1994 us 4
adam saikaly tropigogic 2010 canada 5 local ottawa musician, i must have picked this up at a show he played at. it was at giraffes giraffes, probably.
thee silver mt zion memorial orchestra fuck off get free we pour light on everything 2014 canada 1 this was really the successor project to gybe until gybe reformed and one of the bands that i followed very closely in the 00s. i purchased the first mt zion cd at record runner in ottawa shortly after it's release. this is a complete or close to complete collection of mt zion cds on constellation records slowly collected in real time from 1999-2014. it's not clear if there wil be further mt zion recordings as efrim menuck and jessica moss don't seem to be getting along as well as they used to anymore.
thee silver mt zion memorial orchestra kollaps tradixionales 2010 canada 4
thee silver mt zion memorial orchestra & tralala band 13 blues for thirteen moons 2008 canada 0
thee silver mt zion memorial orchestra & tralala band horses in the sky 2005 canada 4
thee silver mountain reveries pretty little lightning paw 2004 canada 1
the silver mt zion memorial orchestra & tralala band with choir this is our punk rock, thee rusted satellites gather + sing 2003 canada 1
the silver mt zion memorial orchestra & tralala band born into trouble as the sparks fly upward 2001 canada 3
a silver mt zion he has left us alone but shafts of light sometimes grace the corner of our rooms 1999 canada 0
1000 homo djs supernaut 1990 us 9 one-off ministry side project featuring a black sabbath cover (with trent reznor), a lard experiment (with jello biafra) and a couple of ministry outtakes with live guitars that are almost grungey. i sold most of my ministry cds but kept the classic records and also kept a selection of rarities like this one. this was initially released on wax trax!, but this is a tvt version i found in a used bin in the mid 90s and which i learned about by reading the fucking faq at alt.music.nin.
1 speed bike droopy butt begone! 2000 canada 2 this is aidan girt from gybe's lofi techno project and something i purchased in a large mail order from cst records in 2001. i didn't keep up with this, but there are several other 1 speed bike records released off constellation that i'll probably only ever purchase if i find them somewhere for cheap.


i haven't been able to log in here to keep track of this over the last two+ months, but i am going to take note of the pile of cds i have on my computer desk and list them alphabetical-chronological before i put them away. i did listen to all of these at some point over the last couple of months.

the result of what's going on with my neighbours is that i'm forcing myself to move my writing completely offline. i don't know what their issue is, but they have some desperate need to control me. so, i'm redesigning my web pages for offline storage and will be slowly converting everything into pdf documents for upload instead of web pages and blogs. the result will be more readable, but it will also mean that it won't update as often. i recently set up my stereo system so that it's a four way speaker system to allow me to listen to music when i'm typing and i'm going to be taking advantage of that fact as i recover from this attempt at dominance. i will be documenting the steps that i take in a new technical blog in the form of a series of walk throughs in pdf format.

i am still planning on using the pi as a front-end for my music review archive, but what i'll be doing over the next several weeks is just listening to everything as i put it back on the shelf. this has been life for me over the last several years, constant distractions forcing me to constantly start and restart everything i' doing and that prevent me from getting any work done. this sucks, but it's reality.

mar 15, 2024
autechre chastic slide 1997 uk+ire 0
dave grohl (with butch vig) phoney baloney 2016 us 8
dead voices on air piss frond 1998 canada 1
fuck buttons street horrsing 2008 uk+ire 0
inri cassette demo #1 1996/2013 canada
inri cassette demo #2 1997/2013 canada
inri inricycled 1997/2013 canada
inri fuck the dead 1998/2016 canada
inri skaters 1998/2016 canada
inri useless 1998/2016 canada
inri confused 1998/2016 canada
inri hey god 1998/2016 canada
inri i did your mom 1998/2016 canada
inri why 1998/2016 canada
inri nope 1998/2016 canada
inri i think i feel much better now 1998/2016 canada
inri on sexual confusion in adolescence 1998/2016 canada
genesis the brazilian 1986 uk+ire 0
radiohead ok computer 1997 uk+ire 0
rem out of time 1991 us 1
sonic youth syr 1 1997 us 0
soundgarden superunknown 1994 us 0
soundgarden down on the upside 1996 us 2
squarepusher music is rotted one note 1998 uk+ire 0
steve reich reich remixed 1999 us 1
tears for fears songs from the big chair 1984 uk+ire 0
the cure the head on the door 1985 uk+ire 1
the cure disintegration 1989 uk+ire 0
tortoise standards 2001 us 1
u2 the joshua tree 1987 uk+ire 0
u2 the unforgettable fire 1984 uk+ire 0
u2 under a blood red sky 1983 uk+ire 0
u2 war 1983 uk+ire 1
u2 boy 1980 uk+ire 1


feb 9, 2024
radiohead karma police 1997 uk+ire 1


feb 2, 2024
rem world leader pretend 1988 usa 1


jan 21, 2024
la dispute harder harmonies 2011 usa 1


jan 9, 2024
u2 the joshua tree 1987 uk+ire 0
u2 the unforgettable fire 1984 uk+ire 0
u2 under a blood red sky 1983 uk+ire 0
u2 war 1983 uk+ire 1
u2 boy 1980 uk+ire 1

=============


note: when i first moved to windsor, i bought a stack of cds for $0.50/cd that belonged to the local cbc station and the station was moving out of their library. they were mostly shelf items that a collector "ought" to have and consequently sat in a box for the next sever`al years. i am finally sorting through those cds. this is the reason i'm currently listening to old swing and jazz records, as well as some classical music, starting with afro-celt and moving forwards alphabetically.

also note that i reject the youtube or spotify streaming model (i don't use spotify. at all. i won't.) as a source of revenue and instead accept the bandcamp model, which designates streaming as a means of advertising. to youtube, the customers are the advertising companies that are placing ads on what they call "content". artists don't get a substantive cut in this model because they are not producing a desirable product; the artist merely produces "content", to which an ad may be appended, and the transaction of value occurs between the customer [the advertising company] and their audience [the person watching the youtube video]. the item being sold becomes the item in the ad. to maintain this model, youtube needs to convince you that buying music is obsolete and that the relationship between artist and listener is no longer financial. in the bandcamp model, however, the relationship between artist and listener is maintained and the "content" is actually the product, which is being advertised via the stream. in this model, youtube admittedly becomes a chump by providing the free lunch of free server space, but that's their fault for creating a foolish model, and it's not my problem.

as such, i feel no responsibility to watch an ad in order to send paltry amounts of ad revenue to the artists that created the music, and reject the premise as disingenuous; the music i listen to is especially not interested in trying to generate income from youtube or spotify but rather uses those sites as a means of advertising to send listeners to their bandcamp sites, or their own pages, where listeners can become customers and purchase the actual music. i will continue to support the artists i like by buying tickets to concerts and by buying physical cds.

i am not going to be distracted by google's delusions in pretending it has undone the bandcamp model, as it hasn't and as it can't. youtube can be a replacement for the radio and be an improvement over the radio, but spotify can't replace or function as a personal music library and poses no serious threat to the independent music market. spotify should actually strongly consider opening itself up to a general web interface instead of requiring an app for download, as it really offers no benefits over youtube, which is easier to access and use and remains free. as a radio replacement, spotify cannot compete with youtube. i just went to spotify and searched for 'cardiacs' and it took me to the cardigans. useless. in order for spotify or youtube to be a serious threat to the independent music market, they would need to offer the things that consumers of independent music actually want, namely access to independent music, high quality audio streams and physical packages that are both visually appealing and allow the consumer to feel as though they've purchased something worth collecting. the basic truth is that i'm a cd collector; it's a commodity fetish, and there's no way for streaming audio to compete with this. i'm currently sorting through the cst catalog and i may buy things i'd never listen to just so i can have them, as cst releases. digital audio offers no analog to this. as a basic pre-requisite, it would need to begin by matching or bettering the sound quality, which it will not do because of the amount of server space required. the bandcamp model is capable of offering me what i want, as a consumer; the youtube model is not.

i am checking on wikipedia right now and it claims that amazon, apple and tidal are the serious options for services that offer lossless audio and might seriously compete with bandcamp, not youtube or spotify. i would argue the smart money is on amazon being the one that wins, as amazon is the service offering consumers what they actualy want, but tidal looks most interesting to me. i permanently boycott everything apple out of spite due to their shitty advertising and won't consider their streaming audio service. i recently bought a phone like android device without a sim card for $100 for use with this pi as a streaming peripheral and it is likely that tidal is the option i will go with, but i need to do more research, first. neither tidal nor amazon use the yotube model, either, they are subscription services that want to sell you access to a library of high quality audio as high quality audio, not trick you into buying a music subscription in order to in turn sell you as a listener to an advertising company, who is the real customer. actual access to a real limitless virtual library of lossless audio is something else that is different than an update to the radio (which was also a medium to place ads), and it may have it's use value in my life, but it is still an adjunct to purchasing the physical item and adding it to the collection and can still never replace it.

