impressionism or expressionism, as though they're opposite terms? that's an anecdote your teacher pulled out of her ass and is asking to determine if you went to class or not. the truth is it's both and the teacher's a dork.

i haven't listened to this in a while. 2 & 3 are both quite strong - much more interesting than his operas. somebody said something about vivaldi, but glass is far darker and far more vivid than vivaldi. i get more debussy out of it.

i'm trying to find some good tuba samples to model the dynamics properly on a midi guitar. the kind of tuba playing where somebody is blowing into the thing with the aim to knock the house down. it's harder than you might think. oddly, tuba players seem to be unusually reserved and polite folks, which is rather remarkable given the nature of the instrument they play. perhaps they realize the extent of their power and that leads to an exaggerated sense of responsibility. i suppose that would make them excellent nuclear engineers, but they seem to be rather boring musicians. the tuba players of the world really need to throw caution to the wind and let it all loose. they need to unleash all that power and force...

this kind of jumped in my head for the end section, but it's not quite what i want, either.

this is, in fact, the correct way to play the tuba - with extreme force. to hell with all the weakling bourgeois players that are afraid of playing too loud. to get this instrument to sound the way it ought to requires every ounce of lung strength and emotional catharsis you can pull out of the innermost depth of your absolute being. a proper tuba performance should require an oxygen tent.

it's a shame the quality is bad. i need a good sample to get the dynamics right; i'm trying to figure out how to make my guitar sound like one.

http://www.youtube.com/watch?v=6o966wA2N7Q

tubas are actually the best punk instrument if you play them loud enough. for some reason, though, tuba players seem to be incredibly shy and refuse to rock out. i want a rockin' tuba solo, thought punk might be the right search word...

but, no. as timid as ever. sorry, but that tuba player's just not into it. not feeling it.

http://www.youtube.com/watch?v=9JFkg4rKv9s

ommadawn is one of my favourite discs.

you wouldn't happen to have a 45 with some sympathetic note sitar drones you could do this with, would you? something by the byrds, maybe? any kind of raga rock would work, really. i'm curious as to just how similar it is to the velvet underground, as i have a hypothesis that the sound heard in "venus in furs" or "all tomorrow's parties" was developed by playing some raga rock 45s at 33 rpm.

http://www.youtube.com/watch?v=-awaik3mtJ0

you can hear it a bit at the end of this, but it's not a strong enough demonstration.

another song that sounds like the velvets if you play it at half speed...

i've made my point. i'm done now.

http://www.youtube.com/watch?v=KY2U_Jrgj5k

you know, if you play this at half speed, it could be a velvet underground song.

http://www.youtube.com/watch?v=spjcPS4ekOA

deathtokoalas
yup.

try it at half speed with the html player.

i'm pretty much convinced that reed or cale played a byrds 45 at 33 rpm and, voila, we have the velvet underground.

Roel Lassche
Yeah, Velvets were on Tuinal,Beta-Blockers: speeds your life up And also a lot of Owsley';s.read before commending.Al those fuckers are dead,Didn,t care about anything but them selves: In the name of art,glad there gone.

robert mcfall
reed and cale both mentioned liking the byrds, with lou saying that mcguinn was his favorite guitarist at the time.

you can convert this into a velvet undeground song by setting it to half speed with the html player.