speedy ortiz was a good show, even if i got a little lost in my head for parts of it. there were some parts that made me laugh, like how the bros in the audience seemed to like the idea of a song about being the boss, completely missing the feminist undertones; overtones, actually. there were some parts that made me cringe, and there were some parts that were just enjoyable to cave into.
i walked in a little uncomfortable with some of the messaging, and walked out convinced that i've been maybe living in a safe spaces bubble as of late. i think i can get how the frustration of playing for an audience that doesn't really understand what you're saying can get irritating, and might lead to some misguided reactions. as they say, every force has a counterforce. i think my analysis is accurate and needed to be stated, but i'm a little more sympathetic than i let on, after actually observing the reality.
that said, sadie also demonstrated a little bit of tyranny, stopping to yell at her visibly perplexed drummer for "trying to tell me a secret that i don't understand". seems to me like a purge is coming...
various shades of truth, from different perspectives; often, there's value in several of them.
this is a band that's been highly touted by the press for quite a while and is the rare act to get this kind of hype that actually deserves it. they're working in a kind of frankenspace between math rock and pop rock that i think has only scratched the surface of what it could be, and could end up being pretty important, in the long run. it needs expansion in both directions to get to a space that few people have really delved into since sonic youth got dropped from geffen. but it really has massive potential.
in the short run, they're a tight band and i do recommend getting out to see them if you get the chance. it's just maybe not the best idea to assume that the riffs bring certain very out of date attitudes with them; maybe, instead, you should listen to what the songwriter is actually saying.
i wasn't very impressed with either of the opening acts (palehound, alex g).
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