---
fuchsia is the color code for the ones i have. i'll order the first ten five greens when they come up, along with a couple of yellows, and repeat until i'm at athe end. the remaining yellows may turn green over time, and some of the reds may turn fuchsia anyways. red also means "undetermined yet". i'll have to see how many end up left. the strikes are the ones i definitely don't want. i'm generally going to avoid the acoustic or folk material that dominates after 2005ish, as well as most of the more conventional rock bands in the middle of the catalog. the shalabi, sharp, moss and stetson are high probability to turn green, whereas i'm actually lukewarm on the gybe material after 2012.

i've decided that i'm going to be starting the music web project back up with a silver mt zion, which means filling these holes in, first.

cst001 cst002 cst003 cst004 cst005 cst006 cst007 cst008 cst009 cst010 cst011 cst012 cst013 cst014 cst015 cst016 cst017 cst018 cst019
cst020 cst021 cst022 cst023 cst024 cst025 cst026 cst027 cst028 cst029 cst030 cst031 cst032 cst033 cst034 cst035 cst036 cst037 cst038 cst039
cst040 cst041 cst042 cst043 cst044 cst045 cst046 cst047 cst048 cst049 cst050 cst051 cst052 cst053 cst054 cst055 cst056 cst057 cst058 cst059
cst060 cst061 cst062 cst063 cst064 cst065 cst066 cst067 cst068 cst069 cst070 cst071 cst072 cst073 cst074 cst075 cst076 cst077 cst078 cst079
cst080 cst081 cst082 cst083 cst084 cst085 cst086 cst087 cst088 cst089 cst090 cst091 cst092 cst093 cst094 cst095 cst096 cst097 cst098 cst099
cst100 cst101 cst102 cst103 cst104 cst105 cst106 cst107 cst108 cst109 cst110 cst111 cst112 cst113 cst114 cst115 cst116 cst117 cst118 cst119
cst120 cst121 cst122 cst123 cst124 cst125 cst126 cst127 cst128 cst129 cst130 cst131 cst132 cst133 cst134 cst135 cst136 cst137 cst138 cst139
cst140 cst141 cst142 cst143 cst144 cst145 cst146 cst147 cst148 cst149 cst150 cst151 cst152 cst153 cst154 cst155 cst156 cst157 cst158 cst159
cst160 cst161 cst162 cst163 cst164 cst165 cst166 cst167 cst168 cst169 cst170 cst171 cst172 cst173 cst174 cst175 cst176 cst177 cst178 cst179



========

i'll get back to that later.

2023


my upstairs neighbours are trying to control my pi remotely and i do not want to get into a hacking war with them over it. i decided to format/reinstall at the end of november and haven't yet set it back up. instead, i'm using it as a camera to try to catch them breaking in. they have a camera set up in the basement filming me, so they know i have a camera set up and are consequently avoiding it. these are extremely aggressive stalkers that want to control my internet persona(s) and ultimately seem to think i'm a famous blogger, vlogger and musician; they think i'm rich and want to steal the source of my wealth. they're drug addicts and appear to be tied to organized crime. in fact, i don't sell anything at all and i'm dirt poor and live on welfare; my "source of wealth" is government disability. for such stupid people, they've been frustratingly difficult to catch and prosecute.

it could be a while before this is functional again, and i'm just sad and frustrated by it.

dec 2, 2023
pink floyd wish you were here 1975 uk+ire 1


nov 22, 2023
eatliz sunshine 2007 israel 1


nov 20, 2023
rem so. central rain. 1984 us 0


nov 17, 2023
st vincent IV 2014 us 1
st vincent strange mercy 2011 us 1
st vincent actor 2009 us 1
st vincent marry me 2007 us 1


nov 15, 2023
black ox orkestar nisht azoy 2006 canada 9 cst038.
fly pan am n'ecoutez pas 2004 canada 7 cst031
black ox orkestar ver tanzt? 2004 canada 9 cst029.. if i'm going to skip any, it should be this one, but the reality is that none of these are actually bad records, with the exception of the one fly pan am record called "don't listen to this" in french. i'm supposed to be archiving cds in a library, and i'm mostly done with partying. so, i should just be systematic. right?

am i going to save money on shipping if i buy in bulk? that was the point. if not, maybe i should just do a by-year monthly order until i catch up.


nov 14, 2023

this is just a reminder that my youtube watch channel is also here:
https://www.youtube.com/@koalaoversightcommittee
polmo polpo like hearts swelling 2003 canada 5 cst026.
frankie sparo welcome crummy mystics 2003 canada 9 cst023.
exhaust enregistreur 2002 canada 5 cst021.
fly pan am ceux qui inventent n'ont jamais vécu (?) 2002 canada 3 cst019.


nov 13, 2023
do make say think other truths 2009 canada 1 cst062.. this is where i'm stopping for now as i have my five buys: cst022, cst032, cst034, cst046, cst062. i will need to supplment that with an unclear number of yellows, so i'll be more carefully sorting through the yellows and reds from cst019-cst062.
evangelista prince of truth 2009 us/canada 3 cst061.
vic chesnutt at the cut 2009 us/canada 3 cst060.
elfin saddle ringing for the begin again 2009 canada 3 cst059.
land of kush against the day 2009 canada 3 cst058.
clues clues 2009 us/canada 3 cst057.
jem cohen + vic chesnutt + silver mt zion empires of tin 2009 us/canada 9 cst056. i'll watch this, though.
tindersticks the hungry saw 2008 uk 5 cst055.
the dead science villainaire 2008 us 3 cst054.
the dead science throne of blood (the jump off) 2008 us n/a cst053 was a 7" tour ep for the dead science from 2008.
eric chenaux sloppy ground 2008 canada 3 cst052.
a silver mt zion 13 blues for thirteen moons 2008 canada 0 cst051.


nov 12, 2023
a silver mt zion 13 blues for thirteen moons 2008 canada 0 cst051.
evangelista hello voyager 2008 us/canada 3 cst050.
feu therese ca va cogner 2007 canada 3 cst049.
hrsta ghosts will come and kiss our eyes 2007 canada 3 cst048.
vic chesnutt north star deserter 2007 us/canada 2 cst046.
do make say think you, you're a history in rust 2007 canada 2 cst045.


nov 11, 2023
hrsta ghosts will come and kiss our eyes 2007 canada 3 cst048.
sandro perri tiny mirrors 2007 canada 7 cst047.
vic chesnutt north star deserter 2007 us/canada 2 cst046.
do make say think you, you're a history in rust 2007 canada 2 cst045.
lullabye arkestra ampgrave 2006 canada 3 cst044.
eric chenaux dull lights 2006 canada 5 cst043.
sandro perri plays polmo polpo 2006 canada 5 cst042.
carla bozulich evangelista 2006 us/canada 3 cst041.


nov 10, 2023
feu therese feu therese 2006 canada 3 cst040.
a silver mt zion fuck you draculas 2006 canada n/a cst039 was a silver mt zion live record that was never released.
black ox orkestar nisht azoy 2006 canada 9 cst038.
glissandro 70 glissandro 70 2006 canada 3 cst037.
hrsta stem stem in electro 2005 canada 3 cst036.
elizabeth anka vajagic nostalgia/pain 2005 canada 3


nov 9, 2023
black ox orkestar nisht azoy 2006 canada 9 cst038.
glissandro 70 glissandro 70 2006 canada 3 cst037.
hrsta stem stem in electro 2005 canada 3 cst036.
elizabeth anka vajagic nostalgia/pain 2005 canada 3


nov 7, 2023
hanged up clatter for control 2005 canada 1/2
a silver mt. zion horses in the sky 2004 canada 1
re: alms 2004 canada 2


nov 6, 2023
re: alms 2004 canada 2
fly pan am n'ecoutez pas 2004 canada 7
a silver mt. zion pretty little lightning paw 2003 canada 1


nov 5, 2023
elizabeth anka vajagic stand with the stillness of this day 2004 canada 2/3
a silver mt. zion this is our punk rock (thee rusted satellites gather and sing) 2003 canada 1


nov 4, 2023
a silver mt. zion this is our punk rock (thee rusted satellites gather and sing) 2003 canada 1
polmo polpo like hearts swelling 2003 canada 5
do make say think winter hymn country hymn secret hymn 2003 canada 1
godspeed you black emperor yanqui uxo 2002 canada 0


nov 3, 2023
hanged up kicker in tow 2002 canada 1
do make say think & yet & yet 2002 canada 0


oct 28, 2023
count basie the complete atomic basie 1958 (1994 reissue) us 1


oct 27, 2023
the smashing pumpkins mellon collie and the infinite sadness 1995 us 1
the smashing pumpkins pisces iscariot 1994 us 0
the smashing pumpkins earphoria 1994 us 3
the smashing pumpkins siamese dream 1993 us 0
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1


oct 26, 2023
various testing images in vogue, legendary pink dots, smashing pumpkins, do make say think, silver mt zion. bass was blurry. i think the cause was the fan in my recording pc.


oct 24, 2023
the smashing pumpkins siamese dream 1993 us 0


oct 23, 2023
elizabeth anka vajagic nostalgia/pain 2005 canada 3 cst035. marked for tentative purchase.
hanged up clatter for control 2005 canada 1/2 cst034. marked for purchase.
a silver mt. zion horses in the sky 2004 canada 1 cst033. own on cd.
re: alms 2004 canada 2 cst32. marked for purchase.
fly pan am n'ecoutez pas 2004 canada 7 cst31. not marked for explicit purchase.
a silver mt. zion pretty little lightning paw 2003 canada 1


oct 21, 2023
a silver mt. zion pretty little lightning paw 2003 canada 1 cst030. own on cd.
black ox orkestar ver tanzt? 2004 canada 9 cst029. not marked for explicit purchase.
elizabeth anka vajagic stand with the stillness of this day 2004 canada 2/3
a silver mt. zion this is our punk rock (thee rusted satellites gather and sing) 2003 canada 1
polmo polpo like hearts swelling 2003 canada 5


oct 20, 2023
djoto ub313 tales of the wild I1 2016 japan 1/2


oct 19, 2023
djoto ub313 tales of the wild I1 2016 japan 1/2
the odorous beast tales of the wild 1 2016 japan 1/2
djoto ub313 ostrich raindrops 2013 japan 2
djoto slow motion burn 2010 japan 2
otto von schirach magic triangle 2010 us 7
otto von schirach 8000 bc 2001 us 3


oct 18, 2023
otto von schirach 8000 bc 2001 us 3
otto von schirach bass low (partial) 2009 us 12
otto von schirach dracula (partial) 2018 us 12
otto von schirach & qebrus ottobrus 2021 us 3
elizabeth anka vajagic stand with the stillness of this day 2004 canada 2/3 cst028. marked for tentative purchase.
a silver mt. zion this is our punk rock (thee rusted satellites gather and sing) 2003 canada 1 cst027. own on cd.
polmo polpo like hearts swelling 2003 canada 5 cst026. not marked for explicit purchase.
do make say think winter hymn country hymn secret hymn 2003 canada 1


oct 17, 2023
otto von schirach & qebrus ottobrus 2021 us 3
otto von schirach el caballo 2023 us 12
otto von schirach magic triangle 2010 us 7 subcon 38
djoto slow motion burn 2010 japan 2


oct 16, 2023
djoto slow motion burn 2010 japan 2 subcon 39
plateau gort spacebar 2009 canada 3


oct 15, 2023
plateau gort spacebar 2009 canada 3 subcon 41
banana sloth (cevin key?) zombie battle 2019 2009 japan / canada 4 subcon 36


oct 14, 2023
do make say think winter hymn country hymn secret hymn 2003 canada 1
godspeed you black emperor yanqui uxo 2002 canada 0
hanged up kicker in tow 2002 canada 1
do make say think & yet & yet 2002 canada 0
nina paley this land is mine 2012 us 0


oct 13, 2023
melt banana fetch 2013 japan 1
white lung sorry 2012 canada 1
nine inch nails still 2002 us 0
son lux tomorrows 2021 us 1


oct 10, 2023
son lux tomorrows 2021 us 1


oct 9, 2023
son lux tomorrows 2021 us 1
screaming females rose mountain 2015 us 2
screaming females all at once 2018 us 2
screaming females desire pathway 2023 us 3
sonic youth rather ripped 2006 us 3
download microscopic 1996 canada 1
download furnace 1995 canada 0
aduck/filth power/touched 1993 canada 1
deny everything acidosis 2000 canada
johann sebastian bach allegro from the italian concerto in f major 1735 germany 1 john williams, lute music vol II (1967)
johann sebastian bach trio sonata no. 6 in g. major 1730 germany 1 john williams, lute music vol II (1967)
johann sebastian bach adagio from violin sonata no. 4 1723 germany 1 john williams, lute music vol II (1967)
unknown author fugue in g major 1881 germany 1 piece atributed to bach but apparently unknown before 1881. was it written by a descendant of bach? john williams, lute music vol II (1967).
johann sebastian bach wachet auf 1731 germany 1 john williams, lute music vol II (1967)
johann sebastian bach bourees I and II from cello suite no 3 1723 germany 1 john williams, lute music vol II (1967)
johann sebastian bach prelude, fugue and allegro in e-flat major 1735 germany 1 john williams, lute music vol II (1967)
johann sebastian bach chaconne from violin partita in d minor 1720 germany 1 john williams, lute music vol II (1967)
johann sebastian bach lute suite no. 4 in e major 1737 germany 1 john williams, lute music vol II (1967)./td>
mahavishnu orchestra the inner mounting flame 1971 uk+ire 0
mike keneally + metropole orchestra the universe will provide 2004 us/netherlands 0


oct 8, 2023
godspeed you black emperor yanqui uxo 2002 canada 0
do make say think & yet & yet 2002 canada 0
manorexia the radiolerian ooze 2002 us/australia 0
steroid maximus ectopia 2002 us/australia 0
wiseblood pttm 1991 us/australia 1
mr. bungle disco volante 1995 us 0
bjork post 1995 iceland 1


oct 7, 2023
imagine john lennon 1971 uk+ire 1
the trivial group {e} not yet released canada
the trivial group reflections 2003/2015 canada
jjjjjjjjj chamber works 2003/2018 canada
jjjjjjjjj orchestral works 2003/2015 canada
jjjjjjjjj ambient works vol 1-2 2003/2015 canada


oct 6, 2023
benny goodman small groups: 1941-1945 1989 us 1


oct 3, 2023
do make say think winter hymn country hymn secret hymn 2003 canada 1 cst025. own on cd.
godspeed you black emperor yanqui uxo 2002 canada 0
do make say think & yet & yet 2002 canada 0


oct 2, 2023
wugazi 13 chambers 2011 us 8


oct 1, 2023
count basie the essence of count basie 1991 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1


sept 30, 2023
count basie the essence of count basie 1991 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1


sept 29, 2023
godspeed you black emperor yanqui uxo 2002 canada 0
hanged up kicker in tow 2002 canada 1
do make say think & yet & yet 2002 canada 0
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 28, 2023
godspeed you black emperor yanqui uxo 2002 canada 0 cst024. own on cd.
frankie sparo welcome crummy mystics 2003 canada 1 cst023. do not own. did not listen to while bicycling. not marked for explicit purchase.
hanged up kicker in tow 2002 canada 1
do make say think & yet & yet 2002 canada 0
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 27, 2023
hanged up kicker in tow 2002 canada 1 cst022. marked for purchase
exhaust enregistreur 2002 canada 5 cst021. not marked for explicit purchase.
do make say think & yet & yet 2002 canada 0
lard hellfudge 1989 us 0
genesis jesus he knows me 1991 uk+ire 1
benny goodman bg in hifi 1955 us 1
frank zappa joe's garage 1979 us 8
benny goodman bg in hifi 1955 us 1
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 26, 2023
benny goodman bg in hifi 1955 us 1
frank zappa joe's garage 1979 us 8
benny goodman bg in hifi 1955 us 1
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 25, 2023
frank zappa joe's garage 1979 us 8
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 24, 2023
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1


sept 23, 2023
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
do make say think & yet & yet 2002 canada 0 cst020. own on cd.
fly pan am ceux qui inventent n'ont jamais vécu (?) 2002 canada 3
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1


sept 22, 2023
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1


sept 21, 2023
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1
fuel true anarchy in the americas ftaa 2004/2021 canada
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 20, 2023
fly pan am ceux qui inventent n'ont jamais vécu (?) 2002 canada 3 cst019. marked for tentative purchase.
a silver mt zion born into trouble as the sparks fly upwards 2001 canada 6--->2
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 19, 2023
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 18, 2023
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada
fuel true anarchy in the americas ftaa 2004/2021 canada
jjjjjjjjj jjjjjjjjj^2 2002/2014 canada


sept 17, 2023
65daysofstatic we were exploding anyways 2010 uk+ire 0
a place to bury strangers a play to bury strangers 2007 us 2
glenn branca bad smells 1982 us 1 this features thurston moore and lee renaldo on guitar in 1982, when sonic youth was just starting.
glenn branca lesson no 1 for electric guitar / dissonance 1980 us 1
django reinhardt & stephane grappelli continental style 193x/
1994
belgium/
france
1
django reinhardt the indispensable (1949-1950) 1983 belgium/
france
1
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1


sept 16, 2023
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1


sept 15, 2023
nirvana nevermind 1991 us 1


sept 14, 2023
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
a silver mt zion born into trouble as the sparks fly upwards 2001 canada 6--->2 cst018. own on cd
frankike sparo arena hostile 2001 canada 5 cst017. own on cd. did not listen to while bicycling. too mild/boring.
hanged up hanged up 2001 canada 3 cst016. own on cd
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1
al dimeola splendido hotel 1980 us 3


sept 13, 2023
al dimeola casino 1978 us 2
al dimeola elegant gypsy 1977 us 0
al dimeola land of the midnight sun 1976 us 1


sept 12, 2023
garbage special 1998 uk+ire 1


sept 11, 2023
re: mnant 2001 canada 3 cst015. own on cd
1-speed bike droopy butt begone 2000 canada 3 cst014. own on cd
frankie sparo my red scare 2000 canada 5 cst013. own on cd. did not actually listen to while bicycling. too mild/boring.
godspeed you black emperor lift your skinny fists like antennas to heaven 2000 canada 6 cst012. own on cd. cd is kranky.
al dimeola land of the midnight sun 1976 us 1


sept 10, 2023
al dimeola land of the midnight sun 1976 us 1
al dimeola elegant gypsy 1977 us 0
al dimeola land of the midnight sun 1976 us 1
al dimeola elegant gypsy 1977 us 0


sept 9, 2023
al dimeola land of the midnight sun 1976 us 1
al dimeola kiss my axe 1991 us 1
fly pan am sédatifs en fréquences et sillons 2000 canada 2
do make say think goodbye enemy airship / the landlord is dead 2000 canada 1
al dimeola kiss my axe 1991 us 1
al dimeola world sinfonia 1991 us 2
al dimeola tirami su 1987 us 2


sept 8, 2023
al dimeola world sinfonia 1991 us 2
al dimeola tirami su 1987 us 2


sept 7, 2023
al dimeola world sinfonia 1991 us 2
al dimeola tirami su 1987 us 2


sept 6, 2023
al dimeola tirami su 1987 us 2
al dimeola world sinfonia 1991 us 2
fly pan am sédatifs en fréquences et sillons 2000 canada 2 cst011. own on cd.
do make say think goodbye enemy airship / the landlord is dead 2000 canada 1 cst010. own on cd.
a silver mt zion he has left us alone but shafts of light sometimes grace the corners of our rooms 2000 canada 0 cst009. own on cd.
al dimeola tirami su 1987 us 2
al dimeola world sinfonia 1991 us 2


sept 5, 2023
al dimeola tirami su 1987 us 2
al dimeola world sinfonia 1991 us 2


sept 4, 2023
al dimeola tirami su 1987 us 2
al dimeola world sinfonia 1991 us 2


sept 3, 2023
al dimeola tirami su 1987 us 2
al dimeola world sinfonia 1991 us 2
fly pan am fly pan am 1999 canada 2 cst008. own on cd.
sackville principles of science 1999 canada 5 cst007. own on cd. did not actually listen to while bicycling. too mild/bland.
godspeed you black emperor slow riot for new zero kanada 1999 canada 0 cst006. own on cd. cd is kranky. cd purchased directly from the blistered hands of aidan girt after ottawa show at babylon club, 1999.
do make say think do make say think 1998 canada 1 cst005. own on cd.
exhaust exhaust 1998 canada 5 cst004. own on cd.
al dimeola world sinfonia 1991 us 2


sept 2, 2023
al dimeola tirami su 1987 us 2
count basie the essence of count basie 1991 us 1
count basie high voltage 1970 us 1
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1


sept 1, 2023
count basie one more time 1959 us 1
count basie the complete atomic basie 1958 (1994 reissue) us 1


august 31, 2023
al dimeola tirami su 1987 us 2
al dimeola soaring through a dream 1985 us 3
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1
godspeed you black emperor f#a# forever 1997 canada 1 cst003. own on cd and vinyl. cd is kranky.
sofa grey 1997 canada 3 cst002. own on cd. also have cst001 on vinyl.
al dimeola soaring through a dream 1985 us 3


august 30, 2023
al dimeola soaring through a dream 1985 us 3


august 28, 2023
al dimeola cielo e terra 1985 us 2
godspeed you black emperor peel session 1999 canada 1
godspeed you black emperor lift your skinny fists like antennas to heaven 2000 canada 6
fly pan am sédatifs en fréquences et sillons 2000 canada 2
a silver mt zion he has left us alone but shafts of light sometimes grace the corners of our rooms 2000 canada 0
al dimeola cielo e terra 1985 us 2


august 27, 2023
al dimeola cielo e terra 1985 us 2
al dimeola scenario 1983 us 1
al dimeola electric rendezvous 1982 us 2
al dimeola splendido hotel 1980 us 3
al dimeola casino 1978 us 2


august 26, 2023
al dimeola elegant gypsy 1977 us 0
al dimeola land of the midnight sun 1976 us 1


august 25, 2023
fly pan am fly pan am 1999 canada 2
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a# forever 1997 canada 1


august 23, 2023
fly pan am fly pan am 1999 canada 2
godspeed you black emperor slow riot for new zero kanada 1999 canada 0
godspeed you black emperor f#a# forever 1997 canada 1
godspeed you black emperor all lights fucked on the hairy amp drooling 1994 canada 12
a silver mt zion he has left us alone but shafts of light sometimes grace the corners of our rooms 2000 canada 0
weird al fat 1988 us 1


august 19, 2023
hot snakes audit in progress 2004 us 1
hot snakes jericho sirens 2018 us 1
nirvana in bloom 1991 us 1
skinny puppy addiction / deep down trauma hounds 1987 canada 1
white zombie supersexy swingin' sounds 1995 us 8
queen sheer heart attack 1974 uk+ire/
iran
1
skinny puppy rarities cd-r 1998 canada welt - noreen (a demo that has ogre singing but became the fall, by ministry), mutual mortuary (ogre/leeb), raw dog (ogre/rave), lee chubby king (hilt fuckaround), a chud convention (87 ambient brap), pre-ohgr (descent II soundtrack), puppy remix, key/goettel solo (resonance)
hot snakes jericho sirens 2018 us 1


august 18, 2023
obits moody, standard and poor 2011 us 3
obits i blame you 2009 us 2
hot snakes audit in progress 2004 us 1


august 17, 2023
hot snakes audit in progress 2004 us 1
hot snakes sucide invoice 2002 us 1
hot snakes automatic midnight 2000 us 1
drive like jehu yank crime 1994 us 0
drive like jehu drive like jehu 1991 us 1
hot snakes jericho sirens 2018 us 1
hot snakes audit in progress 2004 us 1
hot snakes sucide invoice 2002 us 1
coil everything keeps dissolving ("presents time machines") 2000 uk+ire 1
coil queens of the circulating library 2000 uk+ire 1
coil constant shallowness leads to evil 2000 uk+ire 1
hot snakes automatic midnight 2000 us 1 i learned of the death of rick froberg yesterday.


august 16, 2023
drive like jehu yank crime 1994 us 0
drive like jehu drive like jehu 1991 us 1 i learned of the death of rick froberg today.
the black heart procession two 1999 us 1
the black heart procession one 1998 us 2
masada masada sextet live in marciac 2008 us 3
nirvana breed 1991 us 1


august 15, 2023
jane's addiction nothing's shocking 1988 us 1
swans the seer 2014 us 2


august 14, 2023
son lux alternate forms 2023 us 3
radiohead the bends 1995 uk+ire 1
jjjjjjjjj jjjjjjjjj & jjjjjjjjj^2 (maximal recombination) 2023 canada


august 12, 2023
the trivial group interplanetary isomorphism 2004 canada
the trivial group the fundamental theorem of poeticity 2004 canada
cycles per second the spontaneous combustion of leonardo pisano 2004 canada


august 11, 2023
son lux alternate forms 2023 us 3
future of the left the peace and truce of future of the left 2016 uk+ire 1
future of the left travels with myself and another 2009 uk+ire 1
future of the left curses 2007 uk+ire 1
future of the left arming eritrea 2009 uk+ire 1
son lux alternate forms 2023 us 3


august 10, 2023
garbage version 2.0 1998 uk+ire 1
the trivial group xenophanes 2004 canada
benny goodman the best of benny goodman and his orchestra 1990 us 1
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1
al dimeola world sinfonia heart of the immigrants 1993 us 3


august 9, 2023
the trivial group xenophanes 2004 canada
ministry every day is halloween 1984 us/cuba 1


august 8, 2023
the trivial group {e} 2004 canada


august 7, 2023
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1
al dimeola world sinfonia heart of the immigrants 1993 us 3


august 6, 2023
the trivial group {e} 2004 canada


august 4, 2023
the offspring pretty fly (for a white guy) 1998 us 8


august 3, 2023
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1


august 2, 2023
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1


august 1, 2023
the smashing pumpkins pisces iscariot 1994 us 1
trent reznor & atticus ross teenage mutant ninja turtles soundtrack 2023 us


july 31, 2023
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3
benny goodman bg in hifi 1955 us 1
benny goodman small groups: 1941-1945 1989 us 1
al dimeola world sinfonia heart of the immigrants 1993 us 3
the smashing pumpkins the end is the beginning is the end (fluke promo cd + comprehensive remixes cd-r) 1997 us 3
the doors the end 1967 us 8
wiseblood pttm 1991 us/australia 1
antonio carlos jobim stone flower 1970 brazil 1
john zorn (w/ dave lombardo & fred frith) xu feng (game pieces vol 1) 2000 us 1
benny goodman small groups: 1941-1945 1989 us 1


july 30, 2023
benny goodman small groups: 1941-1945 1989 us 1
benny goodman bg in hifi 1955 us 1
al dimeola world sinfonia heart of the immigrants 1993 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3
wolfgang amadeus mozart piano quartet no. 1 in g minor 1785 austria 5
antonin dvorak piano quintet in a major 1888 czechia 3


july 29, 2023
ministry the record colloquially referred to as "psalm69" 1992 cuba/us 1
son lux tomorrows, I 2020 us 1
the trivial group all you need 2003/2022 canada
jjjjjjjjj orchestral works 2003/2015 canada
anamanaguchi dawn metropolis 2009 us 1
anamanaguchi power supply 2006 us 1
adebisi shank this is the second album of a band called adebisi shank 2011 uk+ire 1
adebisi shank this is the third album of a band called adebisi shank 2014 uk+ire 1


july 28, 2023
benny goodman bg in hifi 1955 us 1
al dimeola world sinfonia heart of the immigrants 1993 us 3
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3
wolfgang amadeus mozart piano quartet no. 1 in g minor 1785 austria 5
antonin dvorak piano quintet in a major 1888 czechia 3
antonin dvorak slavonic dances (full set) 1886 czechia 5


july 27, 2023
al dimeola world sinfonia heart of the immigrants 1993 us 3


july 26, 2023
chester thompson a joyful noise 1991 us 3
charlie hunter & pound for pound return of the candyman 1998 us 3
wolfgang amadeus mozart piano quartet no. 1 in g minor 1785 austria 5
antonin dvorak piano quintet in a major 1888 czechia 3
antonin dvorak slavonic dances (full set) 1886 czechia 5
al dimeola world sinfonia heart of the immigrants 1993 us 3
afro-celt sound system anatomic 2005 uk+ire 5
afro-celt sound system volume 2: release 1999 uk+ire 2
afro-celt sound system volume 1: sound magic 1996 uk+ire 1


july 25, 2023
the trivial group all you need 2003/2022 canada
jjjjjjjjj orchestral works 2003/2015 canada
afro-celt sound system volume 2: release 1999 uk+ire 2
afro-celt sound system volume 1: sound magic 1996 uk+ire 1


july 24, 2023
skinny puppy last rights 1991 canada 0
skinny puppy too dark park 1990 canada 0
skinny puppy rabies 1989 canada 1
skinny puppy vivisectvi 1988 canada 1


july 23, 2023
skinny puppy vivisectvi 1988 canada 1
skinny puppy cleanse fold and manipulate 1987 canada 1
red hot chili peppers fire 1985 us 1
red hot chili peppers (with dave navarro) warped 1995 us 1
rollins band liar 1994 us 1
black flag drinking and driving 1985 us 1


july 22, 2023
weezer the blue album 1994 us 1
jjjjjjjjj orchestral works 2003/2015 canada
jjjjjjjjj ambient works, vol 1-2 2003/2015 canada
rem automatic for the people 1992 us 1


july 21, 2023
skinny puppy vivisectvi 1988 canada 1
skinny puppy cleanse fold and manipulate 1987 canada 1
jello biafra and doa full metal jackoff 1989 us/canada 1
bad religion true north 2013 us 1
bad religion against the grain 1990 us 1
bad religion no control 1989 us 1
bad religion suffer 1988 us 1
dead kennedys bedtime for democracy 1986 us 1
skinny puppy hexonxonx 1989 canada 1
skinny puppy fascist jock itch 1989 canada 1


july 20, 2023
the cure three imaginary boys 1979 uk+ire 1
coil musick to play in the dark vol 2 2000 uk+ire 1
coil musick to play in the dark vol 1 1999 uk+ire 1


july 19, 2023
william orbit pieces in a modern style 2000 uk+ire 1
karcius kaleidoscope 2006 canada 2


july 18, 2023
karcius kaleidoscope 2006 canada 2
sunsquabi live 2019 2020 us 2


july 17, 2023
i mother earth scenery and fish 1996 canada 1
adebisi shank this is the third album of a band called adebisi shank 2014 uk+ire 1
adebisi shank this is the second album of a band called adebisi shank 2011 uk+ire 1
adebisi shank this is the album of a band called adebisi shank 2008 uk+ire 1


july 16, 2023
adebisi shank this is the album of a band called adebisi shank 2008 uk+ire 1
adebisi shank this is the ep of a band called adebisi shank 2008 uk+ire 1
adebisi shank this is the second album of a band called adebisi shank 2011 uk+ire 1
colossal squid swungert 2019 uk+ire 2
genghis tron dream weapon 2023 us 6
colossal squid swungert 2019 uk+ire 2
colossal squid colossal squid 2016 uk+ire 2


july 15, 2023
three trapped tigers remix or die 2012 uk+ire 3
three trapped tigers numbers: 1-13 2012 uk+ire 1
three trapped tigers route one or die 2011 uk+ire 1
cardiacs guns 1996 uk+ire 3
cardiacs sing to god 1996 uk+ire 4
rem so. central rain. 1984 us 1
cardiacs heaven born and ever bright 1992 uk+ire 2
squarepusher hard normal daddy 1997 uk+ire 1
three trapped tigers numbers: 1-13 2012 uk+ire 1


july 14, 2023
three trapped tigers numbers: 1-13 2012 uk+ire 1
three trapped tigers route one or die 2011 uk+ire 1
genghis tron board up the house 2008 us 1
melt banana fetch 2013 japan 1
nine inch nails fixed 1993 us 0
nine inch nails broken 1992 us 1
cardiacs songs for ships and irons 1991 uk+ire 1
cardiacs on land and in the sea 1989 uk+ire 1


july 13, 2023
cardiacs a little man and a house and the whole world window 1988 uk+ire 1
cardiacs rude bootleg (reading festival, 1986) 1986 uk+ire 1
cardiacs the seaside 1983 uk+ire 0
cardiacs archive cardiacs 1982 uk+ire 8
lush spooky 1992 uk+ire 1
lush gala 1990 uk+ire 1
lush mad love 1990 uk+ire 1


july 12, 2023
lush scar 1989 uk+ire 1
lush spooky 1992 uk+ire 1 still
eurythmics sweet dreams (are made of this) 1983 uk+ire 1 again with the short red hair.
david bowie aladin sane 1973 uk+ire/detroit 1 my short red hair has me feeling very aladdin sane.


july 11, 2023
the trivial group {e} 2004 canada
jjjjjjjjj ambient works vol 1 + 2 2003 canada


july 10, 2023
nirvana breed 1991 us 1
coil musick to play in the dark vol 1 1999 uk+ire 0
autechre oversteps 2010 uk+ire 0
lingouf doeme 2011 france 0
pinkish black self titled 2012 us 2
the great tyrant there's a man in the house 2011 us 0
speedy ortiz major arcana 2013 us 2
screaming females all at once 2018 us 2
screaming females desire pathway 2023 us 3


july 9, 2023
rx bedside toxicology 1998 canada/us 1


july 8, 2023
mammatus sparkling waters 2023 us 1
mammatus expanding majesty 2015 us 1
defeater empty days + sleepless nights 2011 us 1
touche amore is survived by 2013 us 1
rem up 1998 us 1


july 7, 2023
delerium semantic spaces 1994 canada 0


july 4, 2023
mike oldfield tubular bells III 1998 uk/spain 1


july 1, 2023
a silver mt zion teddy roosevelt's guns 2005 canada/quebec/montreal 1


june 26, 2023
mr. bungle disco volante 1995 us 0


june 20, 2023
the trivial group {e} 2005 canada
the trivial group throatmotor fragment 2005 canada
the trivial group impressionist jazz punk 2005 canada
jjjjjjjjj the symphony of psilocybin induced madness 2006 canada
tetris the crash 2007 canada
jjjjjjjjj percussive works 2007 canada
the trivial group guitar jam demo 2008 canada
tetris evil is a human construction 2010 canada
the trivial group grungesong #31415 2010 canada
proverbs proverbs 2011 canada


june 17, 2023
nine inch nails piggy (nothing can stop me now) 1995 us 1


june 16, 2023
dead kennedys fresh fruit for rotting vegetables 1980 us 1
son lux remedy 2017 us 1
son lux stranger forms 2016 us 1
son lux bones 2015 us 1
son lux alternate worlds 2014 us 1
son lux lanterns 2013 us 1
son lux tear 2013 us 1
son lux we are rising - remixed 2012 us 1
son lux we are rising 2011 us 1
son lux weapons 2010 us 1
son lux at war with walls and mazes 2008 us 1
indricothere indricothere 2007 us 0


june 15, 2023
garbage garbage 1995 uk+ire 1
st vincent st vincent 2014 us 1
st vincent strange mercy 2011 us 1
st vincent actor 2009 us 1
st vincent marry me 2007 us 3


june 14, 2023
indricothere indricothere 2007 us 0
mammatus heady mental 2013 us 1
autechre tri repetae 1995 uk+ire 1
son lux remedy 2017 us 1
son lux stranger forms 2016 us 1
son lux bones 2015 us 1
son lux alternate worlds 2014 us 1
son lux lanterns 2013 us 1
son lux tear 2013 us 1
son lux we are rising - remixed 2012 us 1
son lux we are rising 2011 us 1
son lux weapons 2010 us 1
son lux at war with walls and mazes 2008 us 1


june 13, 2023
la dispute somewhere at the bottom of the river between vega and altair 2008 us 1


june 5, 2023
bad religion the kids are alt-right 2018 us 8


may 30, 2023
die warzau engine 1995 us 1
autechre gantz graf 2002 uk+ire 0


may 19, 2023
the smashing pumpkins pisces iscariot 1994 us 0
the smashing pumpkins earphoria 1994 us 1
the smashing pumpkins a version of mashed potatoes on one cd-r 1994 us 9
various no alternative 1993 us 4
the smashing pumpkins disarm 1994 us 1
the smashing pumpkins today 1993 us 1
the smashing pumpkins siamese dream 1993 us 0
the smashing pumpkins cherub rock 1993 us 1


may 18, 2023
various singles soundtrack 1992 us 4
the smashing pumpkins i am one 1992 us 1
the smashing pumpkins peel sessions 1991 us 2
the smashing pumpkins lull 1991 us 1
the smashing pumpkins gish 1991 us 1
the smashing pumpkins 02/12/91 1991 us 9
the smashing pumpkins 02/09/91 1991 us 9
the smashing pumpkins 6/16/90 1990 us 9
the smashing pumpkins second 89 demo 1989 us 3
the smashing pumpkins first 89 demo 1989 us 3
the smashing pumpkins 3/16/89 1989 us 9
the smashing pumpkins 5/10/88 1988 us 9


may 17, 2023
mike keneally + metropole orchestra the universe will provide 2004 us/netherlands 0


may 16, 2023
steve reich reich remixed 1999 us 1
cevin key music for cats 1997 canada 0
jimi hendrix if 6 was 9 1967 us/uk+ire 1
lenny kravitz are you gonna go my way? 1993 us 1


may 15, 2023
arvo part tabula rasa 1977 estonia 0
henryk gorecki symphony no 3 1976 poland 1
steve reich new york counterpoint 1985 us 1
steve reich eight lines (octet) 1979/1983 us 1
skinny puppy last rights 1991 canada 0
nine inch nails further down the spiral 1995 us 0
the tear garden the last man to fly 1993 canada/netherlands 1
barenaked ladies gordon 1992 canada 1
sonic youth syr1 1997 usa 0
philip glass symphony 2 1993 us 0
philip glass symphony 3 1995 us 1
claude debussy la mer 1905 france 0
claude debussy nocturnes 1900 france 0
frank zappa joe's garage 1979 us 8
steroid maximus ectopia 2002 us/australia 0
manorexia the radiolerian ooze 2002 us/australia 0
download the eyes of stanley pain 1996 canada 0
sergei rachmaninov piano concerto no 2 1901 russia 0
sergei rachmaninov piano concerto no 3 1909 russia 0


may 14, 2023
a silver mt zion 13 blues for 13 moons 2008 canada/quebec/montreal 1
david bowie i'm afraid of americans 1997 v uk+ire/us 1
philip glass koyaanisqatsi 1982 (1997 v) us 0


may 11, 2023
human eye they came from the sky 2011 us 1
autechre oversteps 2010 uk+ire 0
claude debussy nocturnes 1900 france 0
sergei rachmaninov piano concerto 2 1901 russia 0
do make say think frederica 2003 canada 0
mahavishnu orchestra noonward race 1971 uk+ire 1
mike oldfield qe2 1980 uk+ire 1
the white stripes black math 2003 us 1
the white stripes little acorns 2003 us 0
download the eyes of stanley pain 1996 canada 0
live where fishes go 2000 us 1
wellwater conspiracy tidepool telegraph 2000 us 1
godpeed you black emperor slow riot for new zero kanada 1999 canada/quebec/montreal 0
do make say think goodbye enemy airship the landlord is dead 2000 canada 1
coil musick to play in the dark vol 1 1999 uk+ire 0
a silver mt zion he has left us alone but shafts of light sometimes grace the corners of our rooms 2000 canada/quebec/montreal 0


may 9, 2023
the great tyrant adorable 2011 us 1


may 6, 2023
inri why 1998 canada


may 5, 2023
reagan youth usa 1984 us 1


may 2, 2023
bruce cockburn if i had a rocket launcher 1984 canada 0
our lady peace hope 1994 canada 1


may 1, 2023
inri too cold 1999 canada


april 23, 2023
stone temple pilots trippin' on a hole in a paper heart 1996 us 0


april 17, 2023
nirvana all apologies 1993 us 1


april 15, 2023
red hot chili peppers suck my kiss 1992 us 1


april 9, 2023
my life with the thrill kill kult the days of swine and roses 1990 uk 1


april 7, 2023
nine inch nails heresy 1993 us 1


april 5, 2023
rap news the singularity 2014 australia 0


mar 31, 2023
reagan youth usa 1984 us 1


mar 7, 2023
crash test dummies superman song 1991 canada 1


february 12, 2023
sergei prokofiev scythian suite 1915 russia 2
sergei prokofiev violin concerto no 1 1917 russia 2
sergei prokofiev symphony no 1 1917 russia 5
sergei prokofiev chout suite 1920 russia 2
sergei prokofiev piano concerto 3 1921 russia 1
sergei prokofiev piano concerto 2 1923 russia 2
sergei prokofiev violin concerto no 1 1917 russia 2
sergei prokofiev scythian suite 1915 russia 2
sergei prokofiev chout suite 1920 russia 2
sergei prokofiev piano concerto 1 1912 russia 3
sergei prokofiev piano concerto 2 1923 russia 2
sergei prokofiev piano concerto 3 1921 russia 1
sergei prokofiev the love for three oranges,
piano march
1922 russia 2
sergei prokofiev the love for three oranges,
orchestral suite
1924 russia 5
sergei prokofiev le pas d'acier (orchestral suite) 1926 russia 5
sergei prokofiev divertissement 1929 russia 5
sergei prokofiev sinfonietta in a 1929 russia
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1
sergei prokofiev the fiery angel (symphony no 3) 1928 russia 1
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist
bela bartok the listenable bartok 2023 hungary 7 playlist
depeche mode the salvageable depeche mode 2023 uk+ire 1 playlist
depeche mode songs of faith and devotion 1993 uk+ire 6
depeche mode ultra 1997 uk+ire 6

february 11, 2023
the beatles the baffling beatles
(aka the buckets of paint thrown against the wall album)
2023 uk+ire 1 playlist
sergei prokofiev scythian suite 1915 russia 2
sergei prokofiev violin concerto no 1 1917 russia 2

february 10, 2023
the beatles the baffling beatles (aka the buckets of paint thrown against the wall album) 2023 uk+ire 1 playlist

february 7, 2023
sergei prokofiev chout suite 1920 russia 2
sergei prokofiev piano concerto 3 1921 russia 1
sergei prokofiev piano concerto 2 1923 russia 2
sergei prokofiev the love for three oranges,
piano march + orchestral suite
1924 russia 5
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1
sergei prokofiev le pas d'acier (orchestral suite) 1926 russia 5
sergei prokofiev the fiery angel (symphony no 3) 1928 russia 1
sergei prokofiev divertissement 1929 russia 2
sergei prokofiev sinfonietta in a 1929 russia
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist

february 6, 2023
various artists a history of satire in clips 2023 global 1 playlist
sergei prokofiev scythian suite 1915 russia 2
sergei prokofiev violin concerto no 1 1917 russia 2
sergei prokofiev symphony no 1 1917 russia 5
sergei prokofiev chout suite 1920 russia 2
sergei prokofiev piano concerto 3 1921 russia 1
sergei prokofiev piano concerto 2 1923 russia 2
sergei prokofiev the love for three oranges,
piano march + orchestral suite
1924 russia 5
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist

february 5, 2023
sergei prokofiev dreams 1910 russia 12
sergei prokofiev autumnal 1910/
1934
russia 12
sergei prokofiev piano concerto no 1 1912 russia 3
sergei prokofiev scythian suite 1915 russia 2
sergei prokofiev violin concerto no 1 1917 russia 2
sergei prokofiev symphony no 1 1917 russia 5
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist

february 4, 2023
sergei prokofiev sinfonietta in a 1904/
1929
russia 5
sergei prokofiev dreams 1910 russia 12
sergei prokofiev autumnal 1910/
1934
russia 12

february 3, 2023
bela bartok violin concerto 2 1939 hungary 5
bela bartok the listenable bartok 2023 hungary 7

february 2, 2023
bela bartok suite no 1 for orchestra 1905 hungary 5
bela bartok two pictures 1910 hungary 5
bela bartok four pieces 1912 hungary 5
bela bartok the miraculous mandarin (suite) 1926 hungary 7
bela bartok the wooden prince 1916 hungary 5
bela bartok violin concerto 2 1939 hungary 5

february 1, 2023
bela bartok suite no 2 for orchestra 1907/
1943
hungary 3
bela bartok suite no 1 for orchestra 1905 hungary 5

january 31, 2023
sergei prokofiev symphony no 6 1947 russia 2
sergei prokofiev symphony no 4 (v 2) 1947 russia 3
sergei prokofiev pushkin waltzes 1949 russia 5
sergei prokofiev summer night 1950 russia 5
sergei prokofiev cello concerto for orchestra (v 2) 1951 russia 3
sergei prokofiev orchestral suite from
the tale of the stone flower pt 1-3
1951 russia 5
sergei prokofiev symphony 7 1952 russia 3
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist
bela bartok scherzo in c major from (unfinished)
symphony in E flat major
1902 hungary 5
bela bartok suite no 1 for orchestra 1905 hungary 5
bela bartok suite no 2 for orchestra 1907/
1943
hungary 3

january 30, 2023
sergei prokofiev violin concerto no 2 1935 russia 5
sergei prokofiev suite from romeo & juliet no 1-3 1936 russia 5
sergei prokofiev russian overture 1937 russia 3
sergei prokofiev cello concerto 1938 russia 2
sergei prokofiev alexander nevsky 1938 russia 5
sergei prokofiev suite from semyon kotko 1941 russia 2
sergei prokofiev the year 1941 1941 russia 1
sergei prokofiev symphony 5 1944 russia 2
sergei prokofiev ivan the terrible pt 1 & 2 1945 russia 5
sergei prokofiev suite from cindarella no 1-3 1946 russia 5
sergei prokofiev waltz suite for orchestra 1946 russia 5
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist

january 29, 2023
sergei prokofiev american overture 1928 russia 5
sergei prokofiev divertissement 1929 russia 2
sergei prokofiev sur le borysthene 1931/1933 russia 1
sergei prokofiev piano concerto 3 1921 russia 1
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1
sergei prokofiev the fiery angel (symphony no 3) 1928 russia 1
sergei prokofiev divertissement 1929 russia 2
sergei prokofiev the prodigal son (symphony no 4) 1930 russia 2
sergei prokofiev sur le borysthene 1931/1933 russia 1
sergei prokofiev piano concerto 4 1931 russia 2
sergei prokofiev piano concerto 5 1932 russia 2
sergei prokofiev suite from lieutenant kije 1934 russia 5
sergei prokofiev suite from egyptian nights 1934 russia 3
sergei prokofiev violin concerto no 2 1935 russia 5
sergei prokofiev the proficient prokofiev 2023 russia 1 playlist

january 28, 2023
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1
sergei prokofiev american overture 1928 russia 5
sergei prokofiev the fiery angel (symphony no 3) 1928 russia 1
sergei prokofiev divertissement 1929 russia 2

january 26, 2023
bela bartok the listenable bartok 2023 hungary 7 playlist

january 25, 2023
bela bartok the listenable bartok 2023 hungary 7 playlist

january 24, 2023
bela bartok violin concerto no 2 1939 hungary 5
bela bartok concerto for two pianos, percussion and orchestra 1940 hungary 3
bela bartok piano concerto no 1 1926 hungary 7
bela bartok piano concerto no 2 1931 hungary 7
bela bartok music for strings, percussion and celesta 1936 hungary 8
bela bartok concerto for two pianos, percussion and orchestra 1940 hungary 2
bela bartok concerto for orchestra 1943 hungary 2
bela bartok piano concerto no 3 1945 hungary 2
bela bartok the listenable bartok 2023 hungary 7 playlist
sergei prokofiev iron and steel (symphony no 2) 1924 russia 1

january 23, 2023
bela bartok music for strings, percussion and celesta 1936 hungary 8
bela bartok divertimento 1939 hungary 5
bela bartok concerto for orchestra 1943 hungary 2
bela bartok violin concerto no 2 1939 hungary 5

january 22, 2023
various artists the zero list 2023 global 0 playlist
claude debussy nocturnes 1899 france 0
sergei rachmaninov piano concerto no 2 1901 russia 0
ralph vaughan williams fantasia on a theme by thomas tallis 1910 uk+ire 0
scott joplin the entertainer 1902 us 5
pyotr ilyich tchaikovsky symphony 5 1888 russia 1
irving berlin puttin' on the ritz 1927 us 0
bela bartok piano concerto no 1 1926 hungary 7
bela bartok rhapsody no. 2 for violin & orchestra 1928 hungary 5
bela bartok piano concerto no 2 1931 hungary 7
bela bartok piano concerto no 3 1945 hungary 2

january 21, 2023
depeche mode the salvageable depeche mode 2023 uk+ire 1 playlist

january 20, 2023
depeche mode the salvageable depeche mode 2023 uk+ire 1 playlist
depeche mode pipeline 1983 uk+ire 0

january 19, 2023
depeche mode black celebration 1985 uk+ire 3
depeche mode music for the masses 1987 uk+ire 3
depeche mode violator 1990 uk+ire 2

january 18, 2023
depeche mode a broken frame 1982 uk+ire 7
depeche mode construction time again 1983 uk+ire 7
depeche mode some great reward 1984 uk+ire 7
kmfdm sucks 1993 germany/us 8

january 17, 2023
65daysofstatic decomposition theory live 091117 2020 uk+ire 2
morton subotnick silver apples of the moon 1967 us 0
65daysofstatic disquiet 2020 uk+ire 5
65daysofstatic utopian frequencies 2020 uk+ire 3
jesus jones doubt 1991 uk+ire 3
jesus jones perverse 1993 uk+ire 3
depeche mode some great reward 1984 uk+ire 7
depeche mode black celebration 1985 uk+ire 3
depeche mode music for the masses 1987 uk+ire 3
depeche mode violator 1990 uk+ire 2
the grapes of wrath now and again 1989 canada 3
the grapes of wrath these days 1991 canada 3
depeche mode violator 1990 uk+ire 2
depeche mode songs of faith and devotion 1993 uk+ire 6
depeche mode ultra 1997 uk+ire 6

january 11, 2023
the doors the end 1966 us 8
neil young my my, hey hey (out of the blue) 1979 canada/us 8
neil young hey hey, my my (into the black) 1979 canada/us 8
r.e.m it's the end of the world as we know it (and i feel fine) 1987 us 0

january 3, 2023
bush rhineland: 16-08-1997 1997 uk+ire 2 youtube playlist
radiohead new york city: 19-12-1997 1997 uk+ire 2
spice girls viva forever (album version) 1997 uk+ire 0
emf unbelievable 1990 uk+ire 0
jesus jones right here,right now 1991 uk+ire 1

january 2, 2023
our lady peace montreal: 29-06-1997 1997 canada 2 youtube playlist
the jesus lizard new york city: 31-12-1997 1997 us 2

january 1, 2023
dead kennedys triumph of the swill 1986 us 0
dead kennedys nazi punks fuck off 1981 us 3
skinny puppy tin omen 1989 canada 0

2022

december 31, 2022
the dead science los angeles: 14-10-2008 2008 us 3 youtube playlist
the smashing pumpkins chicago: 26-10-1996 1996 us 3
moist toronto: 16-01-1997 1997 canada 3
i mother earth newfoundland: 18-03-1997 1997 canada 1
age of electric banff: 11-04-1996 1996 canada 3
blue rodeo toronto: 13-03-1991 1991 canada 3
blue rodeo diamond mine live 1991 canada 0
jeff healey toronto: 17-02-1989 1989 canada 3
54-40 banff: 1995 1995 canada 3
collective soul montreal: 27-02-1997 1997 us 4
the tea party montreal: 29-06-1997 1997 canada 2

december 30, 2022
65daysofstatic utopian frequencies 2020 uk+ire 3
65daysofstatic disquiet 2020 uk+ire 5
quest for fire toronto: 27-11-2010 2010 canada 3 youtube playlist
the dead science los angeles: 14-10-2008 2008 us 3

december 29, 2022
65daysofstatic kazimir 2019 uk+ire 3
65daysofstatic fugue state 2019 uk+ire 3
65daysofstatic looped future 2019 uk+ire 3
65daysofstatic ptolyweirds 2019 uk+ire 3
65daysofstatic exvironments, pt 1 2019 uk+ire 5
65daysofstatic miniatures 2019 uk+ire 5
65daysofstatic 7over8 2019 uk+ire 5
65daysofstatic decomp sketches 2019 uk+ire 5
65daysofstatic tempo heavy 2020 uk+ire 5
65daysofstatic resistor/noise 2020 uk+ire 5
65daysofstatic exvironments, pt 2 2020 uk+ire 5
65daysofstatic endings 2020 uk+ire 5
pink floyd the fletcher memorial home 1983 uk+ire 0

december 27, 2022
65daysofstatic a year of wreckage 2019/2020 uk+ire 5

december 26, 2022
65daysofstatic wild light 2013 uk+ire 3
65daysofstatic we were exploding anyways (w/ heavy sky ep extension) 2010/2011 uk+ire 0
65daysofstatic wild light 2013 uk+ire 3
65daysofstatic no man's sky 2016 uk+ire 3
65daysofstatic replicr 2019 uk+ire 3
65daysofstatic a year of wreckage 2019 uk+ire 5

december 25, 2022 - happy saturnalia
65daysofstatic we were exploding anyways (w/ heavy sky ep extension) 2010/2011 uk+ire 0
65daysofstatic silent running 2011 uk+ire 3
65daysofstatic wild light 2013 uk+ire 3
65daysofstatic no man's sky 2016 uk+ire 3
65daysofstatic wild light 2013 uk+ire 3

december 24, 2022
the smashing pumpkins oceania 2012 us 4
the smashing pumpkins zeitgeist 2007 us 4
65daysofstatic replicr 2019 uk+ire 3
john lennon happy xmas (war is over) 1971 uk+ire 1
weird al yankovic christmas at ground zero 1986 us 1
night birds the less the merrier 2013 us 2
65daysofstatic replicr 2019 uk+ire 3
65daysofstatic we were exploding anyways (w/ heavy sky ep extension) 2010/2011 uk+ire 0
night birds the other side of darkness 2011 us 2
night birds born to die in suburbia 2013 us 2

december 23, 2022
son lux everything everywhere all at once (original motion picture soundtrack) 2022 us 2
65daysofstatic replicr 2019 uk+ire 3

december 22, 2022
the smashing pumpkins zeitgeist 2007 us 4
son lux everything everywhere all at once (original motion picture soundtrack) 2022 us 2

december 21, 2022
nine inch nails broken 1992 us 0
nine inch nails fixed 1992 us 0
nine inch nails march of the pigs single 1994 us 1
the smashing pumpkins atum, act I 2022 us 7
the smashing pumpkins zeitgeist 2007 us 4

december 20, 2022
the trivial group bedroom cassette demos ep 2003/2023 canada unreleased

december 11, 2022
juice media rap news 22 - the second heliocentric revoluton 2014 australia 0
juice media rap news 31 - eurodivision 2015 australia 0
juice media rap news 33 - dope francis 2015 australia 0
juice media rap news 30 - new world order 2014 australia 1

december 7, 2022
cardiacs in a city lining 1988 uk+ire 0
peter gabriel games without frontiers 1980 uk+ire 0
radiohead exit music (for a film) 1997 uk+ire 0
garbage #1 crush 1995/1997 uk+ire 1
the tear garden ophelia 1986 canada/uk+ire/dutch 1


opinion decryption matrix:

0 = a mind-shattering, genre defying outburst of pure creativity. benchmarks. if you were trapped on an island...
1 = an absolutely amazing piece of work that will transcend the ages (a "classic").
2 = what a fucking great album!
3 = good but not great.
4 = hit and miss; should have been an ep.
5 = meh.
6 = what a disappointment; it had so much potential.
7 = yeah, that's pretty fucking awful, but it has it's points.
8 = this is absolutely fucking terrible, and that's why i love it!
9 = it's a "collector's item".
10 = i kept the mp3s and sold the disc.
11 = downloaded strictly for review and then immediately deleted in shame.
12 = let us never speak of this again.


full country list:

cities with more than ten hits identified as major cultural centres and denoted in red.

country listed examples
armenia no i have previously owned system of a down records but not currently
australia yes rap news
canberra
new south wales not yet inxs will come up
victoria yes jim thirlwell
melbourne yes juice media, jim thirlwell
western australia not yet tame impala will come up
austria yes mozart
burgenland yes fennesz
salzburg yes mozart
vienna yes schoenberg
belgium yes django reinhardt
hainault (wallonia) yes django reinhardt
east flanders (flanders) yes hooverphonic
brazil yes jobim
rio de janeiro yes jobim
canada yes tear garden
alberta yes dwayne goettel (aduck)
british columbia yes 54-40
kelowna yes the grapes of wrath, andrew judah
vancouver yes 54-40, moist, skinny puppy, download, the tear garden, cevin key, delerium, doa, phil western, white lung, images in vogue, elfin saddle, plateau, cyberaktif, dead voices on air, econoline crush, doubting thomas, hilt
victoria yes frankie sparo, hot hot heat
manitoba yes neil young
winnipeg yes neil young, crash test dummies
newfoundland yes hey rosetta
st john's yes hey rosetta
nova scotia yes sarah mclachlan
halifax yes sarah mclachlan
ontario yes quest for fire
guelph yes baby labour
kingston yes bryan adams
ottawa yes jessica murray (inri, jjjjjjjjj, trivial group, proverbs, cycles per second, rabit is wolf, deny everything, ftaa, cynicide collaboration, tetris, j's adventures in guitarland, etc ), bruce cockburn, adam saikaly, coma lodge
toronto yes quest for fire, jeff healey, blue rodeo, i mother earth, our lady peace, do make say think, barenaked ladies, sandro perri, glissandro 70, lullabye arkestra, james anagnoson & leslie kinton, cowboy junkies, animal faces, gowan
waterloo (regional municipality)
kitchener-waterloo-cambridge
yes kitchener-waterloo symphony orchestra
windsor yes the tea party
quebec yes a silver mt zion
montreal yes a silver mt zion, godspeed you black emperor, karcius, fly pan am, sofa, exhaust, 1-speed bike, re:, hanged up, elizabeth anka vajagic, black ox orkestar, hrsta, feu therese, eric cheneux, clues, land of kush, corey hart, janina fialkowska, leonard cohen
saskatchewan yes age of electric
regina yes the age of electric
chile kind of alain johannes
santiago kind of alain johannes
cuba yes al jourgenson
havana yes al jourgenson
czechia yes dvorak
prague yes the prague quartet
democratic republic of congo yes remmy ongala
kindu yes remmy ongala
estonia yes arvo part
france yes debussy
auvergne-rhone-alpes yes walter gieseking
lyon yes walter gieseking
grand est yes philippe entremont
reims yes philippe entremont
loire yes leo delibes
montbrison yes pierre boulez
ile de france yes django + grapelli
paris yes debussy, django + grapelli, ensemble intercontemporain (boulez)
normandy yes lingouf
le havre yes satie
nouvelle-aquitaine yes ravel
germany yes kmfdm
berlin yes einsturzende neubauten, david bowie
bremen yes faust
hamburg yes kmfdm, the beatles, dietmar schwalke
north rhine westphalia yes can
bonn yes beethoven
cologne yes can
saxony yes johann sebastian bach
liepzig yes bach
saxony-anhalt yes handel
halle yes handel
hellenic republic yes iannis xenakis
attica yes xenakis
athens yes xenakis
hungary yes bela bartok
budapest yes budapest philharmonic orchestra
iceland yes bjork, mum
reykjavik yes bjork
ireland yes adebisi shank
connacht
leinster yes adebisi shank
dublin yes u2, my bloody valentine
fethard yes adebisi shank
wicklow yes god is an astronaut
munster yes richard d. james
limerick yes richard d. james
ulster (including northern ireland) yes the ulster orchestra
belfast yes the ulster orchestra
israel yes eatliz
tel aviv yes eatliz
india yes shankar
uttar pradesh yes shankar
varanasi yes shankar
italy yes mascagni, vivaldi
tuscany yes mascagni
livorno yes mascagni
venetia yes vivaldi
venice yes vivaldi
jamaica yes mantronik
middlesex yes mantronik
spanish town yes mantronik
japan yes melt banana
hokkaido yes ken ishii
sapporo yes ken ishii
kansai yes nobukazu takemura
kyoto yes nobukazu takemura
kanto yes melt banana
tokyo yes melt banana, djoto, yuji takahashi
mexico no i have previously owned santana records but not currently.
morocco yes daniel varsano
casablanca yes daniel varsano
netherlands yes metropole orchestra
new zealand yes gloria saarinen
otago yes straightjacket fits
dunedin yes straghtjacket fits, the verlaines
norway not yet jaga jazzist is coming. supersilent.
pakistan yes nusrat fateh ali khan
punjab yes nusrat fateh ali khan
faisalabad yes nusrat fateh ali khan
panama yes billy cobham
poland yes gorecki
greater poland yes joanna kozlowska
poznan yes joanna kozlowska
lodz yes koprowski
lodz yes koprowski
lower silesia yes gorecki
wroclaw yes gorecki, moszkowski
masovia yes chopin
warsaw yes chopin, warsaw philharmonic orchestra
russia yes tchaikovsky
bashkortostan yes vladimir spivakov
ufa yes vladimir spivakov
donetsk yes prokofiev
kaliningrad yes eta hoffmann
konigsberg yes eta hoffmann
moscow yes sergej bezrodny, alexander malter, olga kern, ussr symphony orchestra,
novgorod yes rachmaninov
pskov yes mussorgsky
karevo yes mussorgsky
saint petersburg yes stravinsky
udmurtia yes tchaikovsky
votkinsk yes tchaikovsky
scotland yes shirley manson / garbage
aberdeen yes evelyn glennie
edinburgh yes shirley manson / garbage, chris connelly, scottish chamber orchestra
glasgow yes belle & sebastien, david byrne, howie b
grangemouth yes cocteau twins
rural yes james macmillan
sweden yes cat rapes dog
uk yes radiohead
east yes depeche mode
cambridge yes david gilmour
chemlsford yes squarepusher
ipswich yes brian eno, photek
east midlands yes tindersticks
nottingham yes tindersticks
london yes cardiacs, pink floyd, spice girls, bush, coil, david bowie, foetus, eurythmics, lush, three trapped tigers, colossal squid, william orbit, the cure, afro-celt sound system, queen, legendary pink dots, jah wobble, brand x, david sylvian, emerson lake and palmer, the philharmonia orchestra, lesley hatfield, rebecca hirsch, the sound, king crimson, atticus ross, coldcut, d*note, nedry, evil ex, la2019, blak nite, summer camp, the orb, adrian sherwood, nurse with wound, current 93, the who, gentle giant
northeast yes mark spybey (zoviet france)
newcastle upon tyne yes mark spybey (zoviet france)
northwest yes john lennon
liverpool yes john lennon, the beatles, paul mccartney,
manchester yes autechre, barry adamson, ghosting season
southeast yes peter gabriel
abingdon yes radiohead
canterbury yes soft machine, alan holdsworth, andy summers, jimi hendrix, fred frith, gong, bill bruford
pembury yes andrea parker
portsmouth yes valerie tryon
reading yes mike oldfield
surrey yes peter gabriel, genesis
southwest yes jesus jones
bath yes tears for fears
bournemouth yes andy summers, robert fripp, bournemouth symphony orchestra
bristol yes fuck buttons, teej
cheltenham yes gustav holst
cornwall yes aphex twin, plug
cotswald yes ralph vaughan williams
devon yes olugbenga
swindon yes meat beat manifesto
west midlands yes duran duran
birmingham yes duran duran, electric light orchestra, black sabbath
yorkshire and the humber yes 65daysofstatic
bradford yes allan holdsworth
doncaster yes john mclaughlin
leeds yes juffage
sheffield yes 65daysofstatic, cabaret voltaire
ukraine yes prokofiev, victor eresko
kiev yes victor eresko
us yes the smashing pumpkins
arizona yes duane eddy
phoenix yes duane eddy
california yes weird al
eureka yes mr bungle
los angeles yes weird al, the doors, morton subotnick, the mothers of invention, bad religion, touche amore, weezer, black flag, rollins band, red hot chili peppers, the offspring, jane's addiction, carla bozulich, the byrds, the lovemongers, tool, l7, the hollywood pursuaders (paul buff), dr. dre, juliette lewis, the dogg pound, ice cube, dave navaro, john cage, tranquility bass, baths, the turtles, captain beefheart, blind melon
san diego yes mike keneally, the black heart procession, drive like jehu, hot snakes, obits, diamanda galas, stone temple pilots, scott weiland
san francisco yes dead kennedys, charlie parker, dave brubeck, american music club, sf seals, kronos quartet, spacetime continuum
santa cruz yes mammatus
stockton yes pavement
colorado yes son lux
boulder yes jello biafra
denver yes son lux, sunsquabi
district of columbia yes fugazi, henry rollins, dave grohl, american balalaika symphony orchestra, dj spooky
florida yes otto von schirach
miami yes otto von schirach
georgia yes collective soul
athens yes rem, vic chestnut, hindu love gods, matthew sweet
atlanta yes collective soul
savannah yes the nighty nite
illinois yes the smashing pumpkins
chicago yes the smashing pumpkins, die warzau, rx, benny goodman, ministry, lard, tortoise, 1000 homo djs, aix em klemm, billy corgan, chris connelly, nina paley, my life with the thrill kill kult, eco-hed, urge overkill, deru
indiana yes michael jackson
gary yes michael jackson
kentucky yes adrian belew
cincinnati (suburbs) yes adrian belew
louisiana yes darren king
new orleans yes darren king
maryland yes philip glass
baltimore yes philip glass, frank zappa, chester thompson, animal collective
massachusetts yes defeater
boston yes defeater, new kids on the block, boston symphony orchestra, buffalo tom, jonathan richman, dan zanes, frank black, the pixies
springfield yes speedy ortiz
michigan yes the white stripes
detroit yes the white stripes, human eye, the supremes, stevie wonder, frustrations
grand rapids yes la dispute
minnesota yes paul westerberg
duluth yes bob dylan
minneapolis yes paul westerberg, soul asylum, bob mould
mississippi yes jim henson
missouri yes uncle tupelo
st louis yes uncle tupelo
new jersey yes night birds
jersey city yes al di meola
new brunswick yes screaming females
new york yes irving berlin
buffalo yes goo goo dolls
new york city yes reagan youth, manorexia, steroid maximus, sonic youth, steve reich, lenny kravitz, indricothere, genghis tron, anamanaguchi, john zorn, wiseblood, swans, masada, white zombie, count basie, glenn branca, a place to bury strangers, angels of light, billy cobam, mahavishnu orchestra, bowery electric, cop shoot cop, firewater, beastie boys, patti smith, bob dylan, robert downey jr, angelo badalamenti, lou reed, rick rubin, philip glass ensemble, bang on a can, olga bell, virtual flannel, keith leblanc, flood
ohio yes nine inch nails
cleveland yes nine inch nails, filter, henry mancini, devo
dayton yes breeders
oklahoma yes annie clark
oklahoma city yes the flaming lips
tulsa yes annie clark
oregon yes gaythiest
portland yes gaytheist, the thermals, yuuki matthews
pennsylvania yes live
philadelphia yes the philadelphia orchestra, samuel barber
rural yes live, god lives underwater
rhode island yes charlie parker
south dakota yes russel means
texas yes the jesus lizard
austin yes the jesus lizard, aix em klemm (stars of the lid), zorch
dallas-fort worth yes the great tyrant, pinkish black, st vincent
houston yes kenny rogers
texarkana yes scott joplin
virginia yes aix em klemm (labradford)
richmond yes aix em klemm (labradford)
rural yes patsy cline
washington yes the dead science
olympia yes nirvana
seattle yes the dead science, wellwater conspiracy, jimi hendrix, nirvana, soundgarden, alice in chains, chris cornell, pearl jam, foo fighters, hater, mudhoney, mother love bone, screaming trees, melvins, candlebox
wisconsin yes butch vig / garbage
madison yes butch vig / garbage
uruguay yes sergio cervetti
soriano yes sergio cervetti
dolores yes sergio cervetti
wales yes future of the left
cardiff yes future of the left
wrexham yes gallops